Chamblee54

This blog has an email address listed. It is seldom used. The host is a faded internet company that rhymes with booboo. Once proud email has become a spam magnet. The email address there is checked every once in a great while. Yesterday was one of those times. There was a surprise.
Friday, June 5, 2015, 2:52 PM
Do you know exactly where the Agora Ballroom was in the Georgia Terrace Hotel Also I am trying to locate photos of the following locations – Does you any that we can use? Please let me know ASAP – I am on an extremely tight deadline need photos by Monday morning if possible. Exteriors or interiors are great. Please let me know if you have any.
12th Gate Coffee House (located on 10th street in Midtown,) Club 112 (located at Lavista and Cheshire Bridge,) Lenny’s (either or both of their two locations in the Old Fourth Ward,) Great Southeast Music Hall (either or both of their two locations Lindberg Plaza or Cherokee Plaza,) Echo Lounge (located in East Atlanta,) Hedgens (located in Buckhead,) Agora Ballroom (located in Georgia Terrace hotel,) Muelenbrink’s Salon (located at the Underground.) Joeff Davis Photo Editor Creative Loafing
Thursday, July 9, 2015 11:12 PM
Hey I apologize for the tardy answer. I don’t use this email very often
The Agora was at the end of an alley off Peachtree. It was next door to the Ga Terrace Hotel, though not in the Hotel building itself. The ballroom was in a fire in the early eighties, and was torn down. I don’t have any of the pictures that you needed a month ago.
Friday, July 10, 2015, 11:49 AM
Thanks here is the piece we did: That was then, this is now.
Friday, July 10, 2015, 1:21 PM
Hey thanks for getting back to me. The article was cool, even without my contribution. This seems like a good excuse for a blog post. I have a some comments about some of the locations listed. For instance, my mother bought groceries at the Cherokee Plaza A&P every thursday for 37 years.. I would like to use your letters, and link to your article, in my post.
Chamblee54 has had posts about four notable Atlanta performance venues: 688 Spring Street, Georgian Terrace Ballroom, The Great Southeast Music Hall, and Richards. Two were on the list of requests. As for the other two, 688 Spring Street, home of Rose’s Cantina and 688, is now a doc-in-a-box facility, Concentra Urgent Care. The site of Richards, across from Grady stadium on Monroe Drive, is now the meat department at Trader Joe’s.
The CL article, That was then, this is now, is fun to look at. There are some good pictures. There are a couple of mistakes in the piece, which this post will try correct.
The Great Southeast Music Hall is the scene of many cherished memories for those of a certain age. The post linked here has more comments than any other Chamblee54 post. There are two google earth images, one for Broadview Plaza, and one for Cherokee Plaza.
In Broadview, (now known as Lindbergh something or another,) the Music Hall was in the corner of an L shaped building. The space is currently a part of the parking deck for Target. According to google earth, the Home Depot takes up almost the entire parking lot of the old shopping center.
In Cherokee Plaza, the space where the Music Hall was is the south part of a Kroger. CL says it was in the parking lot, which simply is not so. This parking lot is too small, which is one reason the Music Hall failed there. In the nineties, the A&P expanded, and took over the space occupied by the theater. In 1998, A&P closed their Atlanta operations. The stores were taken over by Kroger.
The third google earth image is for the intersection of Peachtree Street and Ponce De Leon Avenue. This is the location of the Georgian Terrace Ballroom. This was the setting of Alex Cooley’s Electric Ballroom and The Agora Ballroom. This facility was in a fire, and torn down. An annex to the Georgian Terrace Hotel was built. This annex is roughly where the Ballroom was.
One of the places CL mentions was Backstreet. A picture of Lang Interiors, on Peachtree Street at Sixth Street, is included today.This is the building that became Backstreet. This building was a series of nightclubs in the early seventies. Backstreet opened in late 1974. It was the premier chacha palace in Atlanta for many years. When the property became valuable enough to attract the money of developers, the city discovered enough violations to shut down the party. (1974 was somewhat of a golden age for Atlanta nightlife. The Great Southeast Music Hall, Richards, and Alex Cooley’s Electric Ballroom were all in operation in 1974.)
Club 112 catered to an African American clientele. The space had been many businesses over the years, with a Fred Astaire dance studio next door. Around the time Backstreet was getting started, the space was called the Locker Room. A drag show, featuring the Hollywood Hots, performed there. The Locker Room was a “private club,” and was able to stay open on Sunday night. It was the only place open on Sunday, and was packed. The Locker Room was owned by Robert E. Llewellyn, who was later convicted of having a business rival murdered.
The 12th gate was in the middle of the block, somewhere on tenth street. It was not on the corner of Spring Street. A seedy Jim Wallace gas station was nearby. This place was mostly before I went out much. There is a hazy memory of seeing the Hampton Grease Band there. After the show, Mr. Hampton walked up to me, holding a thumb and finger making a circle in front of one eye. Mr. Hampton asked me what sign I was.
By the time Lenny’s was in business, I was a retired drunk. I seldom went downtown after dark. Somehow, the party went on without me. Pictures today are from “The Special Collections and Archives, Georgia State University Library”. This is a repost.

A picture turned up on facebook the other day. It was a flyer for a rock club at 2581 Piedmont Road called The Nightclub. The facebooker said “Found on the Strip Project’s page! I THINK the year is 1975…but…T Wesley Dean, can you help with this? Thermos played there”
Broadview Plaza had a strange design. It was at the corner of Piedmont Road and Lindbergh Drive, about a mile north of the park. BP was one of the first shopping centers built in Atlanta. BP was built on the site of Mooney’s Lake … “a summer swimming hole off of Morosgo Drive in Buckhead that was in business from 1920-58.” The design was unusual, having a row of stores facing Morosgo Drive, connected to a larger group of stores by an escalator. The downstairs portion was home to the Great Southeast Music Hall. The Nightclub was in the upstairs part, next to the escalator.
Peaches Records and Tapes was just getting going in 1975. PRT was a huge facility at the base of heartbreak hill on Peachtree. Rock stars put hand prints in cement in front of the store. One of the hand prints proclaimed DARRYL RHOADES IS GOD. Mr. Rhoades, backed by the Hahavishnu Orchestra, performed at PRT Halloween 1975. Mr. Rhoades had a big time playing his shit hits. (fecal dyslexia is rough) Shoplifters had a productive evening.
What does this have to do with The Nightclub? One afternoon, Peaches had a flyer on the checkout counter. The handbill had a coupon for free admission to the Roger McGuinn show. I went to this show. Jim McGuinn was the front man for the Byrds, before he changed his name to Roger. The show was fun to watch, with “Chestnut Mare” and “Lover of the Bayou” remembered 44 years later. Before doing “Eight Miles High,” Mr. McGuinn strapped on a guitar with christmas tree lights in the body. The lights flashed when the corresponding string was picked.
A few days later, Miles Davis was scheduled to play. Someone was going to take his parents to see the show. When they heard that Miles had gone electric, they decided not to go. I wound up with one of the extra tickets. Then Miles Davis decided not to perform that night. The substitute was Thermos Greenwood and the Colored People. Yes, that was the name of the band. The players, all white men, painted their faces different colors. The guitar player was green, the drummer was silver, and the bass player was red. TGATCP played what they called “cigar music.”
The Nightclub soldiered on for a while, and went out of business. This is what bars do. I did see one more show upstairs. Spirit played there Halloween 1977. One celebrant wore a Richard Nixon mask, with prison stripes. I improvised a beekeeper costume. A drunken young lady asked me what my costume was. “Are you going to catch bees in the men’s room, you freak? Before Spirit came on stage, someone sitting near me, said that the band was demanding their money before they went onstage. Spirit put on a rousing show. They’ve got a line on you. Pictures for today are from “The Special Collections and Archives, Georgia State University Library”. This is a repost.

This is a repost from 2010. Mr. Wainwright has a show in London friday night. He recently made a short film about the Monsters he enjoyed as a young man. Pictures today are from Special Collections and Archives, Georgia State University Library. The facebook picture is a Colonial grocery store. After service as the Texas Tea Room, it is now a discount mattress store.
Loudon Wainwright III is the son of a man who wrote for Life magazine, who was known as Loudon Wainwright Jr. The son of III is named Rufus, which is Albanian for Fifth. Either he skipped a level, likes to drink, or this is a coincidence. Rufus Wainwright is a musician also, with lots of units sold, and a stay or two in rehab.
The official LWIII website has a biography page, so if you care about such things you can go there. He writes little acoustic songs, many of which are hilarious. Early in his career, Dead Skunk became a hit. It became the song he was known for, but it was far from the best thing he did.
I have seen Loudon Wainwright III perform twice. In December of 1973, LWIII played at the Great Southeast Music Hall. He had a backup band, for some reason, and I was not overwhelmed. After the show, I talked to a high school classmate, and we went riding on the dirt roads behind the music hall smoking reefer. Those dirt roads are now Highway 400.
In May of 1982, LWIII played a show by himself at a concert hall on North Decatur Road, which was formerly a Colonial grocery store, and the Texas Tea Room. “Maybe, the venue was called the Texas Tea Room—or the Texas something-or-another. I recall that I heard some male duo there. When I heard them, they were past their prime in terms of popularity, but perhaps they were making some sort of comeback. I keep trying to remember who I heard. I also remember going in there one time with short-shorts on. The shorts were totally inappropriate for the setting, but I had been somewhere else and just stopped by the hall (we’ll continue to call it the Texas Tea Room) on a whim. I vaguely remember some guy giving me grief about my attire. I don’t think I went home with him, and I’m sure that was an excellent decision.”
On that May evening 42 years ago, LWIII was spectacular. He had done a lot of shows in the previous 9 years, and had learned a few things about performing. The lines that got a good response were repeated, and played slow enough to understand the lyrics. This is a problem for many lyric based performers…if you don’t know their music, you will not enjoy the show. With Wainwright, he sang slow and loud, and you could hear all the words. You knew why the crowd was laughing.
It is now 2024, and LWIII has not gone away. His records never did sell very well, and he sells his own product over the internet now. His hair is turning gray and falling out. The skunk has dried up, his bones crushed into powder by eighteen wheelers. The motel was shut down by the health department. A luxury condo building was built on the site.

The Georgian Terrace hotel used to have an adjacent ballroom. The building opened as the “Lucky Strike”, featuring “Duck Pin” bowling. At some time, it became a 1300 seat ballroom. It was not the grand ballroom, where events for the premiere of “Gone With The Wind” were held. As time moved on, the ballroom became a music performance hall. I saw shows there under four different business names. After the Agora Ballroom closed, the building was vacant, until a fire August 30, 1987. The site of the ballroom is now occupied by an annex of the Georgian Terrace Hotel.
The first show I saw at this facility was in 1972. The name of the business is forgotten, as is the act that performed. A band, comprised of people I went to high school with, played before he got there.
In 1974, “Big Time” promoter Alex Cooley opened “Alex Cooley’s Electric Ballroom”. (Alex Cooley died December 1, 2015.) The first show that I saw was Dr. John The Night Tripper. A few months later, Capricorn artists Cowboy played, with a vulgar New York band named Mercury opening. Gato Barbieri played, with some wondering how people could dance to that type of music.
Several major acts appeared at the Ballroom, mostly without me in the audience. KISS played there in 1974, and photographs from backstage are in the video. In April of 1974, Steely Dan was across from the Fox. In the summer of 1974, The Tubes played a week at the ballroom, with another heavily hyped show. On January 23, 1976, The Patti Smith Group played at the ballroom.
In 1975, Bruce Springsteen was on the covers of Time and Newsweek, and was receiving a promotional push unlike anything seen before. He played a show at the ballroom that summer, with a generous press party in the balcony. (At one unforgettable show Alex was caught off guard by a Bruce Springsteen request. “He asked if we could shut down the cash registers because they were making too much noise!… That’s the only time I ever did that.” Alex admits.)
I attended two shows in 1975. Mckendree Spring opened for Fanny, while I drank too many bourbon and cokes. In November of 1975, Juice Newton opened for Hot Tuna. Miss Newton seemed to be a bit pale, and performed “Get drunk and screw”. Hot Tuna was amazing. They went on stage at 10:55, and played, without a break, until 2:50. The drummer wore a shirt, mother fucking hot tuna. Few would argue that night.
In autumn of 1977, some brave soul opened a place called “The Ballroom” in the space on Peachtree Street. One night, I went with some friends to see an act, Happy the Man. There seemed to be a bit of chaos in the management of the facility. The Great Southeast Music Hall loaned a few microphones for the show. When the show was over, I walked out to a car, whose motor was running, with the driver asleep inside.
In the summer of 1978, the ballroom opened as The Agora Ballroom. Apparently, there is a music hall in Cleveland with that name, and they opened branch facilities around the country. There were some shows that I did not attend. Todd Rundgren opened the facility August 19, 1978. On October 2, 1979, The Clash played. Pictures from the crowd appeared on an album by the band. On December 2, 1981, U2 made their Atlanta debut.
A few weeks after the opening, PG won tickets to an all Texas show. Marcia Ball opened. I got bored and went to a neighborhood bar to drink beer. I returned later, and stayed long enough for the singer with Asleep at the Wheel to ask the crowd, Are you stoned?
In November of 1978, I called a radio station, and asked to be put on the guest list for Talking Heads . (For Talking Heads, and three links in the following paragraphs, the link is for a previous Chamblee 54 post about the show.) The first six people he called were busy, but the last one agreed to go. On the bus going home, a group of black men started to make unfriendly comments. At the next stop, a black friend got on the bus, and went to talk to me.
A few weeks later, Tim Curry made his United States debut. Some record company invested a lot of money in him, and supplied him with an outstanding band. I was wandering around the balcony after the first show, and saw Tom Waits sitting at a table. The bodyguard said no, that’s not Tom Waits, it is just someone that looks like him. At a bar, after the show, I was raving about what he had seen, when a lady came up to him. What color are your eyes? They are brown, because you are full of shit. Soon, the 23 Oglethorpe was taking him home.
Somewhere in the haze of 78 and 79, Ultravox brought their synthetics to the Agora. A local band, First Blood, was more entertaining as the opener. I drank a very large can of Foster’s beer, and floated through the proceedings. After the show, I was invited to a party in Candler Park. On the way there, there was a horrific car crash on Ponce de Leon. At the party, friends of First Blood dissected their performance, between lines of coke.
One night, I was enjoying drink specials at a neighborhood bar. He took a break, walked over to the Agora, and saw a few minutes of a show by Freddie Hubbard.
In early 1979, the B 52s were on the verge of stardom. (Here is a nifty feature about the Atlanta local music scene in those days.) The opener for the 52s was The Brains , yet another talented band that never made it big. At the table next to PG, a lady wore a dynamite World War Two army uniform.
Later in 1979, Ted Turner had an idea for a TV show, “Live at the Agora”. The first show was filmed in Atlanta, and featured Graham Parker and the Rumor. If they ever show that film again, and you see a crowd shot, that is me wearing a white T shirt, with a white Agora iron on logo. Parker was a great musician, who had the misfortune to look like Big Bird’s nerdy little brother. If Graham Parker looked like Bruce Springsteen, he would have been a superstar.
In March of 1980, Lene Lovich came to the Agora. About a year later, Spirit played on Peachtree Street. The show was sponsored by a radio station, and tickets were $2.96. Despite the low price, and high musical quality, the balcony was closed, and only about a hundred people were at the show. I thought this was odd, but little surprised me by this time.
The last show that I caught at the Agora was The Ramones. Joey and the pinheads were past their prime, with only two original members playing. It was an all ages show, with alcohol served in the balcony. Downstairs was a festive party, with costumes and enthusiastic high school kids. The balcony was the same rock and roll drunks you had seen for years. The Ramones would have made a great oldies band, if they could have quit dying. This is a repost, with pictures from “The Special Collections and Archives, Georgia State University Library”.

There have been eleven presidential transfers of power in my life. Nine of them were in January.I typically ignore them. I go out with Mr. Crook in office, and come home to President Thief.
The best exception was August 8, 1974. Richard Nixon was finally undone, and forced to resign. After watching Tricky Dick’s next to last television speech, I got in my Datsun, and drove to the Great Southeast Music Hall. The entertainment that night was Rahsaan Roland Kirk.
The Music Hall was the sort of place we don’t seem to have anymore. The auditorium was a bunch of bench backs on ground level, with pillows everywhere. It was a space in a shopping center, occupied by an office depot in later years. To get there from Brookhaven, you drove on a dirt road, where Sidney Marcus Boulevard is today.
Rahsaan Roland Kirk was not modest. He was the modern miracle of the tenor saxophone. He would play three saxophones at once, getting sounds that you do not get from a single instrument. At one point, the band had been playing for five minutes. Rahsaan had been holding the same note the entire time, without stopping to breathe.
Mr. Kirk played two ninety minute sets that night. He talked about twenty minutes out of every set. Of that twenty minutes, maybe thirty seconds would be fit for family broadcasting. Mr. Kirk…who was blind…said he did not want to see us anyway, because we were too ugly. He said that Stevie Wonder wanted to make a lot of money, so he could have an operation and see again.
The next day, Mr. Nixon got in a helicopter and left Washington. The Music Hall stayed open a few more years. Sidney Marcus Boulevard was paved. Rahsaan Roland Kirk had a stroke in 1975. He struggled to be able to perform again. On December 5, 1977, a second stroke ended his career. He was 41 years old. This feature is an encore presentation. The pictures used today are from “The Special Collections and Archives, Georgia State University Library”.