Chamblee54

Several movies have had a world premiere in Atlanta. We will take a look today. Pictures are from “The Special Collections and Archives, Georgia State University Library”. Information about the films is from the Internet Movie Database. This is a repost.
As some of you may know, Gone With The Wind had it’s world premiere at the Lowes Grand Theater on December 15, 1939. The Lowes Grand site is the current location of the Georgia Pacific building. There is a vacant lot next door, on top of some MARTA paraphernalia. This lot was the site of the Paramount Theater, another movie palace that did not survive.
The GWTW premiere was a big deal. Ten year old Martin Luther King Jr. sang with his church choir. Clark Gable requested a private meeting with Margaret Mitchell, who became the envy of every woman in America. When Mr. Gable checked out of his hotel, a lady was going to be given his room. The clerk asked for a minute to change the sheets on the bed, and the lady said, no, I want to sleep on the same sheets as him.
It was the golden age of movies, and the next year Atlanta hosted the first showing of Who Killed Aunt Maggie. The premiere was at the Rialto, on October 24, 1940. The review at IMDB said it was an enjoyable mystery, even if it was a cliche fest. It is not often seen today.
In 1946, Song Of The South had it’s premiere at the Fox Theater. SOTS is a controversial item. It was based on the Uncle Remus stories. These stories were told by rural black people that Joel Chandler Harris knew, while growing up near Eatonton GA. As Wikipedia recounts: “Controversy surrounding his southern plantation themes, narrative structure, collection of African-American folklore, use of dialect, and Uncle Remus character, however, has denigrated the significance of Harris’ work”. You Must Remember This devoted six episodes to Song of the South. (one two three four five six)
The female lead in SOTS was Ruth Warrick. Miss Warrick was a versatile talent. Her first movie role was in Citizen Kane, as Kane’s first wife. She was in many movies, before moving to television. She was perhaps best known as Phoebe Tyler, in the soap opera All My Children. Wikipedia tells a story about her, that is ironic for the female lead of Song Of The South.
“In July 2000, she refused to accept a lifetime achievement award from the South Carolina Arts Commission because she was offended by legislators’ decision to move the Confederate flag from the state Capitol dome to another spot on the grounds in response to a boycott of the state by flag opponents. A lifelong supporter of African-American rights, she felt the flag should be removed completely, and commented, “In my view, this was no compromise. It was a deliberate affront to the African-Americans, who see it as a sign of oppression and hate.”
In 1949, the Paramount had the first screening of The Gal Who Took The West. The female lead was Yvonne De Carlo, who later achieved immortality as Lily Munster. In November 1951, the spotlights returned to Lowes Grand for Quo Vadis
The last film in the GSU picture collection is The Last Rebel. This western had it’s premiere at the Rialto, May 27, 1958. The movie was a return to Atlanta glory for Olivia De Havilland. The film is the story of a man, whose wife dies in a fire during the war between the states. PG questions the use of the Stars and Bars on the marquee.
In 1974, Ringo Starr produced and acted in Son of Dracula. The movie had it’s world premiere at the Cherokee Plaza Theater. Cherokee Plaza is a shopping center on Peachtree Road, just east of the Atlanta city limits. The theater was torn down during a renovation, and the space is currently the produce department at Krogers.
A local radio station hired a band to play in the parking lot at the premiere. At some point, a long limousine pulled up to a stage, and Ringo Starr and Harry Nilsson got out. Both were wearing sunglasses, even though it was after dark. Ringo got on the stage, waved a wand at the crowd, and said “I am turning you into frogs”. He went inside to see the movie, the crowd went home, and the movie was mercifully forgotten.
In 1981, PG went to a supper in an apartment building (now a vacant lot) across Peachtree from First Baptist Church. There was a commotion down the street at the Fox, and PG went to see what it was. Sharkey’s Machine had it’s World Premiere that night.

A local blog recently had a feature about the Healey Building PG worked at 57 Forsyth Street for five years, between 1991 and 1995. This is a good excuse to write some text, and upload some pictures.
PG represented Redo Blue in an architect’s office on the fourteenth floor. His printroom was the third window from the north end, on the third floor from the top. There was a large window, on the west side overlooking Woodruff Park. A surprising amount of attention was captured by the gold dome of the State Capitol. At street level was Broad Street, home to a constantly changing array of merchants.
There were some sights coming in that window. On the coldest winter day in 1993, a music video was filmed on top of the Church’s Fried Chicken on Broad Street. On the week before the Super Bowl, The Dallas Cowboy cheerleaders, and Martin Mull, kicked field goals in the park. When PG left town that Friday, a large, inflated rendering of Izzy, the Olympic mascot, was resting in the park.
It was not completely happy times. In April of 1992, a jury in California delivered an unpopular verdict. The next day, April 30, the streets downtown erupted. People in Rosa’s Pizza got a broken window, to go with their calzones. The next day, a notions shop on the Forsyth Street side had a sign in the window, “Black owned business”.
William T. Healey opened his office building in 1914. There were sixteen stories, taking the entire block between Broad, Walton, Forsyth and Poplar Streets. The firm of Morgan and Dillon designed the building. The original plan was to have twin towers, with the rotunda, and arcade, in the middle. World War One, and the death of Mr. Healey, put a stop to those plans.
The tower stood on the edge of the Fairlie-Poplar district. In photos of downtown, the Healey building, and the Candler building, serve as easily recognized landmarks. For many years, many bus lines ended on Walton Street, at the south end of the building. Hundreds of people waited there to change buses.That custom ended with Marta trains.
The Healey Building has many features that are no longer seen. The terra cotta details are too fancy for today’s buildings. The stairwells had a garbage chute. You could go to the garbage hole on any floor, and throw your trash to a receptacle down below. The building does not have a loading dock. A freight elevator pops up from behind a steel plate on the Forsyth Street sidewalk. This takes deliveries into the sub basement, where they are transferred onto the freight elevator.
Since 2001, the building has been Healey Building Condos
Pictures today are from Wendy Darling, The Healey Building, “The Special Collections and Archives, Georgia State University Library”, and Chamblee54. This is a repost.

One day in the eighth grade, PG had a sore spot in his eye. They called it a stye. One afternoon, he got out of school, walked to Lenox Square, saw a doctor, and got some eye drops.
When he left the doctor’s office, there was a man, standing in front of Rich’s on the sidewalk, selling a newspaper. He had blond hair down past his shoulders. PG asked what the newspaper was. Mostly politics, he said. PG gave him fifteen cents for a copy of “The Great Speckled Bird”.
The Bird was an underground newspaper. It was so bad, it needed to be buried. If you are under fifty, you have probably never seen one. These papers flourished for a while. The Bird was published from 1968 to 1976. The April 26, 1968 edition was volume one, number four. This was what PG bought that day.
The GSU Library has a digital collection. Included in it are copies of The Great Speckled Bird. Included in this collection is edition number four. PG went looking for that first copy. He needed to be patient, for the GSU server took it’s time. Finally, the copy he asked for came up. It was mostly politics.
When PG saw page four, he knew it was the edition from 1968. “Sergeant Pepper’s Vietnam Report” was the story of a young man sent to Nam. It had a paragraph that impressed young PG, and is reproduced here. The rest of the article is not that great, which is typical of most underground newspaper writing.
A couple of years later, PG spent the summer working at the Lenox Square Theater. The number two screen was a long skinny room. If you stood in the right place, you could hear the electric door openers of the Colonial Grocery store upstairs. The Bird salesmen were a feature at the mall that summer, which not everyone appreciated. This was the year of the second, and last, Atlanta Pop Festival. PG was not quite hip enough to make it. He was back in the city, taking tickets for “Fellini Satyricon”. The Bird was printing 26 pages an issue, with lots of ads, pictures, and the distinctive graphics of the era.

Vol.3 no 26 June 29, 1970 was especially memorable. On page 17, there was a bit of eyeroll inducing polemic. PG was easy to impress. The first paragraph is the one that matters. “What is Gay Liberation? It is people telling the truth; it is me telling you the truth NOW, homosexuality is the CAPACITY to love someone of the same sex. For­get all the crap about causes (no one knows and we don’t care), “cures” (there aren’t any, thank god), and “prob­lems.”The only problem is society’s anti-homosexual pro­paganda and the oppression it has produced.”
Stories about hippies, and the Bird, can be found at The Strip Project. This repost has pictures from “The Special Collections and Archives, Georgia State University Library”.