Chamblee54

A comment at a recent post mentioned “Jenning’s Rose Room, a classic poor white juke and dance hall … where Trader Joes now sits.” PG had been in that building when it was called Richards. Pictures are from “The Special Collections and Archives, Georgia State University Library”.
There is no telling what the original use of the building at 931 Monroe Drive was. It was across the street from Grady Stadium, and adjacent to Piedmont Park. The railroad tracks that became the beltline ran behind it. The parking lot was primitive, with a marquee sign built at some point. (PG drove by that sign several nights and saw that Lynyrd Skynyrd was playing.)
There was another nightclub building on the hill behind JRR. One night, PG went to see a jazz band there, accompanied by someone who lived in a nearby house. After seeing the band, PG was led to a horse stable behind the bar. The horses were not well maintained … you could see the ribs sticking out. There is a story of a goat getting loose from the stable, and being chased out of the jazz bar during happy hour.
Jennings Rose Room was before PG’s time. There is a story that some men had lunch there, and made a bet. The idea was to hit a golf ball from the JRR parking lot, and putt it into a hole at Piedmont Park. A biscuit was used as a tee. The first shot went across the street, onto the field at the stadium. Eventually, the ball was hit across Tenth Street, onto a green, and into the cup.
At some point, Jennings Rose Room closed. A gay club called Chuck’s Rathskeller was opened in that location. A rock and roll club or two did business there. Then Richards opened.
The first time PG was in the house was after a Johnny Winter concert at the Fox. There were rumors of visiting musicians dropping by Richards to play after their shows. Mr. Winter was only onstage for a couple of minutes after PG got there.
The most memorable trip to Richards was during the summer of 1973. The headliner was Rory Gallagher, who was ok but not spectacular. The opening act was Sopwith Camel, one of the forgotten bands of the seventies. They performed a novelty hit, “Hello Hello”. Someone in the audience liked it, and paid them to do it again. The band wound up doing “Hello Hello” five times, and said that was the most money they made in a long time.
Average White Band was making the rounds that fall, and had a show at Richards. A lot of the audience was black, and they hit the dance floor in unison when “Pick up the Pieces” was played. Fellow Scotsman Alex Harvey was in town, and joined AWB to sing “I heard it through the grapevine”.
Muddy Waters played at Richards one night. The band did most of the playing, with Mr. Waters tossing in a few licks on bottleneck guitar. He might have sang a couple of times.
About this time, Iggy Pop played a few shows at Richards. One night, someone snuck up on him, and gave him a hug. It was Elton John, wearing a gorilla suit.
PG saw three more shows (that he can remember) at Richards. Richie Havens was worth the two dollar admission. Soft Machine played in the winter of 1974. Larry Coryell played a show that summer, with the Mike Greene Band opening. PG got to talk to Mike Greene that night. The National Association of Recording Arts and Sciences (who do the Grammy Awards) had a President named C. Michael Greene at one time. PG thinks this is the person he talked to that night.
Two friends of PG went, as their first date, to see Spirit at Richards. They were married a few years later. Towards the end of 1974, Richards was running out of steam. They advertised a New Years Eve show starring B.B. King, and sold high priced tickets. When the crowd showed up for the show, they found the doors locked. Richards had closed.
The next tenant for 931 Monroe Drive was going to be Cabaret After Dark, a gay club. There was a fire the night before the grand opening. The building was never used again. Eventually, a shopping center was built on the site.
UPDATE: Here is an article, from the Great Speckled Bird, about Richards. This is a repost.

The Great Southeast Music Hall was an important part of life in Atlanta during the seventies. It was located in the elbow of a shopping center, Broadview Plaza. A bowling alley was downstairs, a two level K mart next door, and Atlanta’s first hispanic neighborhood across the street. Like almost everything else here, Broadview Plaza was torn down, and replaced by a more uppity set of stores.
When you went into the lobby of the Music Hall, you noticed the walls. Performers were given a magic marker, and encouraged to leave a message. John Mayall found the ladies room, and said he likes to be near the ladies. The late Phil Ochs said “Impeach Nixon and Agnew”. What happened to those boards is a good question.
The auditorium held about 500 people. The stage was only three feet or so above the floor. There was an empty space in front of the stage, and a few rows of bench backs behind that. When the place opened, there were lots of pillows on this floor, with the Music Hall logo. The carpet in this front area was fresh when the place opened, and got progressively grosser as the years went by. Beer was served in aluminum buckets, and inevitably some wound up on the carpet.
The show the Music Hall is most famous for is the US debut of the Sex Pistols. PG didn’t make it that night, but has heard from a few who did. The performance was said to be horrible. There are stories of Sid Vicious wandering through the apartments around Broadview trying to find heroin. Years later, PG was reading about that night in Please Kill Me, when the train he was riding pulled into the Lindberg Marta station. This is across the street from the Broadview Plaza, still standing at the time.
These days, the intersection of Lindbergh Drive and Piedmont Road (about a mile north of the park) is next to Hiway 400. When the Music Hall was in it’s prime, the land for the Highway was owned by the State of Georgia, which was fighting legal battles over the highway. The land had a network of dirt roads, one of which connected Buford Hiway to Lindbergh Drive. When you went from Chamblee to the Music Hall, the most direct route was over this dirt road. This dirt road is where Sidney Marcus Boulevard is today. Broadview Plaza was torn down, and replaced by a Home Depot.
Eventually, the business model for the Music Hall did not work, and the facility moved to Cherokee Plaza. This Music Hall was in a movie theater. The Cherokee Plaza Theater was the scene for the world premiere of Son of Dracula . This move did not work, for a number of reasons. The parking lot was too small, and people who wanted a loaf of bread from the A&P were blocked out during shows. Cherokee Plaza is just outside the city limits, on Peachtree Road. In the late seventies, DeKalb county was aggressively fighting drunk driving, and had roadblocks. Many of these roadblocks were outside the Music Hall, which kept many people from attending. Before long, this Music Hall closed.
Many years later, PG bought a second hand typewriter, and needed a ribbon. (Younger readers should ask an older person about this.) He went into an office supply store in Broadview Plaza, and soon realized that he was standing on the site of the Music Hall. He asked the clerk if he could have a bucket of beer, and got a very strange look in return.
One industrious afternoon during this era, PG made a list of shows he saw at the Music Hall. The memory cells are already protesting, but we are going to try and remember as much as possible about these shows. A big thank you to Wikipedia for help with spelling and names.
New York Rock Ensemble – PG walked into the auditorium during the last part of the first show, as the band played “A whiter shade of pale”. The bass player wore lace up boots, with the pants legs tucked into them. Before long, the second show came on stage. Keyboard player Michael Kamen was the central focus, acting out the lyrics to “Anaconda”.
Silverman Deborah McColl fronted this drummerless band
Al Kooper PG has written about an unfortunate incident involving Al Kooper during this show. This would have never happened in “The Catcher in the Rye”…the kids always knew what time it was in that story. Mr. Kooper did a solo show, including “Sam Stone” by John Prine.
Ellen McIlwaine/ James Cotton Blues Band Ms. McIlwaine was pregnant, and played slide guitar. Mr. Cotton played harmonica. One of his players started to fan him with a towel, because he was hot.
Breakfast Special/ Doc and Merle Watson Breakfast Special was a local bluegrass crew, who did “The coming down song”. The Watsons did ” Deep River Blues” and “Thats All”, among other things. PG had a copy of their latest LP, and asked Merle to autograph it. He wrote his name on one side, turned it over, and signed Doc’s name on the other side.
Mason/Atlanta Rythym Section This show was the night Led Zeppelin played Atlanta Stadium.
New Riders of the Purple Sage When the Music Hall opened, a performer would typically play from Tuesday to Sunday. NRPS was a one night show. They worked well in the packed hall, and shined on “Glenville Train”. The next year, they did a tour with Commander Cody and The Lost Planet Airmen. Commander Cody opened, and raised hell. NRPS followed with a mellow rock show, and before long people were getting bored and leaving.
David Buskin / Loudon Wainwright III Chamblee 54 has written about this show before. Mr. Buskin talked about doing a show at Max’s Kansas City, the person sitting next to PG said “Gross”.
Steve Martin / Nitty Gritty Dirt Band Chamblee54 has written about the show by Mr. Martin . This was his last tour as an opening act. Nitty Gritty was a sight to behold. John McEuen played fiddle, and recited a poem about life.
Martin Mull / Melissa Manchester PG went to see Mr. Mull, who opened the show with a three piece band. (After the show, Mr. Mull said the name of the band was the (your name) (draws a blank with his fingers) orchestra.) The headliner was Ms. Manchester, little known at the time. She was a knockout. While standup comedy has it’s place, for emotional impact there is nothing like a singer.
Texas Gary Bennett / Weather Report Mr. Bennett played acoustic guitar, and sang, as an opener for a packed house of jazz rockers. It did not go well. At one point, trying to get some rapport with the crowd, he said ” has anyone here been busted at the Omni?” (The authorities had begun arresting people for smoking pot at the major concerts.)
Weather Report was amazing. Josef Zawinul had the loud keyboard sound, Wayne Shorter played his leads on soprano sax, and there was a drummer and percussion player. There was tons of rythym, to go with the electronic jazz sounds. When it was over, PG went up to Mr. Zawinul, shook his hand and, and said thank you. He was pouring a glass of beer from a pitcher, and looked a bit startled.

David Pomerance / Rahsaan Roland Kirk Chamblee54 has written about this show before. Mr. Kirk was a force of nature, the modern miracle of the tenor saxophone. He did not suffer from false modesty. This was the night Richard Nixon resigned, which pleased Mr. Kirk no end. The blind Rahsaan said that he did not want to see his audience, because we were too ugly. At one point, his band had been jamming for about ten minutes, when PG realized that Mr. Kirk had been holding a single note the entire time. The three saxophones at one time thing was a visual shocker, but he got sounds that way that you cannot get from a single instrument. At one point, Mr. Kirk pulled his sunglasses off, and made a face at the crowd. It was an amazing evening.
Chic Corea / Return to Forever This was a disappointment. Tickets were $4.50, which may be the most PG ever paid at the Music Hall. The band only played about an hour. It was all electric, ignoring the acoustic instruments set up on stage. RTF was a four piece, all star band. They had Chic Corea on keyboards, Stanley Clarke on bass, Al Demeola on guitar, and Lenny White on drums. That sounds like a great show, but it turned out to be four solo artists jamming. There was no cohesion, and the overall sound was less than the sum of the individual parts. Corea leaned over his keyboard, twisted knobs, and made faces, as if to say “look at how intense this is”. It wasn’t.
Mccoy Tyner The former Coltrane sideman played a very nice show. He had a percussion man, with several tables covered in exotic instruments. PG took a break after to first show to hang out at a neighborhood disco. When he got back, there was no doorman checking tickets, and anyone could walk in for free. PG took advantage of this discovery many times over the next few years.
Bill Crystal / Jean Luc Ponty Former Frank Zappa player Jean Luc Ponty played at the Music Hall, with a bass player who was a fellow Zappa alumni. The surprise of the evening was then-unknown Bill Crystal. A few weeks after this show, “Soap” would premiere, and make him a star. Mr. Crystal did a killer impersonation of a gila monster.
Between shows, Mr. Crystal had been entertained by a local musician. During the second show, he held his finger to his nose, made a snorting sound, and said thank you. PG heard this, and yelled “Locker Room”, the name of a “deooderizer” that some liked to get a buzz sniffing. Mr. Crystal said “Locker room. Jeez, I need to get the hecklers rosetta stone to know what he means”. Good times.
Keith Jarrett This is another show that might have been better than PG’s enjoyment. At one point early in the show, PG moved over to the front of the stage, to look at Mr. Jarrett’s hands. After the show, people told PG that the player had been giving him dirty looks when he did that. PG asked Mr. Jarrett about it, and he said that PG had interfered with his concentration.
This show featured a quartet, instead of a solo piano. The bass player was Charley Haden, who seemed a bit puffy faced. PG later learned that he had been addicted to heroin at the time.
Melissa Manchester Ms. Manchester came back for another week at the Music Hall, about a year after her first appearance. At one point, she asked the band if they were ready to do a new song, and then performed “I got eyes” for the first time in public. This was later the b side to “Midnight Blue”. One of the players in her band was a man named James Newton Howard. Part of the deal for touring with her was that he could play a solo number on piano, called “Newton’s Ego”. He later played with Elton John, and became wealthy writing film scores.
Flora Purim /Airto Moreira On PG’s 23rd birthday, Flora Purim played at the Music Hall. At the time, PG had a profound appreciation of her albums. The band had a nice sound, and was the equal of her records. The Chic Corea tune “Light as a Feather” was a standout. Her husband, Airto Moreira (eye, ear, toe) fronted the band on some of the numbers, and had some funny routines. Ms. Purim held two microphones throughout the show, with one connected to some audio filters. PG found holding two microphones to be visually distracting. PG had known of the Jewish ancestry of Ms. Purim, but had not thought much about it. Then he saw her live, and realized that she does, indeed, look Jewish.
Hot Tuna Hot Tuna is a dependable, though not spectacular, band. On a previous show in Atlanta, they went on stage at 10:55, and played without a break until 2:50. This night, a fried of a friend was working at the Music Hall, and PG got in before the crowds, to get a prime spot, in the first row of benchbacks. At one point, PG was rocking back and forth against the benchback, and a neighbor asked him to quit. Those buckets of beer were influential.
Shakti This was an acoustic, Hindu oriented band fronted by guitar superman John McLaughlin. The numbers seemed to go on forever.
David Manion / Mark Almond This was a long awaited Atlanta performance by Mark Almond. (This is a jazz/blues band, totally different from the Soft Cell vocalist with a similar name.) They played two sets, which were only an hour or so long. This was disappointing to the people who could not wait for the second show. In the second show, they “took the shackles off” saxophone player Johnny Almond, and he played a wild solo during “The city”.
The incident we are about to describe may or may not have involved David Manion. What happened was, a small portable radio was playing on the edge of the stage. The spotlight was on the radio, which sounded like gibberish to most of the audience. Gradually, the chattering audience got quiet, and tried to listen to the radio. After a few minutes, a man came out, and stood in darkness behind the radio. The PA speaker announced “The new force of rock in Atlanta”. The man then dropped a large piece of granite on the radio, smashing it into bits.
Laurie Chapman / Stomu Yamashta Laurie Chapman was a singer/piano player, with some good stories. She told of a trucker, driving beside her and talking to her on a cb radio. ” You better get that drink out from between your legs before it gets too hot to handle”.
Stomu Yamashta is somewhat of a star in Japan. The show here was filmed for showing on TV there. His band, Go, was an all star collection, including Ava Cherry. She was a backup vocalist, and girlfriend, with David Bowie. After the show, PG was introduced to Spencer Davis in the lobby.
The next few shows were at Cherokee Plaza.
Martin Mull Mr. Mull was a solo star this time. He did a song about doing nothing, adding that dead people can do it too. The parking lot was packed, which was a major problem at the new location.
The week before the Super Bowl in 1994, Mr. Mull filmed a Comedy Central show in Woodruff Park. The Dallas Cowboys cheerleaders were kicking field goals. After the filming PG stood a few feet away from Mr. Mull, but could not think of anything to say.
Sun Ra PG went to a wedding, and a bunch of people from there went to see Sun Ra. This was an entertaining spectacle, with a big band and dancers. After the show, PG asked Sun Ra how he could afford to take a band like that on the road. He said he was doing it for beauty.
David Bromberg This was another big band production. PG showed within a few minutes of the gateman leaving his post, and saw about 45 minutes without buying a ticket.
Lester Flatt/John Hartford One boring Saturday night, PG walked up to the Music Hall, and saw the two fiddle players jamming. A few weeks later, Lester Flatt passed away. This is a repost. Pictures today are from “The Special Collections and Archives, Georgia State University Library”. As a bonus to the reader(s) here, we are reposting Great Southeast Music Hall Stories. It is a collection of comments from an earlier posting of this feature.

Chamblee54 posted a tribute to The Great Southeast Music Hall a few years ago. This was a concert venue, with no hard liquor and a 500 person capacity, next door to a bowling alley on Piedmont Road. It was about a mile north of Piedmont Park, and in front of the dirt road that became Sidney Marcus Boulevard. GSEMH hosted some great shows. This was when record companies would invest in new bands by putting them on promotional tours, and Atlanta was a popular stop.
The chamblee54 post attracted 85 comments. This is a slow day for Matt Walsh, but is a record for chamblee54. Most of the comments were boring … great place to play, I saw Steve Martin there and drank too many buckets of beer. A few of these comments tell stories. This post puts the best of the GSEMH comments in one place. Pictures are from “The Special Collections and Archives, Georgia State University Library”. See if you can guess which one was taken at GSEMH.
Neal B. – Som Records June 10, 2012 at 5:18 pm Great reading! Brought back some memories. I saw three shows at the Music Hall – The Dixie Dregs, Elvin Bishop and David Allan Coe. I saw Coe the night before my SATs in 1978 or ’79 and it was (and still is) the most bikers I’ve ever seen in once place. Elvin Bishop just tore it up, really good.
jake lamb May 17, 2011 at 11:34 am Great stories of our past. I can’t remember the shows I went to, but after reading your post it certainly helps clear the fog. As I went thru the list I noted, “Yep I was with CG at that show, that one too, oh yeah, I remember Al saying to you what time it was but didn’t you delete the expletives? Odetta blasting the audience for not showing her the proper respect…what a crybaby! The autographed Marc Almond Album, meeting them backstage to learn how the finger was ripped from Jon’s hand after a tree limb caught on his ring finger when he jumped out of a tree during a photo shoot, resulting in having to learn how to play the saxaphone with one less digit ala Jerry Garcia, and the Hot Tuna Show with Papa John Screech. Flora and Eye Ear Toes logo on his equipment. Was it there that we went on Halloween, me dressed as a bagman for Nixon (A paper sack over my head) and you going as a Bee-keeper (a vegetable strainer over your head)? God we were hilarious! It’s all beginning to come back, but what never went away was remembering the great friend I went with.
Eugene Gray June 24, 2012 at 11:30 am I grew up in Atlanta so thanks for the memories about the shows at The Great Southeast Music Hall. I attended numerous shows between the years 1974 and 1977. From what I can remember (I do have “70s Memory” after all), here’s some highlights: Kinky Friedman — Smoked a huge cigar throughout the show and tipped his ashes in an ash tray attached to his microphone stand. Brought the house down with ‘Sold American.’ David Allan Coe — Played the first half of the show in his “Country Crooner” persona wearing a white suit and white cowboy hat; then played the second half as The Mysterious Rhinestone Cowboy complete with rhinestone jacket and black mask. Played a hard-rockin’ version of ‘Bossier City’ to close out the show. Best memory: New Riders of the Purple Sage Show opened late with only John Dawson (acoustic guitar) and Buddy Cage (pedal steel) taking the stage. Seems their limo made the right exit off of 285 but the other limo kept going. After Dawson telling us that, he said, “Well, you might not have all of us but you do have two.” He and Cage then played a short set together including a beautiful version of ‘Gypsy Cowboy.’ The other members trickled in and started playing, all having a good time with the audience about their site-seeing tour of Atlanta via 285. Fantastic show and my best memory of The Hall. Weirdest experience: For lack of something to do, went to see the New Zealand group Split Enz. A fun but bizarre show with a group outside my typical taste. Sort of a cross between Devo and Bowie and the Bay City Rollers. Truly a strange show. Worst experience: Pure Prairie League — I was always, always let in and served beer before I turned 18 in ’76. Except for one time. Missed Pure Prairie League because we were all carded; the only time I was ever asked for my ID here. Always regretted missing them since the original band broke up right after this tour. Damn. Thanks again for a spot to remember one of the best concert venues (ever) in Atlanta.
Anonymous July 11, 2012 at 3:03 pm Saw many great shows at the Music Hall; Leon Redbone, Don McLean, Bruce Cogburn, but the funniest thing was at Darryl Rhoads show. My girlfriend (now wife of 30 years) went missing when she left to go make the parent check-in phone call. I found her coming around the corner in the hallway, mad at some guy who wouldn’t get off the phone in the lobby. The “guy” was Darryl and he made a few comments to her from the stage during the show just to keep her pissed. It’s funny now, but I could have died then…
Pharmacist Jim April 28, 2013 at 12:01 pm How about when Jimmy Buffett opened for Billy Joel there in 1974. I was a Pharmacist at Eckerd Drugs in the plaza at the time when Jimmy called me and asked me to call his physician in Key West for a prescription–a musician who wanted to get a legitimate prescription, unheard of!!! I was already a Buffett fan, but this just made me respect him that much more and I’ve been a “Parrot Head” since, now so more than ever since I live in Florida.
Anonymous October 23, 2013 at 8:29 am My best friend and I moved to Atlanta (on purpose) for just the summer of ’73 and attended MANY MANY great shows at the Music Hall. It was SO awesome. Saw Billy Joel right around the Captain Jack release time and he asked me out after the show. Of course, I answered with a resounding “NO! Thank You!!” (you see, I was ABSOLUTELY too cute for him…hehe — not to mention, I thought his nose was entirely too big.) Also, saw Jimmy Buffett who talked to us from the stage because we were from Hattiesburg, MS and he had gone to school there at the University of Southern Mississippi. SOOO COOL!!!
Rod Pearman May 28, 2015 at 10:00 am Couldn’t help but have a smile on my face as I read all these comments. THE Great Southeast Music Hall and Emporium………man, the memories. Sometimes I think I could write a book. My roommate and I lived at Bordeaux Apts. on Buford Hwy, which was just a hop skip and jump over to The Hall via the dirt road which is now Sidney Marcus……..we lived there from 1972 to early 1980, which might be a record for two dudes that were party animals to have survived that long in one apartment complex. Anyhow, we frequented GSEMH about once a month when an act we wanted to see was to play there. A couple of my fondest memories now that I’m in my mid 60’s is, it had to be sometime in ’75. We went to see The Dirt Band (one my favorites of all time) The opening act was this guy named Steve Martin, who at that time, no one on the planet had ever heard of him. Well he comes out, and within 30 seconds he has us so cracked up we’re shooting beer out our noses from his comedy. Really funny stuff, and had no idea it was coming. Well, he does his gig, then the Dirt Band comes out. They play a great set, take a little break, and when they came back out on stage, here comes Steve Martin with a banjo over his shoulder. So we’re all thinking this will be something funny, this guy with a banjo. This guy took off on his “ban-jer” and everybody’s jaw hit the floor. He really tore it up. Then the Dirt Band joined in and he played a few tunes with the band. The guy was incredible on the banjo. Then a few months later, Saturday Night Live did their first show, and there’s Steve Martin on TV. I look over at my roommate as he’s looking at me, and we’re both saying in unison, hey, that’s the guy from The Great Southeast Music Hall. Pretty neat that we got to see him when nobody had a clue of his talent. … I got home later that night, and my roommate (yeah, the same guy I mentioned in earlier chapters of this book….) said he saw something on TV that I wouldn’t believe. Turns out, one of the local TV stations (2, 5, or 11) had sent a reporter over to cover the final show of The Great Southeast Music Hall, and while reporting out front of the establishment, there were about a dozen folks standing there sorta behind the reporter. Well, this one fair lady decided to nonchalantly pull a boob out of her tank top and display it for all the world to see, right there on live TV. My roommate said it was something he’d never forget, and we tell the story often. (I wonder who that young lady was sometimes……) but I digress……..
alun v September 23, 2014 at 11:54 am As the Audio Engineer and last guy to walk out the door @ the Lindbergh (and Cherokee Plaza) locations, the walls, painted and autographed by many of the acts, were destroyed; (legal issues I guess). I still have the door to the tech room, signed by Cowboy, a personal favorite. BTW, I saw the concrete sidewalk @ Peaches, with hand / foot prints and signatures, also destroyed and hauled off………lawyers.
julia guthrie November 26, 2015 at 10:38 pm I just caught the 50th anniversary! of Alice’s restaurant masacree on pbs. Brought back the memory of seeing Arlo at the Great Southeast Music Hall. I was drunk(and maybe other) and it was my birthday, so my bf said I should try to talk to Arlo because my name is Guthrie! I was just drunk and young enough to do just that. I finagled my way to the tourbus door(was pretty good at talking my way into things back then), announced that I was a cousin, and ended up sitting at the little bus table, smoking and talking with Arlo and fam. Pretty sure all I added to the conversation was a shit-eating grin, but it was one of the highlights of my youthful escapades. Loved going to the Music Hall! Ah…youth and happy times. I also lived at Bordeaux apts for a while! Peace:)
Rod November 27, 2015 at 11:06 am You can’t beat Alice’s Restaurant on Thanksgiving Day. I used to have an annual tradition of listening to that song on my Technic’s turntable for probably 30+ years, but somehow that tradition faded out a few years ago. (Maybe because my turntable is sitting on a shelf in my closet Definitely great memories at the Hall. Hard to believe it’s been 40 years ago, give or take. I lived at Bordeaux for 7 years through the ’70’s, which might be a record. We were in G building, and had some of the best parties in NE Atlanta. It was standing room only, kegs on the deck, music crankin’ just below distortion level. Those were the days!
BRIAN HOLCOMB June 19, 2015 at 6:00 pm I was a freshman student a GSU in 74 After one of the shows( can’t remember who) I was standing outside in the corridor waiting on some friends. When out the door came my General Chemistry Professor Dr Sears arm in arm with the best looking girl in my class. They turned beet red turned and got away from me as quick as they could. I often wonder if I could have went and bribed an A out of him. LOL
SideShow Bennie December 1, 2015 at 5:24 pm I just stumbled across this article when I Googled GSMH. I lived in Atlanta in 1972-73 and attended a lot of shows at the Broadview Plaza location. I was at one of the Howdy Doody Revival shows that is on the poster pictured in the article. I remember Bob Smith hitting a bad note on the piano, reaching inside and pulling out a pack of ZigZag rolling papers saying, “Clarabelle leaves these things everywhere.” Other shows I remember seeing were Johnny Nash with Sons of The Jungle (The first actual Jamacian Reggae band I ever saw) John Hartford, The Earl Scruggs Revue, Joe Walsh with Barnstorm, Jim Croce, Harry Chapin, Doc Watson, The Hahavishnu Orchestra, Martin Mull, Doug Kershaw. I am pretty sure I was at the Ellen McIllwain and the Breakfast Special shows you mentioned but there were show where a lot of beer buckets were emptied so a lot of those shows are a little hazy. I still have a bucket or two around the house here somewhere. Thanks for the memories!!

The New Yorker has a website, with some cool stuff. One of them is a video of Loudon Wainwright III, singing a song about some guy named Krugman. It seems to PG that Mr. Wainwright might be a good subject for a tribute.
Loudon Wainwright III is the son of a man who wrote for Life magazine, who was known as Loudon Wainwright Jr. The son of III is named Rufus, which is Albanian for Fifth. Either he skipped a level, likes to drink, or this is a coincidence. Rufus Wainwright is a musician also, with lots of units sold, and a stay or two in rehab.
The official LWIII website has a biography page, so if you care about such things you can go there. He writes little acoustic songs, many of which are hilarious. Early in his career, “Dead Skunk” became a hit. It became the song he was known for, but it was far from the best thing he did.
In addition to the Krugman song, there are three you tubes of Wainwright songs. A 95 year old lady dances to “Dead Skunk”. Johnny Cash does “The man who could not cry”, showing a bit of Grecian Formula. (This video is no longer available, and is replaced by the poet himself. Mr. Wainwright is growing old and bald in honest fashion, even after shaving the puppy beard of his younger days.) There is a performance of “Motel Blues”, by the man. A fourth video, about climate change, is included at the end for those in the audience with entirely too much free time.
PG has seen Loudon Wainwright III in concert twice. In December of 1973, LWIII played at the Great Southeast Music Hall. He had a backup band, for some reason, and PG was not overwhelmed. After the show, PG talked to a high school classmate, and they went riding on the dirt roads behind the music hall smoking reefer.
In May of 1982, LWIII played a show by himself at a concert hall on North Decatur Road, which was formerly a Colonial grocery store, and the Texas Tea Room. A friend of PG’s had a story to tell about the TTR. “Maybe, the venue was called the Texas Tea Room—or the Texas something-or-another. I recall that I heard some male duo there. When I heard them, they were past their prime in terms of popularity, but perhaps they were making some sort of comeback. I keep trying to remember who I heard. I also remember going in there one time with short-shorts on. The shorts were totally inappropriate for the setting, but I had been somewhere else and just stopped by the hall (we’ll continue to call it the Texas Tea Room) on a whim. I vaguely remember some guy giving me grief about my attire. I don’t think I went home with him, and I’m sure that was an excellent decision.”
On that May evening 34 years ago, LWIII was spectacular. He had done a lot of shows in the previous 9 years, and had learned a few things about performing. The lines that got a good response were repeated, and played slow enough to understand the lyrics. This is a problem for many lyric based performers…if you don’t know their music, you will not enjoy the show. With Wainwright, he sang slow and loud, and you could hear all the words. You knew why the crowd was laughing.
It is now 2016, and LWIII has not gone away. His records never did sell very well, and he sells his own product over the internet now. His hair is turning gray and falling out. The skunk has dried up, his bones crushed into powder by eighteen wheelers. The motel was shut down by the health department. A luxury condo building was built on the site.
This is a repost, with pictures from “The Special Collections and Archives, Georgia State University Library”. The last picture is the Colonial store that became the Texas Tea Room. It is now a discount mattress store, and has not been torn down.