Ansel Adams And Dorothea Lange
The facebook feed has recently had links to a story, Dorothea Lange’s Censored Photographs of FDR’s Japanese Concentration Camps. Miss Lange was the photographer of the iconic Migrant Mother. After Pearl Harbor, Miss Lange took a job with the War Relocation Authority, documenting the “relocation” of Japanese-Americans to interment camps. The photographs did not please the authorities. They were censored, and only appeared recently. This is a repost.
Ansel Adams also took photographs at the Manzanar, California, camp. In the current stories, he is literally a footnote: quotes were used from a book about his photography. Why is Dorothea Lange receiving attention, while Ansel Adams is ignored?
One answer is that Miss Lange was hired early on, and shows the harsh reality of relocation. “On July 30, 1942, the WRA laid her off “without prejudice,” adding that the cause was “completion of work…. the WRA impounded the majority of her photographs of Manzanar and the forced detentions, and later deposited 800 image from the series in the National Archives without announcement.”
“After Lange’s departure, Manzanar’s director Ralph Merritt visited renowned environmentalist and landscape photographer Ansel Adams and suggested he document the camp — Merritt and Adams were friends from the Sierra Club. Lange, also friends with Adams, encouraged him to take the job. (Coincidentally Adams printed “Migrant Mother” for her ) …Ansel Adams made several trips to Manzanar between October 1943 and July 1944 for this new personal project, and, as Alinder writes, he was primed to try the kind of documentary photography regularly practiced by Dorothea Lange and the Farm Security Administration that he had earlier shunned. Unlike Lange, a white woman who had been viewed with suspicion by her subjects, Adams was welcomed by the incarcerees, even greeted as a celebrity in a cultural community that had a deep appreciation of nature — many incarcerees at Manzanar literally opened their doors to him dressed in their finest clothes. … By 1943, Manzanar’s incarcarees had had time to settle in and enjoy the fruits of their collective work. In less than ideal surroundings, they had collectively built their own post office, town hall, library, auditorium, co-op store system, police station, jail, cemetery with memorial, published their own newspaper (the ironically named the Manzanar Free Press, which was regularly censored by the military), and even their own YMCA.”
“As for Lange, looking at the historical record, it appears that she was treated differently from the other WRA photographers. She was discouraged from talking to the incarcerees, was constantly followed by a censor, and faced harassment. She was refused access to areas after being given clearance, and she was often hounded over phone charges and receipts. … After being discharged, Lange expressed in letters her dismay that her work was ineffective in helping the people she documented. Her assistant Christina Clausen later noted the ferocity of this body of work also marked the beginning of the photographer’s bleeding gastric ulcers. Lange was unable to work for a number of years after her harrowing experience at Manzanar. She died from esophageal cancer in 1965.”
“In 1944, Adams’s photographs were published as a book, “Born Free and Equal: The Story of Loyal Japanese Americans,” and shown at New York’s Museum of Modern Art. Nativists took offense. They saw Adams’s work as a slur on the war effort. He was a “Jap lover.” This quote is from a 2016 article, Let’s be honest, Ansel Adams’s images of a WWII internment camp are propaganda
“Adams visited Manzanar to take photos in 1943 at the request of camp director Ralph Merritt, who was a personal friend. “They don’t look quite as dusty and quite as forbidding as Dorothea Lange’s photos … Indeed, the place that looks barren and depressing in Lange’s pictures manages to look beautiful in Adams’. You get little sense that it was even a detention center, in part because Adams, like other photographers, was not allowed to shoot the guard towers or barbed wire…
There are scenes from a baseball game, kids walking to school, a gathering outside a chapel. Lots of smiles, too, and portraits of camp residents cropped so close, you can see every blemish and stray hair. In Adams’ vision, Manzanar comes off as a place where Japanese-Americans, dignified, resilient and optimistic in spite of their circumstances, built a temporary community in the desert.
(Skirball Cultural Center director Robert) Kirschner said that if Adams’ photos appear to sugarcoat the indignities of life in an internment camp, it is because he did not see himself as a social activist the way Lange did. Still, Kirscher says, Adams was challenging internment in his own way, by depicting its victims as patriotic, law-abiding Americans. Unlike Lange, Adams was given permission to publish his photos. Before the war ended, he did so in a book called “Born Free and Equal: The Story of Loyal Japanese Americans,” in which he warned about the dangers of letting wartime hysteria justify depriving U.S. citizens of their freedom.”
The NPR article mentions a third Manzanar photographer. “Before World War II, Toyo Miyatake had a photo studio in Los Angeles’ Little Tokyo. When he learned he would be interned at Manzanar, he asked a carpenter to build him a wooden box with a hole carved out at one end to accommodate a lens. He turned this box into a makeshift camera that he snuck around the camp, as his grandson Alan Miyatake explains in the video below, which is featured in the exhibit.
Fearful of being discovered, Miyatake at first only took pictures at dusk or dawn, usually without people in them. Camp director Merritt eventually caught Miyatake, but instead of punishing him, allowed him to take pictures openly. Miyatake later became the camp’s official photographer.”
Pictures for today’s feature are from The Library of Congress. These are pictures that Ansel Adams took at Manzanar. They have been posted at chamblee54 before. The ladies in the bridge game are Aiko Hamaguchi, Chiye Yamanaki, Catherine Yamaguchi, and Kazoko Nagahama.
Judy Roasting On An Open Fire
SFFILK (Not his real name) passes along a story about Mel Tormé. It seems like Mr.Tormé was eating a leisurely breakfast at a food court in Los Angeles, and a quartet appeared singing Christmas songs. They wound up performing “The Christmas Song” for co- author Tormé … and the singers had no idea who he was. It is a good story, better told in the link. (The link no longer works.) This is a repost, with pictures from “The Special Collections and Archives, Georgia State University Library”.
According to the inerrant Wikipedia, Mr. Tormé collaborated with Robert Wells, until they had a falling out. One afternoon, on the hottest day of July in 1945, Mr.Tormé went to visit Mr.Wells, and saw the first four lines of “The Christmas Song” (including “Chestnuts roasting on an open fire, Jack Frost nipping at your nose”). The lines were on a note pad, and the two agreed to beat the heat of summer by completing the song. Supposedly, Mr. Tormé did not like the song very much. After three divorces, he probably didn’t see many of the royalties.
Mel Tormé was the music director of the ill fated “Judy Garland Show” in the early sixties. He wrote a book about it… The Other Side of the Rainbow: With Judy Garland on the Dawn Patrol . The story is that Miss Garland would get blasted, call Mr.Tormé in the middle of the night, and pour out her troubles. (This review is much less sympathetic towards Mr. Tormé.) While the show did not last longer, there are some great youtube clips left over.
War Between The States
It is a truism that history is written by the winner of the war. This seems to apply to the naming of the conflict. There was a horrific armed struggle in North America between 1861 and 1865. The name used most often is Civil War. To many in the South, it is the War Between The States. In PG’s humble opinion, WBTS is a better name.
In fifth grade, PG had to write an essay about the Battle of Atlanta. The essay was a device for teaching grammar, utilized by the english teacher, Miss McKenzie. The contest was sponsored by the Daughters of the Confederacy . The expression “Civil War” was not permitted. The proper name for this conflict was War Between the States.
In many ways, this conflict started as soon as the United States became independent from Great Britain. The South was an agrarian society, with slaves to work the fields. The north was becoming an industrial society, with a need for an independent work force. The north wanted high tariffs to protect her industries, while the south wanted to sell it’s cotton to Europe. There were plenty of ways for this conflict to manifest.
Slavery was a very important factor. The south wanted to keep “the peculiar institution” intact, while many in the north were horrified. There were numerous compromises over the years, as Congress struggled to keep the Union intact. This ties in with a central dilemma of the american experience … how much power to give to the states, and how much power to give to the federal government.
The phrase civil war is defined as “A war fought between factions of the inhabitants of a single country, or the citizens of a single republic”. By the time the shooting started, the southern states had left the union. They formed a confederacy of independent states, rather than one monolithic union. It was, indeed, a war between the states.
This is a repost. Pictures, of Union soldiers, are from The Library of Congress.
Whales Of The City
The plot lines in “Tales of the City” can be tough to figure out. The books have been *coming out* since 1978, which is several lifetimes ago. PG read the first installment, Tales of the City, sometime in the eighties, thought it was fun, and went on about his way. At some point, PG got copies of More Tales of the City and Further Tales of the City, but is not sure if he read them. Significant Others turned up at a yard sale. PG remembers the step grandson rescuing the step grandpa at a radical women’s retreat. Good clean fun.
Babycakes and Sure of You, the last two books of the original series, will be discussed today. It can be tough to make sense of the plot. Michael Tolliver goes from the “Whore of Babylon” to model HIV+ citizen. Mary Ann goes from the naive Ohio girl to a popular TV personality. Mrs. Madrigal is Mrs. Madrigal, and San Francisco is San Francisco.
PG found Babycakes in a box of free books at a faerie gathering. Merry part, merry meat again. BC is set early in the Reagan Presidency. Michael’s bf, Jon, died of AIDS in 1982. Michael goes to England, and runs into an old friend, Mona. It is a complicated, and tough to believe, story. You have to put away your skepticism, and go with the story. It is a good story, and fun to read. This is why PG reads.
Sure of You was the last book of the original series that PG was sure he had not read. The library had it. SOY is set in 1988, and this is a key part of the story. AIDS is running wild. Michael has a pill box with a beeper. Everywhere you turn, men are dead and dying. PG lived his version of 1988 in Georgia.
There were some interviews with Armistead Maupin during this era. He is very angry, and into outing celebrities. The name Tom Selleck was prominently mentioned. This anger shows up in SOY. Michael goes to a black tie reception with Mary Ann. A famous designer, who might be Calvin Klein, hits on Michael. There is an angry lecture about being in the closet. The improbability of Calvin Klein hitting on a plant store owner is not mentioned.
On page 107, the designer’s wife says something to Mary Ann about Ivana Trump. The TV personality wants to know what Mrs. Trump is like in real life. Thirty years later, Ivana Trump is the ex wife/kidsmomma of the President of the United States. Maybe those plots were not as far fetched as what really happens. Pictures today are from The Library of Congress.
The Burning Of Atlanta
Around this time 152 years ago, Atlanta was on fire. General Sherman was preparing for his March to the sea, and wanted to destroy anything of value in the city. The fire is reported as being on 11-15 of November, depending on what source you use.
The November fire was the second great fire in Atlanta that year. On September 2, the city was conquered by the Union Army. The fleeing Confederates blew up a munitions depot, and set a large part of the city on fire. This is the fire Scarlet O’Hara flees in “Gone With The Wind”.
After a series of bloody battles, the city was shelled by Yankee forces for forty days. There were many civilian casualties. General Sherman was tired of the war, angry at Atlanta, and ready for action. This is despite the fact that many in Atlanta were opposed to secession.
Click here to hear a lecture by Marc Wortman at the Atlanta History Center. Mr Wortman is the author of “The Bonfire: The Siege and Burning of Atlanta”. The hour of talk is fascinating. This is a repost. The pictures are from The Library of Congress
About this time every year, there is a post about the burning of Atlanta. One of the sources is a lecture by Marc Wortman. If you have an hour to spare, this talk is worth your time. One of the stories told is the tale of Mr. Luckie.
“According to folklore, two stories abound as to how Luckie Street was named. The first is that its moniker came from one of Atlanta’s oldest families, and the other, probably closer to the truth, regales the life of Solomon “Sam” Luckie. Luckie, as it turns out, wasn’t so lucky after all. When General William Tecumseh Sherman first came marching through Atlanta in 1864, Luckie, a free Black man who made his living as a barber, was leaning against a gas lamp post in downtown talking to a group of businessmen. A burst from a cannon shell wounded him; he survived, but later died from his injuries. Folklore suggests that he may have been one of the first casualties of the assault on Atlanta during Sherman’s March to the Sea, and Luckie Street, an extension of the city’s famed Sweet Auburn Avenue, was later named in his memory.”
Marc Wortman wrote a book, The Bonfire: The Siege and Burning of Atlanta. The one star review, and comments to that review, are unusually detailed. Here is a selection.
“…People forget – or were never taught in school – that most Confederate soldiers descended from Revolutionary War patriots or were up-country poor sons of farmers. Many Confederate soldiers were relatively recent new arrivals to the U.S., semi-literate dirt poor immigrants from Ireland and Scotland who’d never had the chance to own even an acre of their own land in Europe. In the mix were well-educated, elite merchant business owning French Huguenot refugees of the Catholic Bourbon genocide of Protestants. These immigrants had nowhere else to go, 9 times out of 10 never owned a slave, and fought for the CSA to keep what little they’d hardscrabble carved out over a decade of arrival into the U.S.”
The War Between The States continues to be a source of controversy. After the Charleston church killings, many comments were made about the Confederate battle flag. (If you can’t talk about gun control or mental health, you talk about a symbol.) This led to discussions about the war itself. There were ritual denunciations of slavery, which was assumed to be the sole cause of the conflict. The fact that the vast majority of white southerners did not own slaves was dismissed.
The notion of autonomous states in a federal union was novel when the United States Constitution was written. The debate over federalism versus states rights continues to this day. States that want to legalize marijuana may be the next battleground. (Few are expecting secession over bong rights.) Many in the CSA saw the Union as being a conquering army, and fought to defend their homes. While slavery was certainly a factor in the creation of the CSA, it was not the only Casus belli. Pictures today are from The Library of Congress.
November 11
Veteran’s Day is a bad day for a cynic. On the one hand, I do appreciate living in The United States. With all its flaws, I have had a good life here. The role that Veterans have played is to be honored. On the other hand, those who profit from wars often exploit Veterans for political mojo. Many of these people did not serve.
Veterans are often not treated well after they are through with their service. It is estimated that a quarter of the homeless are veterans. The services offered to wounded veterans returning from War are often lacking. These wounds are both physical and mental.
When I typed the second sentence, I thought of my great grandfather. He served with the Georgia State Troops in the War Between the States. I do prefer the USA to the CSA (or whatever would have happened). Yet, the Union army had to prevail over the various Confederate Armies for this to happen. Do I dishonor my great grandfather by saying I am happy the other side won?
Veterans Day was originally Armistice Day. This was the day, 90 years ago, when the War to End All Wars ended. World War I was a ghastly bloodbath, in which millions died. It created many of the problems that plague us today. And I would be willing to bet that not one person in ten thousand today knows what it was about. And yet, the men who fought in that conflict (I don’t think they had women soldiers then) deserve the same gratitude as those who fought in any other conflict.
The soldier…many of whom were drafted…doesn’t get to choose which war to fight in. The sacrifice of the World War II soldier was just as great as the Vietnam fighter, but the appreciation given was much greater. I grew up during Vietnam, and saw the national mood go from patriotic fight to dismayed resistance. By the time I was old enough to get drafted, the Paris accords had been signed. For better or worse, there went my chance.
Veterans day was originally Armistice Day. On November 11, 1918, at 11 am (the eleventh hour of the eleventh day of the eleventh month) a cease fire went into effect for “The great war”. Officials of the major armies agreed to the ceasefire at 5 am (European time). There were an estimated 11,000 casualties in the last six hours of the war.
At 11:59 am, U.S. army private Henry Gunther became the last soldier to die in World War I. “According to the Globe and Mail this is the story of the last soldier killed in WW1: On Nov.11, 1918, U.S. army private Henry Gunther stood up during a lull in the machine gun fire and charged the enemy. “The Germans stared in disbelief,” says the Daily Express. “They had been told that morning that the fighting was about to stop; in a few minutes they would stop firing and go home. So why was this American charging at them with his bayonet drawn? They shouted at him to stop and frantically tried to wave him back but… he hadn’t heard anything of the ceasefire.” A German gunner released a five-round burst and the soldier lay dead, at 10:59 a.m. In his recently published Eleventh Month, Eleventh Day, Eleventh Hour, U.S. Military Historian Joseph Persico notes that Private Gunther had previously been a sergeant but was demoted after an Army censor read his letter to a friend back home, urging him to steer clear of the war at all costs. Gunther, who was in no-man’s land when the ceasefire news arrived, had been trying to prove himself worthy of his original rank.”
This is a repost. Pictures are from The Library of Congress.
Arlo Guthrie
This is a rerun post, with pictures from “The Special Collections and Archives, Georgia State University Library”. The original post was half about Arlo Guthrie, and half about Ralph Reed. Today, only the part about Arlo Guthrie will be shown. If you absolutely must read about Ralph Reed, you can follow the link above, or read Lisa Baron And Ralph Reed TMI.
The entertainment today is about Arlo Guthrie . Thanksgiving is intimately connected to Mr. Guthrie. Unlike the turkey, Mr. Guthrie has gone on to have a flourishing career. He probably will not come down with Huntington’s Disease, which killed his father Woody Guthrie.
The video that goes with this text was the first time PG saw Arlo Guthrie. This was broadcast January 21, 1970. PG was an unhip fifteen year old, who had not heard Alice’s Restaurant, seen the movie, or been to Woodstock. He did see the Johnny Cash show this night, or at least the part where Arlo Guthrie did the motorcycle song.
To quote the digital facility PG is borrowing from: ” Born Arlo Davy Guthrie on July 10, 1947, in New York, NY; son of Woody (a folksinger) and Marjorie Mazia (a dancer; maiden name, Greenblatt) Guthrie; married Jacklyn Hyde, October 9, 1969; children: Abraham, Cathyalicia, Annie Hays, Sarah Lee.” Abraham and Sarah Lee play in Arlo’s touring band.
The Alice’s Restaurant Masacree is a part of Americana now. There are two bits of knowledge, that are as true as anything told to a Persian king. When trying to dispose of some garbage, and finding the city dump closed, Arlo found some litter by the roadside, and made a value judgment…One big pile of garbage is better than two little piles.
The second is about the draft, and the business of choosing people to fight our wars. There is a regulation today that says that Gays and Lesbians are not supposed to be soldiers and sailors. In the tale of the thanksgiving dinner, it was litterbugs. (There was also a draft, and a different war. Lots of Americans were coming home in boxes.) The bottom line: Mr. Guthrie is confused about not being considered moral enough to kill people, because he was a litterbug.
A few years into his career, Arlo Guthrie had a hit record called “City of New Orleans”. It was about a train, and said “Good Morning America”. “City of New Orleans” was written by Steve Goodman, who is no longer with us. Mr. Goodman also wrote the perfect country and western song .
PG heard a story about Steve Goodman. “The songwriter is Steve Goodman. He gave a show at the Last Resort in Athens GA, that a friend of PG attended. Mr. Goodman tells a story about performing on a train, during a series of concerts supporting Hubert Humphrey. It seems like Mr. Goodman had to use the restroom on the train. Now, in those days, the trains did not use holding tanks, but just ejected the matter by the tracks as they rode by. Mr. Goodman was told, do not flush the commode while the train is in the station. Mr. Goodman forgot the instructions. Mr. Humphrey said ”I am going to give the people of this country what they deserve”, Mr. Goodman flushed the commode, and sprayed the crowd. PG is not sure if he believes this, but it is a good story.” ( A biographer of Mr. Goodman said said that the candidate was Edmund Muskie. He also says that David Allen Coe had nothing to do with the last verse of the perfect country and western song.)
As previously noted, this is a repost from five years ago. In that time, the policy against gay people serving in the military has been dismantled. The Ralph Reeds of the world are more upset about the concept of gay marriage, than by gay people killing Muslims. Vietnam is a peaceful country, and is enjoying economic good times. The draft is something old fogies remember. The current fashion is to support war by demanding a tax cut.
Arlo Guthrie continues to make music. USA Today had a feature recently, Arlo Guthrie celebrates 50 years at ‘Alice’s Restaurant’. Arlo Davy Guthrie has a twitter account, @folkslinger, and a full head of white hair. His wife of 43 years, Jackie Guthrie, died Oct. 14, 2012. The Lenox Square theater was torn down to make way for a food court many years ago.
Smedley Butler
There was a feature the other day on the innertube called War is a racket . It was about a man with the unlikely name of Smedley Butler . Pictures for today’s adventure are from The Library of Congress. The video features an actor named Graham Frye in the role of General Butler. The video is courtesy of Smedley D. Butler Brigade Chapter 9 Veterans For Peace. This is a repost.
Major General Smedley Darlington Butler was a star of the U.S. Marine Corps. He lied about his age to enlist during the Spanish American War. Mr. Butler served in Philippines, China, Mexico, the Caribbean, Central America and World War I. With the exception of World War I, most of these conflicts are forgotten today.
Smedley Butler received the Medal of Honor twice. “His first Medal of Honor was presented following action at Vera Cruz, Mexico, 21-22 April 1914, where he commanded the Marines who landed and occupied the city. Maj Butler “was eminent and conspicuous in command of his Battalion. He exhibited courage and skill in leading his men through the action of the 22nd and in the final occupation of the city…The following year, he was awarded the second Medal of Honor for bravery and forceful leadership as Commanding Officer of detachments of Marines and seamen of the USS Connecticut in repulsing Caco resistance on Fort Riviere, Haiti, 17 November 1915.”
After his retirement in 1931, Mr. Butler had a change of heart, and decided that killing for Uncle Sam was not such a great idea. He wrote a book, “War is a Racket”, and became a popular speaker. Here is a “money quote”… “I spent 33 years and four months in active military service and during that period I spent most of my time as a high class thug for Big Business, for Wall Street and the bankers. In short, I was a racketeer, a gangster for capitalism. I helped make Mexico and especially Tampico safe for American oil interests in 1914. I helped make Haiti and Cuba a decent place for the National City Bank boys to collect revenues in. I helped in the raping of half a dozen Central American republics for the benefit of Wall Street. I helped purify Nicaragua for the International Banking House of Brown Brothers in 1902–1912. I brought light to the Dominican Republic for the American sugar interests in 1916. I helped make Honduras right for the American fruit companies in 1903. In China in 1927 I helped see to it that Standard Oil went on its way unmolested.”
Smedley Butler died June 21, 1940. Eighteen months later, America was at War again. How he would have reacted to that conflict is a mystery.
Man Trap
John Booth was an actor, and firearm enthusiast. He was a ruthless critic of productions that did not include him. When something displeased Mr. Booth, it was necessary to let people know about it. Someone told the actor that boo was short for Booth. He believed this, and was forced to find other ways to express his displeasure. This is a repost.
A play called “Our American Cousin” gave a performance in Washington DC in 1865. In act two of OAC, a lady called another lady “you sockdologizing old man-trap.” The crowd roared with laughter. Mr. Booth thought the line insipid, and looked for a way to express his anger.
When Mr. Booth was through with his commentary, he jumped out of the balcony. The riding spur on his boot caught a drape. Mr. Booth landed with all the weight on one leg. The leg was badly broken. It would have been less painful if Mr. Booth swallowed his pride, and said boo. Pictures for today’s entertainment are from The Library of Congress.
Oscar Wilde
October 16 is Oscar Wilde’s birthday. On that day in 1854, he appeared in Dublin, Ireland. He is one of the most widely quoted people in the english language. Some of those quotes are real. Since he was a published author, it should be easy to verify what he really said. This birthday celebration is a repost, with pictures from The Library of Congress.
One night in 1974, PG was talking to someone, and did not know who Oscar Wilde was. The conversational partner was horrified. PG became educated, and learned about a misunderstanding with the Marquess of Queensberry. Soon the “Avenge Oscar Wilde” signs made sense.
Mr. Wilde once made a speaking tour in the United States. One afternoon, in Washington D.C., the playwright met Walt Whitman. Thee and thou reportedly did the “Wilde thing”.
The tour then went to Georgia. A young black man had been hired as a valet for Mr. Wilde on this tour. On the train ride from Atlanta to Augusta, some people told Mr. Wilde that he could not ride in the same car as the valet. This was very confusing.
After his various legal difficulties, Oscar Wilde moved to Paris. He took ill, while staying in a tacky hotel. He looked up, and said “either that wallpaper goes, or I do”. Soon, Oscar Wilde passed away.
Pauline Kael, Gina James, And James Broughton
Pauline Kael was the rockstar film critic. James Broughton was the radical faerie poet laureate. They were lovers, and had a daughter, Gina James. Pauline and James were not married, contrary to what some naysayers would tell you. This is a repost.
Much of the information in this feature is taken from online reviews of Pauline Kael: A Life in the Dark, a 2012 biography written by Brian Kellow. Gina James, also known as Gina Broughton, was not interviewed for the book. Neither did she participate in the making of Big Joy, a movie about James Broughton. (A wig store, Gina Beauty Supply is located at 25 W Broughton St, Savannah, GA 31401.)
Pauline Kael was born June 19, 1919, Petaluma, CA, died September 3, 2001, Great Barrington, MA, and stood 4 feet 9 inches tall. James Broughton was born November 10, 1913, Modesto, CA, and died May 17, 1999, Port Townsend, WA. Neither one had a middle name. Both used their birth name throughout life. Both had lives, before meeting in the late forties.
When she met James Broughton, Miss Kael was living what would later be called the bohemian life. After moving to New York, and being dumped for composer Samuel Barber, Miss Kael moved back to California. “Returning to the Bay Area with her tail between her legs in 1945, Pauline became involved with the incredibly effeminate avant-garde filmmaker James Broughton. He managed to impregnate Pauline but threw her out as soon as she told him, whereupon she moved to Santa Barbara to give birth to her daughter, Gina, in 1948″
“Like her early career, Kael’s personal life was also fraught with failures. Kellow says “she had a habit of falling for gay men” earlier in her life because “they tended to share her passions and enthusiasms.” She had a daughter … with one of them, experimental filmmaker James Broughton.”
“For a time, during the 1940s, he lived with future film critic Pauline Kael. She encouraged his filmmaking endeavors but their relationship ended after she got pregnant. … Pauline Kael thought that Broughton made the biggest mistake of his life when he turned down a studio film after winning the prize at Cannes.” (Apparently Mr. Broughton was from a wealthy family, and could afford this attitude. Regarding his movie The Bed, Mr. Broughton said “It was the only film I created that ever made any money.”)
“Which brings us to the strange tale of Pauline’s only child, Gina James. … In 1948, at age 29, Kael got pregnant after she “talked her way into moving in” with James Broughton, a bisexual poet living in Sausalito. By Kellow’s account, Broughton was furious at the news of Kael’s pregnancy; he felt trapped and tricked by her. One of Broughton’s friends reported that he kicked Kael out of his house. She moved to Santa Barbara to have the baby. The birth certificate listed the father as “Lionel James, a writer”. It is one of the disappointments of the book that Kellow shines little light on Kael’s passion — or whatever it was — for Broughton, on how she processed that cruel rejection and on whether Broughton ever recognized Gina as his daughter.”
James Broughton moved on with his life. He made experimental films, got married, and fathered two more children. At some point he met Joel Singer, and began the romance that would last the rest of his life. It is tough to say whether he was genuinely bisexual, or whether he was playing the role society expected of him.
This review of Big Joy continues: “But interviews with Singer, waxing poetic about his years with the artist, are balanced by reminiscences from Broughton’s ex-wife and his abandoned son. Rather than only celebrating silliness, I found it admirable that the directors didn’t gloss over the pain he caused his wife and children. After all, when you think about it, he spent all of his life unable to decide if he was gay or straight; leaving a lot of broken hearts in his wake.
We learn from Kael that he flirted with everyone he met. “He rode off into the sunset with some guy,” his wife, Suzanna Hart tells us. “That was very sad for me, but not for him, which was…very irritating.” In her segments, Hart keeps her emotions in check but you can clearly read the sadness and anger in her face. The son doesn’t have much good to say about his absent father and the two daughters (the first by Kael and the second by Hart) both refused to be interviewed for the film. Singer has a lot to say about their blissful decades together, but he also comes off a bit heartless when he shows no guilt over breaking up what he calls Broughton’s “loveless” marriage.”
The baby daddy leaves, and the struggling writer becomes a single mom. “… Kael’s relationship with her actual daughter was something out of a Tennessee Williams play, and not in a good way. Kael home-schooled Gina and, as the girl grew up, kept her close, as a typist, projectionist, driver and right-hand man, and she banished any friend who actively encouraged the young woman to break out on her own. Though she was in many ways a loving and committed mother, helping to raise Gina’s son and always living nearby, one senses a Gothic selfishness in her mothering.”
Gina James declined to talk with Kellow for his book, but the author says Kael and her daughter had a sort of symbiotic relationship. “Pauline did not type, Pauline did not drive — Gina performed both those functions for her. And Gina was a very good critic of Pauline. She got to see Pauline’s copy before anyone else did and she often had very, very important and influential things to say. But Pauline really wasn’t wild about the idea of Gina breaking away and having her own life apart from her, and she didn’t do anything really to encourage her in that direction as far as I can see.”
Amazon one star comment: And her poor daughter – what a fate – TYPING all that. Poor Gina, — I can see her – Kellow described sitting silently in some coffee shop while her mother raved on and ON with her pet directors.
An affair with the experimental filmmaker James Broughton produced a child, Gina, whom Kael raised by herself, Mildred Pierce–like, heroically supporting them with a number of odd jobs, including running a laundry. Gina’s heart condition required expensive surgery, and Kael ended up enticing Edward Landberg, the owner of a local art-house theater, Berkeley Cinema Guild. They had begun as co-programmers. As Landberg tells it: “One day, when I was over at her place, I happened to graze her breast with my hand, and she kind of looked up and said, ‘What have you got to lose?’” Their marriage proved a fiasco, but Landberg agreed to pay for Gina’s operation, which Kellow suspects had been Kael’s motive all along…. Kellow shows more independence in assessing Kael’s treatment of her daughter Gina, whose ambitions to become a dancer or a painter she did little to encourage, preferring to keep her on “a silver cord . . . she had also grown accustomed to the steady, dependable role that Gina played—as secretary, driver, reader, sounding board—and she was loath to give her up.” Gina, for her part, was mistrustful of the dynamic she witnessed between Kael and her acolytes.“
“The closest and longest-lasting partnership of her life was with her daughter, Gina James … James considered speaking to Kellow, but finally declined, leaving a blank space at the center of this otherwise vividly detailed biography. Gina lived with her mother till she was over 30, typed up her reviews after Pauline stayed up all night writing them in longhand, and gave up both college and a shot at a dance career to serve as her mother’s caretaker, companion, and driver….
Kellow cites the text of the breathtakingly passive-aggressive eulogy that Gina delivered at her mother’s funeral in 2001: “My mother had tremendous empathy and compassion, though how to comfort, soothe or console was a mystery that eluded her … . Pauline’s greatest weakness, her failure as a person, became her great strength, her liberation as a writer and critic . … she turned her lack of self-awareness into a triumph.”
One more chapter remains. “Gina lived with Kael well into her thirties … That she married and had a child, Will, seemed to catch Kael by surprise, though she ended up adoring her only grandchild, someone with whom she could watch action movies with.
Kael died in 2001, when Will was about 19. Unfortunately, and Kellow made no mention of this in his book whatsoever, there’s a horrible postscript, one that may well have been the reason for why Gina declined to be interviewed for the book. On October 6, 2007, Will, then 25, went hiking in the East Mountain State Forest in the Berkshires. He was an avid hiker, not to mention a devoted martial artist. He had a girlfriend. He never came back. Gina reported him missing, but his body wasn’t found for more than week, on October 15. … “authorities found camping equipment nearby and while cause of death has not been determined, foul play is not suspected.”
Pictures today are from The Library of Congress. UPDATE These two comments were made to the original post. Anonymous said, on June 16, 2017 at 9:18 pm Your piece on Kael and Broughton is rife with misinformation and judgements galore and unbelievably badly written. Get a life and stop spreading falsehoods. And next time you put your fingers to a keyboard do your due diligence! James’ son was NOT ABANDONED! He lived happily with the two of us after the divorce. You fail to recognize that James’ ex-wife was a classic fag hag who had been married to another gay man before her relationship with James. She had been in psychotherapy for years before they got together and for many years after they split up. James certainly did not spend the rest of his life uncertain about his sexuality. Read his autobiography COMING UNBUTTONED and you’ll discover how misinformed your take on him is. You have done a great disservice to your readers by publishing such homophobic nonsense. Joel Singer ~ Sterling Wilson said, on August 19, 2017 at 1:40 pm Curious about this autobiography, I found the following from a Publishers Weekly review “Broughton forsakes introspection for literary gossip and name-dropping: Kenneth Rexroth, Pauline Kael, Dylan Thomas, Anais Nin. The birth of a daughter is dispensed with in two sentences. Broughton’s insistence on making himself the center of attention increasingly intrudes.”
Dick Nixon TV Critic
The text below is a conversation between Mr. Nixon, John D. Ehrlichman, and H. R. Haldeman. The tape was made May 13, 1971. This is a repost. Pictures are from The Library of Congress.
NIXON: … CBS … glorifying homosexuality.
EHRLICHMAN: A panel show?
H. R. HALDEMAN: No, it’s a regular show. It’s on every week. It’s usually just done in the guy’s home. It’s usually just that guy, who’s a hard hat.
NIXON: That’s right; he’s a hard hat.
EHRLICHMAN: He always looks like a slob.
NIXON: Looks like Jackie Gleason.
HALDEMAN: He has this hippie son-in-law, and usually the general trend is to downgrade him and upgrade the son-in-law–make the square hard hat out to be bad. But a few weeks ago, they had one in which the guy, the son-in-law, wrote a letter to you, President Nixon, to raise hell about something. And the guy said, “You will not write that letter from my home!” Then said, “I’m going to write President Nixon,” took off all those sloppy clothes, shaved, and went to his desk and got ready to write his letter to President Nixon. And apparently it was a good episode.
EHRLICHMAN: What’s it called?
NIXON: “Archie’s Guys.” Archie is sitting here with his hippie son-in-law, married to the screwball daughter. The son-in-law apparently goes both ways. This guy. He’s obviously queer–wears an ascot–but not offensively so. Very clever. Uses nice language. Shows pictures of his parents. And so Arch goes down to the bar. Sees his best friend, who used to play professional football. Virile, strong, this and that. Then the fairy comes into the bar. I don’t mind the homosexuality. I understand it. Nevertheless, goddamn, I don’t think you glorify it on public television, homosexuality, even more than you glorify whores. We all know we have weaknesses. But, goddammit, what do you think that does to kids? You know what happened to the Greeks! Homosexuality destroyed them. Sure, Aristotle was a homo. We all know that. So was Socrates.
EHRLICHMAN: But he never had the influence television had.
NIXON: You know what happened to the Romans? The last six Roman emperors were fags. Neither in a public way. You know what happened to the popes? They were layin’ the nuns; that’s been goin’ on for years, centuries. But the Catholic Church went to hell three or four centuries ago. It was homosexual, and it had to be cleaned out. That’s what’s happened to Britain. It happened earlier to France. Let’s look at the strong societies. The Russians. Goddamn, they root ’em out. They don’t let ’em around at all. I don’t know what they do with them. Look at this country. You think the Russians allow dope? Homosexuality, dope, immorality, are the enemies of strong societies. That’s why the Communists and left-wingers are clinging to one another. They’re trying to destroy us. I know Moynihan will disagree with this, and Mitchell will. But, goddamn, we have to stand up to this.
EHRLICHMAN: It’s fatal liberality.
NIXON: Huh?
EHRLICHMAN: It’s fatal liberality. And with its use on television, it has such leverage.
NIXON: You know what’s happened [in northern California]?
EHRLICHMAN: San Francisco has just gone clear over.
NIXON: But it’s not just the ratty part of town. The upper class in San Francisco is that way. The Bohemian Grove, which I attend from time to time–it is the most faggy goddamned thing you could ever imagine, with that San Francisco crowd. I can’t shake hands with anybody from San Francisco. … Decorators. They got to do something. But we don’t have to glorify it. You know one of the reasons fashions have made women look so terrible is because the designers hate women. Designers taking it out on the women. Now they’re trying to get some more sexy things coming on again.
EHRLICHMAN: Hot pants.
NIXON: Jesus Christ.
Chamblee54 
leave a comment