Andy Warhol And Frank Zappa
Andy Warhol Hosts Frank Zappa on His Cable TV Show, and Later Recalls, “I Hated Him More Than Ever” After the Show” Andy had a public access cable tv show in New York. One of his guests was Frank Zappa. FZ talked a lot, while Andy was silently uncomfortable. A friend of Andy’s, Richard Berlin, did the interview. Mr. Berlin is possibly the brother of Warhol film actress Brigid Berlin.
The Andy Warhol Diaries has a few comments about the show. “… I hated Zappa even more than when it started. I remember when he was so mean to us when the Mothers of Invention played with the Velvet Underground—I think both at the trip, in L.A., and at the Fillmore in San Francisco. I hated him then and I still don’t like him.”
Jimmy Carl Black (The “Indian of the group” for the Mothers of Invention): “I don’t remember Zappa actually putting them down on stage, but he might have. He really disliked the band. For what reasons I really don’t know, except that they were junkies and Frank just couldn’t tolerate any kind of drugs. I know that I didn’t feel that way and neither did the rest of the Mothers. I thought that they were very good, especially Nico (whom I secretly fell in love with or was it lust?). I especially thought that Moe was a very good drummer, because in those days I don’t recall there being any other female drummers on the scene. The thinking of the audiences was completely different than those from New York City. They were lukewarmly received.”
“In 1965 The Trip opened at 8572 Sunset Boulevard right next to the towering Playboy Club building. The Trip was located in the former popular 60s jazz club called the Crescendo. There was a comedy club upstairs called the Interlude. … The Velvet Underground and Nico are the musical guests at a series of shows at The Trip nightclub on Sunset Strip in 1966, but it is their manager, Andy Warhol, who is the headliner with his outrageous, multi-media Exploding Plastic Inevitable Show.” …
“On May 3, 1966 I was serving drinks in the celebrity section at The Trip. Jane Fonda is seated and she orders a drink and I asked her for ID. She removes her sunglasses and says, Do you know who I am? … Frank Zappa and The Mothers of Invention are the opening act the first night. At the end of the set they receive a standing ovation and cheers from the audience.”
“The Exploding Plastic Inevitable Show started after The Velvet Underground played a couple of songs. … When your eyes adjusted to the manipulation of the light what you saw was an interaction between Nico and two men, one who carried a whip, the other chains. It was an illusion, I think, of sadism, not at all acceptable to peace loving hippies. … The EPI featured a mixed media orgy that included film loops, music by the Velvets, sadomasochistic dancing and an epileptic lightshow.”
“Before the first set was over people stared to walk out of the club. Cher said “It depressed me. It will replace nothing – except maybe suicide.” People were standing up at their tables, booing as they waited their turn to leave the club. The line for the second show circled the block but the customers leaving started warning people not to go in. They said the show was vulgar and violent. The line got smaller and smaller until only a handful of people remained.”
“The Buffalo Springfield is playing the Whisky A Go Go as the opening act and is free to leave at 12:45 am. They walk to The Trip in time to see the feature act. … The musicians are equally offended by the appearance of sexual violence and what they assumed was part of the Velvet Underground’s act. It was later that we realized that Andy is the creator of the act of violence. … There is more then one story about why on the third day of the New Yorker’s show, L.A. Sheriff’s officers closed The Trip.”
“The show was cancelled before the advertised end date of its run. According to Callie Angell “On May 12, the club was temporarily closed when Virgina Greenhouse, wife of one of the operators, sued to collect a $21,000 over-due promissory note, and a representative of the sheriff’s office delivered a writ of attachment to the club. Warhol and the Velvet Underground filed a claim for their fee with the local musicians’ union, and were forced to wait in Los Angeles for payment to arrive.” According to Bockris, the club was “closed down by the Sheriff’s office on their third day. The troupe stay in LA, hoping the club would re-open, and the musicians’ union said if they stayed in town for the (union rules) duration of their engagement they would have to be paid the complete fee. They used the time to continue recording the first album.”
The Trip, engagement was supposed to be May 3 -18, 1966 , at least for EPI. The Mothers (not yet of Invention) headed north after the show. … “May 6-26, 1966 Frenchy’s House of BBQ, Hayward, CA (on the 21st they backed Neil Diamond who played a one night stand) … May 27-29, 1966 Fillmore Auditorium , San Francisco, CA (The Exploding Plastic Inevitable, Supporting Velvet Underground & Nico) … June 3-4, 1966 Fillmore Auditorium, San Francisco, CA (supporting Quicksilver Messenger Service & The Grateful Dead) … June 24-25, 1966 Fillmore Auditorium, San Francisco, CA (supporting Lenny Bruce).” Lenny Bruce died August 3, 1966.
“The Exploding Plastic Inevitable arrived in San Francisco to play for two nights at BILL GRAHAM’s Fillmore Ball Room with the MOTHERS OF INVENTION and the early JEFFERSON AIRPLANE. The Warhol crowd hated the hippie culture of San Francisco. Bill Graham pulled the plug on the Velvets the second night when the band left the stage after leaning their instruments against the amplifiers creating a “barrage of sonic feedback”.
“John Cale: “In San Francisco, we played the Fillmore and no one liked us much. We put the guitars against the amps, turned up, played percussion and then split. Bill Graham came into the dressing room and said, “You owe me 20 more minutes.” I’d dropped a cymbal on Lou’s head and he was bleeding. “Is he hurt?” Graham said. “We’re not insured.””
“After the second night in San Francisco Gerard Malanga was arrested in an all night cafeteria in North Beach for carrying an offensive weapon (his whip) and spent the night in jail. … While In San Francisco, Lou Reed shot up some bad speed causing his joints to seize up and he was incorrectly diagnosed as having a terminal case of lupus. Upon their return to New York, Lou Reed checked into Beth Israel hospital with a serious case of hepatitis and had a six week course of treatment. Nico left for Ibiza while the rest of the Velvets started rehearsing for an upcoming June booking in Chicago – a one week stint at Poor Richard’s. ANGUS MACLISE returned as drummer and MAUREEN TUCKER switched to playing bass.”
The VU and The Mothers of Invention both recorded on the MGM/Verve label. According to some, this caused problems. “The band believed that Zappa used his clout to hold back their release in favor of his own album with the Mothers of Invention, Freak Out. “The problem [was] Frank Zappa and his manager, Herb Cohen,” said (Sterling) Morrison. “They sabotaged us in a number of ways, because they wanted to be the first with a freak release. And we were totally naive. We didn’t have a manager who would go to the record company every day and just drag the whole thing through production.” (John) Cale claimed that the band’s wealthy patron affected the label’s judgment. “Verve’s promotional department [took] the attitude, ‘Zero bucks for VU, because they’ve got Andy Warhol; let’s give all the bucks to Zappa.’”
“On October 23, 1967, in New York, singer Nico sang with The Velvet Underground. (This list of VU performances does not mention a show on that date) … Nico’s delivery of her material was very flat, deadpan, and expressionless, and she played as though all of her songs were dirges. She seemed as though she was trying to resurrect the ennui and decadence of Weimar, pre-Hitler Germany. Her icy, Nordic image also added to the detachment of her delivery. … In between sets, Frank Zappa got up from his seat and walked up on the stage and sat behind the keyboard of Nico’s B-3 organ. He proceeded to place his hands indiscriminately on the keyboard in a total, atonal fashion and screamed at the top of his lungs, doing a caricature of Nico’s set, the one he had just seen. The words to his impromptu song were the names of vegetables like broccolli, cabbage, asparagus… This “song” kept going for about a minute or so and then suddenly stopped. He walked off the stage and the show moved on. It was one of the greatest pieces of rock ‘n roll theater that I have ever seen.”
The Library of Congress furnished the pictures for this feature.
Did Socrates Read And Write?
This story starts with a facebook meme. A fbf posted a picture of a thoughtful statue. The text read ‘When the debate is lost, slander becomes the tool of the loser.’ -Socrates. PG thought that Socrates never wrote anything that survived. All of what we attribute to Socrates was written by Plato. People reading this blog should know what happened next. This is a repost
Did Socrates Say Slander Is ‘The Tool of the Losers”? is one of several results. They all said the same thing … the quote is bogus. A tweet from Eric Trump is not evidence of authenticity.
PG began to think, which is never a good sign. Was Socrates able to read and write? was on the screen a few minutes later. The speculation is mixed. Some say that that Socrates was stone illiterate.
Thomas Musselman “Socrates served in the government on juries. Historians now know that legal proceedings were common over business matters of great sophistication and the the juries were well-educated concerning such matters. General literacy existed by the late 400s BC for the general pubic in primary school. Upper class males even in Socrates’ day would have been literate and there was an active book-seller market. To function in the world that Socrates functioned in required literacy.”
Google turned up a curious document. It is a passage written by Plato,“Phaedrus.” Pp. 551-552 in Compete Works. An Egyptian G-d is talking to a King, about an invention … writing.
“In fact, it (writing) will introduce forgetfulness into the soul of those who learn it: they will not practice using their memory because they will put their trust in writing, which is external and depends on signs that belong to others, instead of trying to remember from the inside, completely on their own. You have not discovered a potion for remembering, but for reminding; you provide your students with the appearance of wisdom, not with its reality. Your invention will enable them to hear many things without being properly taught, and they will imagine that they have come to know much while for the most part they will know nothing. And they will be difficult to get along with, since they will merely appear to be wise instead of really being so.”
SOCRATES: “But, my friend, the priests of the temple of Zeus at Dodona say that the first prophecies were the words of an oak. Everyone who lived at that time, not being as wise as you young ones are today, found it rewarding enough in their simplicity to listen to an oak or even a stone, so long as it was telling the truth, while it seems to make a difference to you, Phaedrus, who is speaking and where he comes from. Why, though, don’t you just consider whether what he says is right or wrong?”
Pictures today are from The Library of Congress. Part two is after the break.
A facebook friend posted a meme. It had an picture of Bertrand Russell, quoted as saying “If fifty million people say a foolish thing, it is still a foolish thing.” PG consulted with Mr. Google, and had his answer in seconds.
“From the wikiquotes page of Anatole France “Si 50 millions de personnes disent une bêtise, c’est quand même une bêtise. If fifty million people say a foolish thing, it is still a foolish thing. As quoted in Listening and Speaking : A Guide to Effective Oral Communication (1954) by Ralph G. Nichols and Thomas R. Lewis, p. 74. Misattributed to Bertrand Russell, by Laurence J. Peter, in The Peter Prescription : How To Make Things Go Right (1976), but he subsequently attributed to France in Peter’s Quotations: Ideas for Our Time (1977).”
“As I’ve said on many occasions, I don’t care who a quote is (mis)attributed to. I share a meme because its message resonates for me.” PG “If a million facebook users post a misattributed quote, it is still a misattributed quote … I have this vague sense that it does make a difference, but I can’t find the words to say why. Maybe google will have a snappy quote, preferably in English, that will give me a reason why correct attribution matters.”
“With google available, it is so, so easy to verify a quote before you post it. Often, the context of the quote puts a different shade on the meaning. Like the quote above. I have no idea why Mr. France said that, or what he meant. Sometimes, the words come from a foolish character in a story, and the author is making fun of them. Since I do not read French, I do not know how accurate the translation is.” (Google translate says “If 50 million people say stupidity, it’s still a stupidity.”)
“There is a famous quote from Ben Franklin about security and liberty. The quote is totally legitimate. It is taken from an Editorial Mr. Franklin was paid to write. The editorial supported the colonial government, in their efforts to levy a tax on farmers.”
The Ben Franklin post linked above has a useful link. “‘Contextomy’ refers to the selective excerpting of words from their original linguistic context in a way that distorts the source’s intended meaning, also known as ‘quoting out of context’. Contextomy is employed in contemporary mass media to promote products, defame public figures and misappropriate rhetoric. A contextomized quotation not only prompts audiences to form a false impression of the source’s intentions, but can contaminate subsequent interpretation of the quote when it is restored to its original context.”
Another chamblee54 post, about a dubious quote, refers to the Four Principles of Quotation. Principle 1 Whenever you see a quotation given with an author but no source assume that it is probably bogus. Principle 2 Whenever you see a quotation given with a full source assume that it is probably being misused, unless you find good evidence that the quoter has read it in the source. Principle 3 Whenever you make a quotation, give the exact source. Principle 4 Only quote from works that you have read.
This does not answer the question… is it WRONG to put the incorrect name at the bottom of a quote? Sharing a meme on facebook is not the same as putting a goofy quote in a term paper. While this is something that PG is loath to do, is it really that bad for someone else? Certainly there are concerns about context. Memes often do not use the quote as the author would have intended.
After a few frustrating search terms, PG decided to google “I don’t care who a quote is (mis)attributed to. I share a meme because its message resonates for me.” Google replied “Did you mean: I don’t care who a quote is (mis)attributed to. I share a meme because it’s message resonates for me” Apparently, Google does not know that the possesive form of its does not have an apostrophe. It’s is short for it is.
There were some lively results, though few answered the key question. “Furthermore, and this does bear mentioning, Andy Rooney did not write this. He died in 2011 so the words in the post, “let’s make 2019/2020 the year the silent majority is heard,” is ridiculous.” “Ever since the quote’s real author emerged, there’s been a lively discussion on Facebook about whether it even matters who said it – as long as someone said it.”
One result typifies the entire commodity wisdom catalog. Best Inspirational Quotes For Killer Social Media Posts There is a pop-up ad that will not go away. “149 Inspirational Quotes: Free PDF! Want to inspire your friends and followers with uplifting words? Grab my collection of 149 short quotes that are just the right length for social media posts, PLUS tips on how to make and post them! Sign up now and you’ll have the free PDF in a flash” Pictures today are from The Library of Congress.
Fleetwood Mac
PG has read the autobiography of Mick Fleetwood. If this had been a made up tale of fiction, no one would believe it. Mick is not the manufacturer of enemas, nor the namesake of a Cadillac Model. The possibility does exist that he has used those two products.
John Mayall gave his guitar player, Peter Green, some studio time as a birthday present. “The Green God” used a rhythm section from the Bluesbreakers, Mick Fleetwood (drums) and John McVie (bass). At the end of the day, Mr. Green wrote “Fleetwood Mac” on the can holding the tapes.
Before long, Mr. Green started his own band, and named it after the rhythm section. (Does anyone know the bass player and drummer of the Atlanta Rhythm Section?) Fleetwood Mac started as a blues band, and became popular in England. Mr. Fleetwood celebrated by getting together with Jenny Boyd, who became his wife. Miss Boyd is the sister of Patti Boyd, the wife of George Harrison, aka Layla.
The first Fleetwood Mac album in the USA was “Then Play On”. The first show in Atlanta was at the Oglethorpe University gym, and by all accounts was a wild night. PG saw the sign advertising the event, but did not attend.
About the time of “Then Play On”, Peter Green started to get a bit weird. He dropped out of the band, but Jeremy Spencer and Danny Kirwan were still playing guitars. For a little while. Jeremy Spencer took a walk outside a Los Angeles hotel, and got recruited by the Children of G-d. Danny Kirwan had some issues, and decided to leave the band. Bob Welch stopped by for a few years, joined by Christine McVie, the wife of John.
The band was managed at this time by Clifford Davies, who by all accounts was a nasty piece of work. A man named Bob Weston had joined the band, and lasted until he had an affair with Jenny Fleetwood. Mr. Weston was fired, and a tour canceled. Clifford Davies decided that he owned the name Fleetwood Mac, and hired a group of players to go out and do shows. Fleetwood and the Mcvies were not amused, and Mick Fleetwood took over as the manager of the band.
By 1974, the band was pushing along, and selling about 300,000 copies of each album. On Halloween night 1974, Fleetwood Mac played at the Omni with Jefferson Starship. PG was at the Municipal Auditorium that night, seeing Jackson Browne and Bonnie Raitt.
In late 1974 Mick was looking for a studio. He came to a place, and an album came on the speakers, Mick was impressed by the guitar player. Soon after, Bob Welch felt the need to leave the band, and Mick thought the guitar player he heard at the studio was a good fit. (The band never did auditions, just asked people they liked to join). The guitar player was Lindsay Buckingham, and his girlfriend/musical partner was Stevie Nicks. This was the band that set sales records.
The first album with Buckingham/Nicks, simply titled “Fleetwood Mac”, became a phenomenon. The band was soon headlining in stadiums, and was on every fm radio station in the land. The band went into the studio to record a follow up. The second album took over a year to produce, and saw the McVies and the Fleetwoods get divorced. Buckingham and Nicks split their common law arrangement. Out of the turmoil came “Rumours”, which has sold roughly thirty million copies.
On August 29, 1978, PG got to see Fleetwood Mac at the Omni. Mick Fleetwood was on top of his game, pounding the skins with a glee that could be seen from the cheap seats. Fleetwood was a highlight, standing two meters tall and creating havoc on the drum stand.
Reading the book tells the rest of the story. Fleetwood’s father had died earlier that summer, and Mick was devastated. The band was straining under the pressures of super duper stardom. Mick had attempted a reconciliation with his wife, which was a painful failure. There was an affair between Mick and Stevie Nicks at this time. The idea that Mick Fleetwood could perform like he did that night tells you what a trooper he was.
The story continues. The book was written in 1991. There might be a volume two. This is a repost.
Arlo Guthrie
This is a rerun post, with pictures from “The Special Collections and Archives, Georgia State University Library”. The original post was half about Arlo Guthrie, and half about Ralph Reed. Today, only the part about Arlo Guthrie will be shown. If you absolutely must read about Ralph Reed, you can follow the link above, or read Lisa Baron And Ralph Reed TMI.
The entertainment today is about Arlo Guthrie . Thanksgiving is intimately connected to Mr. Guthrie. Unlike the turkey, Mr. Guthrie has gone on to have a flourishing career. He probably will not come down with Huntington’s Disease, which killed his father Woody Guthrie.
The video that goes with this text was the first time PG saw Arlo Guthrie. This was broadcast January 21, 1970. PG was an unhip fifteen year old, who had not heard Alice’s Restaurant, seen the movie, or been to Woodstock. He did see the Johnny Cash show this night, or at least the part where Arlo Guthrie did the motorcycle song.
To quote the digital facility PG is borrowing from: ” Born Arlo Davy Guthrie on July 10, 1947, in New York, NY; son of Woody (a folksinger) and Marjorie Mazia (a dancer; maiden name, Greenblatt) Guthrie; married Jacklyn Hyde, October 9, 1969; children: Abraham, Cathyalicia, Annie Hays, Sarah Lee.” Abraham and Sarah Lee play in Arlo’s touring band.
The Alice’s Restaurant Masacree is a part of Americana now. There are two bits of knowledge, that are as true as anything told to a Persian king. When trying to dispose of some garbage, and finding the city dump closed, Arlo found some litter by the roadside, and made a value judgment…One big pile of garbage is better than two little piles.
The second is about the draft, and the business of choosing people to fight our wars. There is a regulation today that says that Gays and Lesbians are not supposed to be soldiers and sailors. In the tale of the thanksgiving dinner, it was litterbugs. (There was also a draft, and a different war. Lots of Americans were coming home in boxes.) The bottom line: Mr. Guthrie is confused about not being considered moral enough to kill people, because he was a litterbug.
A few years into his career, Arlo Guthrie had a hit record called “City of New Orleans”. It was about a train, and said “Good Morning America”. “City of New Orleans” was written by Steve Goodman, who is no longer with us. Mr. Goodman also wrote the perfect country and western song .
PG heard a story about Steve Goodman. “The songwriter is Steve Goodman. He gave a show at the Last Resort in Athens GA, that a friend of PG attended. Mr. Goodman tells a story about performing on a train, during a series of concerts supporting Hubert Humphrey. It seems like Mr. Goodman had to use the restroom on the train. Now, in those days, the trains did not use holding tanks, but just ejected the matter by the tracks as they rode by. Mr. Goodman was told, do not flush the commode while the train is in the station. Mr. Goodman forgot the instructions. Mr. Humphrey said ”I am going to give the people of this country what they deserve”, Mr. Goodman flushed the commode, and sprayed the crowd. PG is not sure if he believes this, but it is a good story.” ( A biographer of Mr. Goodman said said that the candidate was Edmund Muskie. He also says that David Allen Coe had nothing to do with the last verse of the perfect country and western song.)
As previously noted, this is a repost from a few years ago. In that time, the policy against gay people serving in the military has been dismantled. The Ralph Reeds of the world are more upset about the concept of gay marriage, than by gay people killing Muslims. Vietnam is a peaceful country, and is enjoying economic good times. The draft is something old fogies remember. The current fashion is to support war by demanding a tax cut.
Arlo Guthrie continues to make music. USA Today had a feature recently, Arlo Guthrie celebrates 50 years at ‘Alice’s Restaurant’. Arlo Davy Guthrie has a twitter account, @folkslinger, and a full head of white hair. His wife of 43 years, Jackie Guthrie, died Oct. 14, 2012. The Lenox Square theater was torn down to make way for a food court many years ago.


Mistake For The GOP
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iphone07 ~ unity campfire #16 ~ steven lee weintraub ~ alex jones
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@chamblee54 “I mean, honestly, we could never go as low.” Countless well meaning people: Hold my beer ~ pictures today are from The Library of Congress. ~ selah.
Storm
The rumors of an incoming storm were noted. Atlanta has a rich history of false alarm weather trouble. When the weather radar showed the storm going away from north Georgia, a lot of people went to sleep. They were in for a rude awakening.
That quiet was disturbed about 430 am. PG got up to put a trash cart on its side in the back yard. He then tried to sleep, but there was too much troubling noise outside. Finally, at about 5:00, there was a loud crash, and the lights went out. A large cable in the front yard was drooping down. The phone and internet line was hanging down much lower than before. Cars would go past the house, and then stop to turn around. The land line was out. Usually, a traditional phone line stays up in a power outage. This was not your normal weather event.
The pretense of sleeping was over, and PG got up. A large tree was down across the road, about four houses down. Thursday was spent walking in circles. You get out, and talk to neighbors. PG chopped up some fallen limbs, and put them in trash cans by the street. He walked around the block, to see the damage on the other side of the tree. A power pole was broken in half.
Friday was more of the same. Rumors started to fly that it would be Sunday night, or Monday morning. PG walked up to the gym, past a broken red light at the Redding Road underpass. Peachtree was in a nostalgic traffic backup.
Saturday was when things got interesting. About a dozens service trucks were on Parkridge Drive. PG talked to some ATT men, and was encouraged to try to fix the down cable line. He rigged up a temporary solution. Meanwhile, a large cable was resting on top of PG’s power line. It broke the guy wire, although the line itself stayed connected. The line was disconnected.
PG was told to find an electrician to hook it up. The first electrician said he couldn’t work on it. When the rest of the street got power at 7pm, PG was left in darkness. It was all very discouraging.
Sunday, a neighbor recommended another electrician. He came over, and did some magic to the line. Georgia Power was called. PG was apprehensive at first, until the service man asked PG to pull out the breaker. The lights came on at 6:21 pm, 85 hours after the power went out.
Pictures today are from The Library of Congress.















































































































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