Bing Crosby And David Crosby
Last night, PG was editing pictures while listening to Hardcore History 51 – Blueprint for Armageddon II. The show is three hours of a man talking about the first month of World War I. It has been called the worst August in history. Many say that Germany lost the war when it did not win in the first 900 hours. It took four years, and several million dead soldiers, for this phase of the twentieth century wars to be over.
At some point, PG took a break and looked at twitter. David Crosby was holding court. PG has written about Mr. Crosby before, and tweeted him several times. The tweets are usually ignored. Fair is a baseball hit between the bases. PG decided to try again.
@chamblee54 @thedavidcrosby Did you ever meet Bing Crosby?
@thedavidcrosby “@chamblee54: @thedavidcrosby Did you ever meet Bing Crosby?” Yes I did
@FoxH2181 @thedavidcrosby @chamblee54 DC tells the late robin williams about it on youtube
@FoxH2181 @chamblee54 did you find the crosby /williams encounter on youtube?
@chamblee54 @FoxH2181 listening to a history podcast now – I may, or may not, look for it – there is so much to listen to & i have a big backlog.
PG eventually decided to listen to part one of the Robin Williams and David Crosby chat. Early in the show, David talks about being in the first class cabin of an airplane. David was in full hippie glory, in contrast to the general three piece suit ambience. Soon, a celebrity came on board, Bing Crosby. A man went up to Bing, and asked for an autograph. All that was available to write on was a can of beans. Bing Crosby was very gracious to the fan, which impressed David Crosby immensely.
There was an empty seat beside David Crosby, and Bing Crosby sat in it. “These other guys don’t know who you are, but I do. I like your music. ” And that is the story of David Crosby meets Bing Crosby. The rest of the interview was a comedian, who used to do too much coke, talking to a musician, that went to prison for doing too much coke. There was a lot of comedic riffing and character playing, which fans of Robin Williams might find enjoyable.
PG is easily amused, and decided to go for part two. David Crosby tells a story of going to see the symphony as a young boy. He is impressed by the sounds that are produced by all the elbows sawing on violins at the same time. David Crosby winds up as someone that likes to collaborate, to be a part of a team. At 24:01 of the show, David Crosby says, regarding CSN, “We do shit together.”
@chamblee54 @FoxH2181 @thedavidcrosby David Crosby on CSN at 24:01 “We douche it together” https://www.youtube.com/watch?v=5Z1R__IcNww
David Crosby retweeted your tweet. @chamblee54 @FoxH2181 @thedavidcrosby David Crosby on CSN at 24:01 “We douche it together” https://www.youtube.com/watch?v=5Z1R__IcNww
Pictures are from “The Special Collections and Archives, Georgia State University Library”.
The B-52s
There used to be a chinese restaurant, on the Atlanta Highway, called Hunan House. One night, a few people shared a flaming volcano, and formed a band. The b52’s played their first show at a valentines day party in 1977. They were named for a bouffant hairstyle.
The b52’s were Ricky Wilson, his sister Cindy, Kate Pierson, Fred Schneider III, and Keith Strickland. The Wilsons and Mr. Strickland were from Athens. Miss Pierson and Mr. Schneider were from New Jersey. Planet Claire was the ancestral home.
Fred had lived in Atlanta before he moved to Athens. He stayed in an apartment on Monroe Drive, across from S&M clutch and brake company. PG knew some of his neighbors, and once rested his feet on a rug, formerly owned by Fred Schneider.
Somebody had connections, and The b52’s were playing shows in New York before long. They released a 45 on db records, “Rock Lobster” and “52 girls”. The first of the girls mentioned…there are only 23 named…is Effie. There was a famous whorehouse in Athens named Effies.
One night, they played a show at the Big Dipper, on Ponce de Leon Avenue. The Big Dipper was a former Maryland Fried Chicken, and is now something else. After the show, either Kate or Cindy was in the parking lot, talking to a local character named Beulah. As was his way, Beulah was talking about Mick Jagger this, Mick Jagger that. Finally, Kate had enough. ” Fuck Mick Jagger. One day Mick Jagger will come see me, me, me.”
The b52’s were a fun band. Ricky had an unusual style on guitar, and Kate played a farfisa organ. The girls always wore big hair wigs. Fred was somewhere up front singing.
On Labor Day, 1978, PG saw the b52’s in Piedmont Park. There was a third girl that day, Wendy, who wore an inflatable beach float, and danced. The only songs PG is sure they did were “Downtown” and “Rock Lobster”. A few months later, PG saw the b52’s at the Agora ballroom. The Brains opened.
Sometime in late 1979, the eponymous first album came out. It became a hit, with dance clubs all over playing “Planet Claire”, “Dance this mess around”, and “6060-842”. In the summer of 1980, PG talked with a former Athenian in a hostel in Cannon Beach, Oregon. He mentioned that Cindy was the only heterosexual in the band.
The years went by, and more albums were released. On October 12, 1985, Ricky Wilson died of AIDS. He is buried in Oconee Hill Cemetery, behind Sanford Stadium in Athens. He sold bus tickets at the Grayhound station in downtown Athens before he hit the bigtime.
The band continues to this day. At some point, “Love Shack” was released, and became a hit. It is probably the best known b52’s song today. This is a repost. Pictures are from The Library of Congress.
Blue Tail Fly
Q: What does “Jimmy crack corn” mean, and why does he not care?—Matt, Columbus, Ohio
PG was trolling stupidquestion.net when there was a convergence of stupidity. (The site does not exist in 2012.) All his life he had heard “Blue Tail Fly”, and been embarrassed. And there, in (pardon the expression) black and white, was someone who wondered the same thing.
It seems as though “Blue Tail Fly” started out as a minstrel song. For those who don’t know, minstrel shows were white people putting on black makeup, and imitating African Americans. Minstrelsy is not well thought of these days.
The story of BTF involves a slave named Jim. A fly bit the pony the old massa was riding, the pony was offended, and threw the old massa off. He was hurt landing, and died. Jim still has to crack corn, but he doesn’t care anymore, because old massa has gone away.
Dave Barry took a poll once to find out the stupidest song of all time. The overwhelming winner/loser was “MacArthur Park”. The combination of over the top show stopping, while singing about a cake left out in the rain, makes this ditty a duh classic.
In the spirit of corny convergence, the video is a karaoke version featuring Donna Summer . Miss Summer is a talented singer, who happened to connect with Giorgio Moroder. Lots of singers could have hit the big time by fronting those records. Donna Summer hit the jackpot.
For a proper post, there needs to be a third stupid song. This is not about stupid bands, singing about being D U M B. Even though they totally don’t belong, there is a video of the Ramones included. PG saw the Ramones at the Agora Ballroom in 1983. This was after their prime, and before a homeless man caught the Ballroom on fire.
We still need a third stupid song, and PG wants to get this posted with as little research as possible. Just like some writer was once given twenty minutes to write a song, and he decided to do the worst song he could think of. The result was “Wild Thing”. PG used to have a 45 of someone who sounded like Bobby Kennedy singing “Wild Thing”. This video (of the Troggs performing “Wild Thing”) has the late Casey Kasem, and Portuguese subtitles. Let the good times roll.
This is a repost. Pictures are from “The Special Collections and Archives, Georgia State University Library”. This was downtown Atlanta in 1941.
Where Was That Place?
This blog has an email address listed. It is seldom used. The host is a faded internet company that rhymes with booboo. Once proud email has become a spam magnet. The email address there is checked every once in a great while. Yesterday was one of those times. There was a surprise.
Friday, June 5, 2015, 2:52 PM
Do you know exactly where the Agora Ballroom was in the Georgia Terrace Hotel Also I am trying to locate photos of the following locations – Does you any that we can use? Please let me know ASAP – I am on an extremely tight deadline need photos by Monday morning if possible. Exteriors or interiors are great. Please let me know if you have any.
12th Gate Coffee House (located on 10th street in Midtown,) Club 112 (located at Lavista and Cheshire Bridge,) Lenny’s (either or both of their two locations in the Old Fourth Ward,) Great Southeast Music Hall (either or both of their two locations Lindberg Plaza or Cherokee Plaza,) Echo Lounge (located in East Atlanta,) Hedgens (located in Buckhead,) Agora Ballroom (located in Georgia Terrace hotel,) Muelenbrink’s Salon (located at the Underground.) Joeff Davis Photo Editor Creative Loafing
Thursday, July 9, 2015 11:12 PM
Hey I apologize for the tardy answer. I don’t use this email very often
The Agora was at the end of an alley off Peachtree. It was next door to the Ga Terrace Hotel, though not in the Hotel building itself. The ballroom was in a fire in the early eighties, and was torn down. I don’t have any of the pictures that you needed a month ago.
Friday, July 10, 2015, 11:49 AM
Thanks here is the piece we did: That was then, this is now
Friday, July 10, 2015, 1:21 PM
Hey thanks for getting back to me. The article was cool, even without my contribution. This seems like a good excuse for a blog post. I have a some comments about some of the locations listed. For instance, my mother bought groceries at the Cherokee Plaza A&P every thursday for 37 years.. I would like to use your letters, and link to your article, in my post.
Chamblee54 has had posts about four notable Atlanta performance venues: 688 Spring Street, Georgian Terrace Ballroom, The Great Southeast Music Hall, and Richards. Two were on the list of requests. As for the other two, 688 Spring Street, home of Rose’s Cantina and 688, is now a doc-in-a-box facility, Concentra Urgent Care. The site of Richards, across from Grady stadium on Monroe Drive, is now the meat department at Trader Joe’s.
The CL article, That was then, this is now, is fun to look at. There are some good pictures. There are a couple of mistakes in the piece, which this post will try correct.
The Great Southeast Music Hall is the scene of many cherished memories for those of a certain age. The post linked here has more comments than any other Chamblee54 post. There are two google earth images, one for Broadview Plaza, and one for Cherokee Plaza.
In Broadview, (now known as Lindbergh something or another,) the Music Hall was in the corner of an L shaped building. The space is currently a part of the parking deck for Target. According to google earth, the Home Depot takes up almost the entire parking lot of the old shopping center.
In Cherokee Plaza, the space where the Music Hall was is the south part of a Kroger. CL says it was in the parking lot, which simply is not so. This parking lot is too small, which is one reason the Music Hall failed there. In the nineties, the A&P expanded, and took over the space occupied by the theater. In 1998, A&P closed their Atlanta operations. The stores were taken over by Kroger.
The third google earth image is for the intersection of Peachtree Street and Ponce De Leon Avenue. This is the location of the Georgian Terrace Ballroom. This was the setting of Alex Cooley’s Electric Ballroom and The Agora Ballroom. This facility was in a fire, and torn down. An annex to the Georgian Terrace Hotel was built. This annex is roughly where the Ballroom was.
One of the places CL mentions was Backstreet. A picture of Lang Interiors, on Peachtree Street at Sixth Street, is included today.This is the building that became Backstreet. This building was a series of nightclubs in the early seventies. Backstreet opened in late 1974. It was the premier chacha palace in Atlanta for many years. When the property became valuable enough to attract the money of developers, the city discovered enough violations to shut down the party. (1974 was somewhat of a golden age for Atlanta nightlife. The Great Southeast Music Hall, Richards, and Alex Cooley’s Electric Ballroom were all in operation in 1974.)
Club 112 catered to an African American clientele. The space had been many businesses over the years, with a Fred Astaire dance studio next door. Around the time Backstreet was getting started, the space was called the Locker Room. A drag show, featuring the Hollywood Hots, performed there. The Locker Room was a “private club,” and was able to stay open on Sunday night. It was the only place open on Sunday, and was packed. The Locker Room was owned by Robert E. Llewellyn, who was later convicted of having a business rival murdered.
The 12th gate was in the middle of the block, somewhere on tenth street. It was not on the corner of Spring Street. A seedy Jim Wallace gas station was nearby. This place was mostly before PG went out much. There is a hazy memory of seeing the Hampton Grease Band there. After the show, Mr. Hampton walked up to PG, holding a thumb and finger making a circle in front of one eye. Mr. Hampton asked PG what sign he was.
By the time Lenny’s was in business, PG was a retired drunk. He seldom went downtown after dark. Somehow, the party went on without him. Pictures today are from “The Special Collections and Archives, Georgia State University Library”.
The Kinks
Dangerousminds brings the sad news that Pete Quaife, the original bass player for The Kinks , passed away yesterday. He was 66, and had been in dialysis for several years. Maybe it is time for Chamblee54 to do a post about The Kinks. This is a repost.
Battling brothers Ray and Dave Davies are the core of The Kinks. (The name is pronounced like the american Davis, as though the e did not exist). Ray was the vocalist, writer, and rhythm guitar player. Dave was the lead guitarist, and sparring partner for his brother. The fisticuffs were not restricted to the brothers. This led to the band being barred from performing in the United States between 1965 and 1969. The sixties happened anyway.
There were several hits in the early days, most notably “You really got me”. (This later became a signature tune for Van Halen). The band had numerous adventures, but never became the superstars that other British bands of that era did. Ray Davies developed as a songwriter, with many witty tunes, full of social commentary and britishness.(spell check suggestion:brutishness)
In the seventies The Kinks kept trooping on. They did an album called Preservation Act, which became the basis of a theatrical presentation. The next album was called Soap Opera, with a theater like production. This is where PG got to see The Kinks.
It was sometime in the spring of 1975, at the Atlanta Municipal Auditorium. Elvin Bishop was the opening act. The Kinks had started when PG arrived, buying a $4.00 balcony seat. Alex Cooley was in the box office counting money, and broke open a roll of quarters to make change for a five.
The band was playing “Celluloid Heroes” when PG walked into the auditorium. There was no one on the door checking tickets, so PG walked onto the floor and found an empty seat on the 13th row. The next number was “Lola”.
Ray Davies introduced the song by saying ” If you are a man, sing LO. If you are a woman, sing LA. If you are not sure, clap your hands”. The next number was about demon alcohol. There were lights shining on the crowd during this number, as Ray Davies asked if there were any sinners in the audience. The band did several more songs, ending the first half of the evening with “You really got me”. Dave Davies got some spotlight time with a rave up intro to this number.
The second part of the show was a theatrical presentation of “Soap Opera”. The band wore rainbow colored wigs, and stood at the back of the stage while Ray Davies told the tale. “Soap Opera” was about a rock star who traded places with Norman, who lived a boring life. The flat Norman lived in has pictures of ducks on the wall, which drove Ray/Norman to scream “I can’t stand those f*****g ducks”. This led into a rocking ditty called, predictably, “Ducks on the Wall”.
As the show dragged on, Ray/Norman was embarrassed by the mess he was in. “You can’t say that in front of The Kinks, they are my band, and that is my audience.” The audience lights were turned on again, and the band played a medley of hits from 1964.
Finally, the real Norman came back to reclaim his wife, put the ducks back on the wall, and kick out The Kinks. The band gave up on theater before much longer, and were popular for the rest of the concert happy seventies. Ray Davies was the babydaddy for Chrissie Hynde . Eventually, the band quit performing, and continued to cash royalty checks.
Pictures are from the “The Special Collections and Archives, Georgia State University Library”.
The Last Night Of Judy Garland
In march of 1969, Judy married her fifth husband, Mickey Devinko, better known as Mickey Deans, a gay night-club promoter. Judy had an unfortunate habit of marrying gay men. They lived together in a tiny mews house in Chelsea, London. The evening of Saturday June 21 1969, Judy and Mickey were watching a documentary, The Royal Family, on television, when they had an argument. Judy ran out the door screaming into the street, waking the neighbors.
Several versions of what happened next exist, but the fact remains that a phone call for Judy woke him at 10:40 the next morning, and she was not sleeping in the bed. He searched for her, only to find the bathroom door locked. After no response, he climbed outside to the bathroom window and entered to find Judy, sitting on the toilet. Rigor Mortis had set in. Judy Garland, 47, was dead.
The press was already aware of the news before the body could be removed. In an effort to prevent pictures being taken of the corpse, she was apparently draped over someone’s arm like a folded coat, covered with a blanket, and removed from the house with the photographers left none the wiser.
The day Judy died there was a tornado in Kansas…. in Saline County,KS, a rather large F3 tornado (injuring 60, but causing no deaths) did hit at 10:40 pm on June 21st, that would be 4:40 am, June 22nd, London time, the morning she died. I know the time of death has never been firmly established, but since Rigor Mortis had already set in, I think this tornado may very much be in the ballpark in terms of coinciding with time of death…. Other news articles suggest the tornado struck Salina “late at night” which could certainly also mean after midnight on June 22, or roughly 6:00 am London time.
The Toledo Blade for June 24th, also in an article located right next to a picture of Garland, in a write-up on the Salina tornado noted that “Late Saturday [June 21] and early Sunday [June 22, another batch of tornadoes struck in central Kansas.” So it seems the legend seems confirmed.
The text for this story comes from Findadeath. You can spend hours at this site. This is a repost. Pictures are from The Library of Congress.
RuPaul Has Striven
People are getting tired of talking about #transracial, or whatever that hairdo challenged woman was claiming to be today. An interview with RuPaul is usually more entertaining. Especially when a *possessive pronoun disputed* reality show is going to be shown in Great Britain, and needs promotion.The result: RuPaul: ‘Drag is dangerous. We are making fun of everything’
The article is about what you would expect. There was a comment about not wanting to drop “she-mail” from RPDR. This bit of language whimsy had the PC police on red alert. If you want to be old fashioned and read the article, just follow the link. The real fun starts in the comments. Pictures are from “The Special Collections and Archives, Georgia State University Library”.
Celtiberico Rebel who dressed like “boy who fell to Earth” Is Illuminati lizardmen conspiracy true?
The article Celtiberico links to is full of zesty quotes. “Drag Race is a brutal look at the underground world of radical homosexuality. Hosted by a lanky female serpent by the name of RuPaul … Drag Race is much more than a Gay Agenda plot to lure the heterosexual population into hardcore sodomy. By assaulting patriotic Christendom with seductively sensual transgenderism … It comes as no surprise, then, to learn that RuPaul ends each show with the ancient Freemasonic incantations of “Shan-te” and “Sa-che,” both of which are prayers spoken in the original Coptic and meant to invoke the Illuminati god of enchantment, Isis. … This unassailable evidence seems to suggest that Drag Race is an attempt to infect the media with viral images of shape-shifting sex vixens to make complete alien domination more comprehensible for the human race.”
BeckyP Although RuPaul has striven to make a positive contribution, and remains an excellent role model, the same cannot be said of Bruce Jenner..and yet Bruce Jenner appears on the front cover of Vanity Fair. Astonishing. Blythe Freeman Striven is a past participle, please rephrase. whood I strive. They strived. We are striving. They have striven. calm yourself down. RoyalSuperiority Aren’t both ‘has strived’ and ‘has striven’ equally acceptable here? Mihangelap “we strove” equally acceptable Pollik RuPaul? Positive role model? To whom? (Clue: it is not the trans community)
snecko Why not spend time being angry with people who disagree with you? I’d be willing to bet that, by and large, people involved in drag would share 99% of your worldview. I just don’t get this obsession of nitpicking at the habits of people who are essentially your comrades when there are actual bigots still out there. Drag’s ‘transmisogyny’ and racism, if it exists, is obviously not the intended message or the guiding values of the movement. To me, it seems to be about being who you want to be in a non-judgemental and loving atmosphere, which should be pretty groovy to anyone remotely on the left. I just don’t get why you would attempt to shit all over it for accidental transgressions which are debatable in the first place.
Pixles Counted Yep. The dress and all the makeup in the world cannot take all the chauvinism away from this kind of masculinist ideology. I’m sorry for whatever happened to you, Rupaul. You don’t have to follow the same cycle of abuse, you can choose to break the chains of violence. We are strong, and we don’t need your paternalistic neoliberal self-help philosophies to get us through the day. We have before you and we will after you. Step out of the way. georges1 Sorry, but who is this ‘we’? ArundelXVI Yeesh. Did RuPaul kick your dog or something?
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bcnteacher Love Ru Paul but I am my own role model.
Toomuchstupidhere No, drag is boring and predictable – yesterday’s news. Trans is much more thought provoking. sUgadee I know this is the guardian, where British ignorance is highly valued and accepted, but the show has had a few trans contestants.
Sceptic101 I’m confused. The Guardian seems to habitually refer to transvestites, transsexuals, etc as ‘she’. Is this a new and realistic policy? chickenlover4 Either Ru specified to use the pronoun “he” or I think it’s a “he” because in the interview he is not in drag. If you’re in drag it would be “she” or “they”. I think pronouns are subjective to each individual and you just have to exercise sensitivity. People will forgive you for not using the correct pronoun. (PG is recovering from a run in with the pronoun police. *They* do not forgive.)
pineapplesage exhibitionist nihilism xesolor Self-gratifying troll.
Magnolia La Manga If drag is embarrassing these self-respecting gays (whatever that means), I think it’s doing exactly what it’s supposed to…
HelloKittyFanClub I had to scroll to the top of the page for a moment to check if I was on the Daily Mail comments section. Some of you seriously need to get over yourselves; between the veiled and not so veiled homophobic comments and the negative know-it-alls you sure know how to drag (ho-ho) down a show that is all about fun, entertainment, light and love.
The Death Of Jimi Hendrix
The current episode of WTF podcast features Marshall Crenshaw, a Jimi Hendrix fan. He discusses reports that Mr. Hendrix was murdered by Michael Jeffrey, his manager. This is a repost.
“The rock legend Jimi Hendrix was murdered by his manager, who stood to collect millions of dollars on the star’s life insurance policy, a former roadie has claimed in a new book. James “Tappy” Wright says that Hendrix’s manager, Michael Jeffrey, drunkenly confessed to killing him by stuffing pills into his mouth and washing them down with several bottles of red wine because he feared Hendrix intended to dump him for a new manager, according to a report in the Mail on Sunday. In his book, Rock Roadie, Mr Wright says Jeffrey told him in 1971 that Hendrix had been “worth more to him dead than alive” as he had taken out a life insurance policy on the musician worth $2m (about £1.2m at the time), with himself as the beneficiary. Two years later, Jeffrey was killed in a plane crash.
These rumors have been around for years. Whenever someone famous dies under mysterious circumstances, people wonder why. If you google the phrase “was Jimi Hendrix…” the suggested searches are left handed, a hippie, black, and murdered.
Mr. Wright’s story is denied by Bob Levine, the United States manager of Mr. Hendrix. He says Mr. Wright waited until 2009 to tell this tale, and he did it to increase book sales. Mr. Levine is legally blind after suffering a stroke. Bob Levine and Tappy Wright are not friends.
“The Orlando-based Wright says the ex-manager (Levine) “wanted me to baby-sit him” because Levine’s alienated his family and staff. “Levine used to say, ‘If you don’t come through, I’m going to slag your book,'” claims Wright, who adds that he has a “signed and notarized” statement from Levine saying that “it’s about time somebody wrote the truth about Jimi’s death. He also did a video interview.” Levine denies Wright’s claims. Levine says he is legally blind from his stroke but has “people taking care of me.” Levine adds that he didn’t discuss Hendrix’s death in the video and has no recollection of signing the notarized statement. Asked why he chose to speak out about the book now, Levine says: “Tappy dared me. He said, ‘There’s no one left to challenge me.'” Adds Wright, “I’m just correcting the story.”
There is a story from an physician who was at the hospital when Jimi Hendrix was brought in.
“John Bannister the on-call registrar at the now closed St Mary Abbots Hospital in Kensington, said in an interview that the patient seemed to have “drowned” in a large amount of red wine.” The last paragraph of the Telegraph story is an amusing post script. “Bannister now lives in Sydney and worked as a doctor until 1992 when he was deregistered for fraudulent conduct.”
Everyone in this story is either dead or sketchy. Michael Jeffrey seems to have been a nasty piece of work. He was a former intelligence agent for Britain’s MI6 agency. There are reports of stolen money, numbered bank accounts, and gangster business tactics. Reportedly, Mr. Hendrix was busy getting new management. The last paragraph of the blog critics story is perhaps the most intriguing.
“Michael Jeffery reportedly perished in a plane crash over France in 1973. But his remains were never found. Eric Burdon, Noel Redding, and others believe he may have checked luggage but slipped away during the boarding process. Jeffery was due in London court the very next day to defend himself in several huge lawsuits relating to his embezzlement, money laundering, and fraud.”
HBDBD
This is a repost. Pictures are from “The Special Collections and Archives, Georgia State University Library”. By the time this is posted, it will be Bob Dylan’s seventy fourth birthday. This chamblee 54 birthday tribute is composed primarily of three previously published pieces of work.
It was a late may morning in Atlanta GA, and a slack blogger was searching his archives. Yes, Issac Asinov never got writers block, and when he wasn’t going to the bathroom he was typing, but that is a lifestyle choice. Easy writing makes tough reading. So, anyway, in the may archive for 2011 there was a post about Bob Dylan’s seventieth birthday. People were taking bets on whether he would make it to thirty, and here he is at seventy four.
Hibbing MN is a cold place. At least it can claim to be the birthplace of Robert Allen Zimmerman. That’s Allen ,with an e, and double L, just like hell. The original initials were RAZ, which might be a good trivia question, or, with a silent W in front, radio station call letters. The problem is, he legally changed his name to Bob Dylan, with no known middle name. Those initial are BD.
On May 24, 1941, the curly haired wonder boi arrived. The world was a different place. Europe was in flames, and eyeing the young men of America as fresh cannon fodder. This was twelve years, eleven months, and eighteen days before PG graced the planet. A twelve year old in Hibbing MN would have no reason to think of a newborn baby in Atlanta GA.
These days, not everyone knows who Bob Dylan is. Auto tuned automated canned music is the next big thing. If auto tune had been around in 1963, we would never had known how badly Mr. Dylan sings. In an age where rappers pay ghost writers to compose their tweets, being able to write songs is not valued. There is just no telling. And so it goes.
A.J. Weberman has made a life out of going through Bob Dylan’s garbage. He wrote a book, “The Devil and Bob Dylan”. “THIS BOOK CHALLENGES ALL PREVIOUS CONVENTIONAL THINKING ABOUT BOB DYLAN. DYLAN IS JUST THE OPPOSITE OF WHAT YOU BELIEVE HIM TO BE. BUT WHAT PURPOSE DOES IT SERVE EXPOSING HIM AS A RACIST, HIV POSITIVE EX-JUNKIE AND HOLOCAUST DENIER? NONE EXCEPT THAT OF TRUTH, AND THE TRUTH WILL SET YOU FREE. $17 INCLUDING POSTAGE! THE BOOK IS 500 PAGES AND FULLY ILLUSTRATED.
There was a comment on the Bob Dylan webpage… Everybody knows by now that there’s a gazillion books on me either out or coming out in the near future. So I’m encouraging anybody who’s ever met me, heard me or even seen me, to get in on the action and scribble their own book. You never know, somebody might have a great book in them. PG doesn’t write books. He did grow up in America, and has a few opinions about Bob Dylan. It ought to be good for a few hundred words here. (HT to dangerous minds ) (Chamblee54 has posted about Mr. Dylan before.)
The first time PG heard of Bob Dylan was probably at the record rack of Zippy’s dime store in Cherokee Plaza. There was an album of his greatest hits, and it came with a poster. The poster had a drawing of the man, with psychedelic waves of hair cascading in multi colored glory to the edges. PG never did buy the LP.
The former Mr. Zimmerman was never big on top 40 am radio. Somebody somewhere was getting a headache over those lyrics, but Atlanta GA was not somewhere in those days. By this time, Mr. Dylan had crashed his motorcycle, and gone into hiding. As the counter culture exploded (if only someone had disinfected that counter) the curly haired poet was in hiding, the subject of much speculation. At one point, people were stealing his garbage, and claiming to find evidence of investment in munitions firms. The neoscience of Dylanology continues to this day.
As PG got older and stupider, he heard more and more Bob Dylan music. In the summer of 1972, there was a performance at the Concert for Bangladesh. A couple of albums released during this era sucked, and some people stopped caring about Bob Dylan.
At the start of 1974, a tour was announced. The Band was to be the backing group. The circus came to the Omni, and PG got some of the mail order tickets. He couldn’t find anyone to use the second ticket, and sold it to a stranger outside the arena.
The show was nothing special. Bob Dylan excels at writing, is ok in the studio, and blah on stage. Georgia Governor Jimmy Carter was at the show, and was said to look bored. Mr. Dylan was invited to the Governor’s mansion after the show, and talked to the Governor. A lot of people in Georgia were surprised that Jimmy would want to run for President.
As the Seventies went me me meing into sex and drugs oblivion, Bob Dylan regained both his writing touch, and love of the spotlight. The Rolling Thunder tour happened, he got back together with Joan Baez, divorced his wife, became born again, became more Jewish, counted money, and generally lived the life. PG did his own version of all that, without Joan Baez or being circumcised again.
In the winter of 1991, America was consumed by war fever. Saddam Hussein had been elevated to next Hitler status, and had to be taught a lesson. One night, Bob Dylan played on a music awards show, and performed “Masters of War”. He played a discordant version of that ditty, with the result that few understood what he had said. By this time, Mr. Dylan had assembled a band, and gone out on the “Never Ending Tour”. A Bob Dylan concert had gone from being a special event, to being another name on the festival roster. Overexposure will do that.
On the last night of the Olympics in 1996, Bob Dylan played the House of Blues downtown. PG won a pair of the $80 tickets in a radio station contest. It was his only trip downtown during the games, and had to wait in a security line to get into Centennial Olympic Park.
The only celebrity, other than Mr. Dylan, seen at the House of Blues that night was Bill Walton. The band was competent…they impressed PG as being like a bar band that did a lot of Dylan songs, with a strangely authentic lead vocalist. The sound in the room was not good, at least in the spot where PG stood. The only song he recognized was “All along the Watchtower”, the Jimi Hendrix classic. Mr. Dylan got a cheer when he put his harmonica appliance on.
The aptly named dangerousminds has a link to a story about the recording of Blonde on Blonde, by Bob Dylan. It only happened once.
Bob Dylan was 24 years old, newly married, and had “sold out” i.e. started to play electric guitar. A bunch of Canadians known as The Hawks (later The Band) was touring with him. Barely a month after the release of “Highway 61 Revisited”, sessions started at a New York studio.
The New York sessions did not work, so a decision was made to go to Nashville. Al Kooper played organ, and served as a music director. A crew of Nashville players was recruited. A bass player named Joseph Souter, Jr. would become famous a few years later using the name Joe South. Kris Kristofferson was the janitor at the studio.
Most studios have bafflers, or sound proof room dividers, splitting the studio into cubicles. For these sessions, the bafflers were taken down, and the band played together as a unit.
The second session in Nashville started at 6pm and lasted until 530 the next morning. Mr. Dylan was working on the lyrics to “Sad eyed lady of the lowlands”, and the recording could not start until he was ready. The musicians played ping pong and waited. At 4am, the song was ready, and the record was finished in two takes.
PG had marginal encounters with two of the players on this album. He met a lady once, who worked in an insurance office. One of the customers was Joe South. His driving record file was an inch thick.
Al Kooper had a prosperous career after his association with Bob Dylan. The former Alan Peter Kuperschmidt produced the first three Lynyrd Skynyrd albums, sold that contract for a nice piece of change, and lived happily ever after.
One night, Mr. Kooper was playing a show at the Great Southeast Music Hall, and PG sat in front of the stage. During a break between songs, PG asked his friend “what time is it?”. Mr. Kooper heard him on stage, and said it was 11:30.
If it ever quits raining, PG is going to walk to the Chamblee library and return a book, and a cd. The cd is by Bob Dylan, and is a work of genius. The book is about the former Mr. Zimmerman, and is a piece of garbage. (BTW, Dylan is not the only Zimmerman to hit the big time. Ethel Merman was born Ethel Agnes Zimmerman.The Zimmerman telegram got us into World War I.)
When returning cd’s to a library, you need to get a check in receipt. Once, PG returned a stack of cd’s to the Brookhaven library. When checking them in, one was missed by the scanner. A few days later, there was a note in the mail about an overdue cd.
The good news was, the cd was on the shelf when PG went back to investigate, and the matter was quickly settled. It did not help that the cd was a collection of disco music called “Shake your booty”.
“The freewheelin’ Bob Dylan” was released in the early sixties, when the man was barely old enough to buy a drink. There is not a bad song on it, and several are classic rock staples. At a time when mindless pop dominated pop music, here were thoughtful, moving lyrics.
In 1991, with America in a war frenzy, Mr. Dylan appeared on a music awards show. He performed “Masters of War”, at a time when the majority would be appalled if they could understand what he was singing. Mr. Dylan has been reinvented many times, and often the lyrics get gargled.
Five years later, PG won tickets to a Bob Dylan concert. It was the last night of the Olympics, and the man was appearing at the House of Blues. (Tickets were $80, so the radio contest is the only reason PG went). It was like hearing a good bar band, that did nothing but Dylan songs, with the man as the vocalist. Due to the mix of the sound, PG could not recognize many of the songs.
The book is Bob Dylan: Prophet, Mystic, Poet by Seth Rogovoy. It tells the Dylan tale as a story of Jewish prophecy. PG got to page 16, where the author claims that “Like a Rolling Stone” “almost single handedly revolutionized rock’n roll music”. Huh?
PG was eating dinner, and did not have anything else to read. He got to page 38. Nothing in the next 22 pages changed his mind away from ditching the book. How does nonsense like this get published?
The Great Southeast Music Hall
The Great Southeast Music Hall was an important part of life in Atlanta during the seventies. It was located in the elbow of a shopping center, Broadview Plaza. A bowling alley was downstairs, a two level K mart next door, and Atlanta’s first hispanic neighborhood across the street. Like almost everything else here, Broadview Plaza was torn down, and replaced by a more uppity set of stores.
When you went into the lobby of the Music Hall, you noticed the walls. Performers were given a magic marker, and encouraged to leave a message. John Mayall found the ladies room, and said he likes to be near the ladies. The late Phil Ochs said “Impeach Nixon and Agnew”. What happened to those boards is a good question.
The auditorium held about 500 people. The stage was only three feet or so above the floor. There was an empty space in front of the stage, and a few rows of bench backs behind that. When the place opened, there were lots of pillows on this floor, with the Music Hall logo. The carpet in this front area was fresh when the place opened, and got progressively grosser as the years went by. Beer was served in aluminum buckets, and inevitably some wound up on the carpet.
The show the Music Hall is most famous for is the US debut of the Sex Pistols. PG didn’t make it that night, but has heard from a few who did. The performance was said to be horrible. There are stories of Sid Vicious wandering through the apartments around Broadview trying to find heroin. Years later, PG was reading about that night in Please Kill Me, when the train he was riding pulled into the Lindberg Marta station. This is across the street from the Broadview Plaza, still standing at the time.
These days, the intersection of Lindbergh Drive and Piedmont Road (about a mile north of the park) is next to Hiway 400. When the Music Hall was in it’s prime, the land for the Highway was owned by the State of Georgia, which was fighting legal battles over the highway. The land had a network of dirt roads, one of which connected Buford Hiway to Lindbergh Drive. When you went from Chamblee to the Music Hall, the most direct route was over this dirt road. This dirt road is where Sidney Marcus Boulevard is today. Broadview Plaza was torn down, and replaced by a Home Depot.
Eventually, the business model for the Music Hall did not work, and the facility moved to Cherokee Plaza. This Music Hall was in a movie theater. The Cherokee Plaza Theater was the scene for the world premiere of Son of Dracula . This move did not work, for a number of reasons. The parking lot was too small, and people who wanted a loaf of bread from the A&P were blocked out during shows. Cherokee Plaza is just outside the city limits, on Peachtree Road. In the late seventies, DeKalb county was aggressively fighting drunk driving, and had roadblocks. Many of these roadblocks were outside the Music Hall, which kept many people from attending. Before long, this Music Hall closed.
Many years later, PG bought a second hand typewriter, and needed a ribbon. (Younger readers should ask an older person about this.) He went into an office supply store in Broadview Plaza, and soon realized that he was standing on the site of the Music Hall. He asked the clerk if he could have a bucket of beer, and got a very strange look in return.
One industrious afternoon during this era, PG made a list of shows he saw at the Music Hall. The memory cells are already protesting, but we are going to try and remember as much as possible about these shows. A big thank you to Wikipedia for help with spelling and names.
New York Rock Ensemble – PG walked into the auditorium during the last part of the first show, as the band played “A whiter shade of pale”. The bass player wore lace up boots, with the pants legs tucked into them. Before long, the second show came on stage. Keyboard player Michael Kamen was the central focus, acting out the lyrics to “Anaconda”.
Silverman Deborah McColl fronted this drummerless band
Al Kooper PG has written about an unfortunate incident involving Al Kooper during this show. This would have never happened in “The Catcher in the Rye”…the kids always knew what time it was in that story. Mr. Kooper did a solo show, including “Sam Stone” by John Prine.
Ellen McIlwaine/ James Cotton Blues Band Ms. McIlwaine was pregnant, and played slide guitar. Mr. Cotton played harmonica. One of his players started to fan him with a towel, because he was hot.
Breakfast Special/ Doc and Merle Watson Breakfast Special was a local bluegrass crew, who did “The coming down song”. The Watsons did ” Deep River Blues” and “Thats All”, among other things. PG had a copy of their latest LP, and asked Merle to autograph it. He wrote his name on one side, turned it over, and signed Doc’s name on the other side.
Mason/Atlanta Rythym Section This show was the night Led Zeppelin played Atlanta Stadium.
New Riders of the Purple Sage When the Music Hall opened, a performer would typically play from Tuesday to Sunday. NRPS was a one night show. They worked well in the packed hall, and shined on “Glenville Train”. The next year, they did a tour with Commander Cody and The Lost Planet Airmen. Commander Cody opened, and raised hell. NRPS followed with a mellow rock show, and before long people were getting bored and leaving.
David Buskin / Loudon Wainwright III Chamblee 54 has written about this show before. Mr. Buskin talked about doing a show at Max’s Kansas City, the person sitting next to PG said “Gross”.
Steve Martin / Nitty Gritty Dirt Band Chamblee54 has written about the show by Mr. Martin . This was his last tour as an opening act. Nitty Gritty was a sight to behold. John McEuen played fiddle, and recited a poem about life.
Martin Mull / Melissa Manchester PG went to see Mr. Mull, who opened the show with a three piece band. (After the show, Mr. Mull said the name of the band was the (your name) (draws a blank with his fingers) orchestra.) The headliner was Ms. Manchester, little known at the time. She was a knockout. While standup comedy has it’s place, for emotional impact there is nothing like a singer.
Texas Gary Bennett / Weather Report Mr. Bennett played acoustic guitar, and sang, as an opener for a packed house of jazz rockers. It did not go well. At one point, trying to get some rapport with the crowd, he said ” has anyone here been busted at the Omni?” (The authorities had begun arresting people for smoking pot at the major concerts.)
Weather Report was amazing. Josef Zawinul had the loud keyboard sound, Wayne Shorter played his leads on soprano sax, and there was a drummer and percussion player. There was tons of rythym, to go with the electronic jazz sounds. When it was over, PG went up to Mr. Zawinul, shook his hand and, and said thank you. He was pouring a glass of beer from a pitcher, and looked a bit startled.
David Pomerance / Rahsaan Roland Kirk Chamblee54 has written about this show before. Mr. Kirk was a force of nature, the modern miracle of the tenor saxophone. He did not suffer from false modesty. This was the night Richard Nixon resigned, which pleased Mr. Kirk no end. The blind Rahsaan said that he did not want to see his audience, because we were too ugly. At one point, his band had been jamming for about ten minutes, when PG realized that Mr. Kirk had been holding a single note the entire time. The three saxophones at one time thing was a visual shocker, but he got sounds that way that you cannot get from a single instrument. At one point, Mr. Kirk pulled his sunglasses off, and made a face at the crowd. It was an amazing evening.
Chic Corea / Return to Forever This was a disappointment. Tickets were $4.50, which may be the most PG ever paid at the Music Hall. The band only played about an hour. It was all electric, ignoring the acoustic instruments set up on stage. RTF was a four piece, all star band. They had Chic Corea on keyboards, Stanley Clarke on bass, Al Demeola on guitar, and Lenny White on drums. That sounds like a great show, but it turned out to be four solo artists jamming. There was no cohesion, and the overall sound was less than the sum of the individual parts. Corea leaned over his keyboard, twisted knobs, and made faces, as if to say “look at how intense this is”. It wasn’t.
Mccoy Tyner The former Coltrane sideman played a very nice show. He had a percussion man, with several tables covered in exotic instruments. PG took a break after to first show to hang out at a neighborhood disco. When he got back, there was no doorman checking tickets, and anyone could walk in for free. PG took advantage of this discovery many times over the next few years.
Bill Crystal / Jean Luc Ponty Former Frank Zappa player Jean Luc Ponty played at the Music Hall, with a bass player who was a fellow Zappa alumni. The surprise of the evening was then-unknown Bill Crystal. A few weeks after this show, “Soap” would premiere, and make him a star. Mr. Crystal did a killer impersonation of a gila monster.
Between shows, Mr. Crystal had been entertained by a local musician. During the second show, he held his finger to his nose, made a snorting sound, and said thank you. PG heard this, and yelled “Locker Room”, the name of a “deooderizer” that some liked to get a buzz sniffing. Mr. Crystal said “Locker room. Jeez, I need to get the hecklers rosetta stone to know what he means”. Good times.
Keith Jarrett This is another show that might have been better than PG’s enjoyment. At one point early in the show, PG moved over to the front of the stage, to look at Mr. Jarrett’s hands. After the show, people told PG that the player had been giving him dirty looks when he did that. PG asked Mr. Jarrett about it, and he said that PG had interfered with his concentration.
This show featured a quartet, instead of a solo piano. The bass player was Charley Haden, who seemed a bit puffy faced. PG later learned that he had been addicted to heroin at the time.
Melissa Manchester Ms. Manchester came back for another week at the Music Hall, about a year after her first appearance. At one point, she asked the band if they were ready to do a new song, and then performed “I got eyes” for the first time in public. This was later the b side to “Midnight Blue”. One of the players in her band was a man named James Newton Howard. Part of the deal for touring with her was that he could play a solo number on piano, called “Newton’s Ego”. He later played with Elton John, and became wealthy writing film scores.
Flora Purim /Airto Moreira On PG’s 23rd birthday, Flora Purim played at the Music Hall. At the time, PG had a profound appreciation of her albums. The band had a nice sound, and was the equal of her records. The Chic Corea tune “Light as a Feather” was a standout. Her husband, Airto Moreira ( eye, ear, toe) fronted the band on some of the numbers, and had some funny routines. Ms. Purim held two microphones throughout the show, with one connected to some audio filters. PG found holding two microphones to be visually distracting. PG had known of the Jewish ancestry of Ms. Purim, but had not thought much about it. Then he saw her live, and realized that she does, indeed, look Jewish.
Hot Tuna Hot Tuna is a dependable, though not spectacular, band. On a previous show in Atlanta, they went on stage at 10:55, and played without a break until 2:50. This night, a fried of a friend was working at the Music Hall, and PG got in before the crowds, to get a prime spot, in the first row of benchbacks. At one point, PG was rocking back and forth against the benchback, and a neighbor asked him to quit. Those buckets of beer were influential.
Shakti This was an acoustic, Hindu oriented band fronted by guitar superman John McLaughlin. The numbers seemed to go on forever.
David Manion / Mark Almond This was a long awaited Atlanta performance by Mark Almond. (This is a jazz/blues band, totally different from the Soft Cell vocalist with a similar name.) They played two sets, which were only an hour or so long. This was disappointing to the people who could not wait for the second show. In the second show, they “took the shackles off” saxophone player Johnny Almond, and he played a wild solo during “The city”.
The incident we are about to describe may or may not have involved David Manion. What happened was, a small portable radio was playing on the edge of the stage. The spotlight was on the radio, which sounded like gibberish to most of the audience. Gradually, the chattering audience got quiet, and tried to listen to the radio. After a few minutes, a man came out, and stood in darkness behind the radio. The PA speaker announced “The new force of rock in Atlanta”. The man then dropped a large piece of granite on the radio, smashing it into bits.
Laurie Chapman / Stomu Yamashta Laurie Chapman was a singer/piano player, with some good stories. She told of a trucker, driving beside her and talking to her on a cb radio. ” You better get that drink out from between your legs before it gets too hot to handle”.
Stomu Yamashta is somewhat of a star in Japan. The show here was filmed for showing on TV there. His band, Go, was an all star collection, including Ava Cherry. She was a backup vocalist, and girlfriend, with David Bowie. After the show, PG was introduced to Spencer Davis in the lobby.
The next few shows were at Cherokee Plaza.
Martin Mull Mr. Mull was a solo star this time. He did a song about doing nothing, adding that dead people can do it too. The parking lot was packed, which was a major problem at the new location.
The week before the Super Bowl in 1994, Mr. Mull filmed a Comedy Central show in Woodruff Park. The Dallas Cowboys cheerleaders were kicking field goals. After the filming PG stood a few feet away from Mr. Mull, but could not think of anything to say.
Sun Ra PG went to a wedding, and a bunch of people from there went to see Sun Ra. This was an entertaining spectacle, with a big band and dancers. After the show, PG asked Sun Ra how he could afford to take a band like that on the road. He said he was doing it for beauty.
David Bromberg This was another big band production. PG showed within a few minutes of the gateman leaving his post, and saw about 45 minutes without buying a ticket.
Lester Flatt/John Hartford One boring Saturday night, PG walked up to the Music Hall, and saw the two fiddle players jamming. A few weeks later, Lester Flatt passed away. This is a repost. Pictures today are from “The Special Collections and Archives, Georgia State University Library”.
Ru Paul
Years ago, PG worked with someone who liked to say “and a ru hu hu.” This was shortened to ru, and was usually said very loud. Ru became a greeting.
About this time, Ru Paul was living in Atlanta. Many people remember her (“RuPaul Andre Charles, best known mononymously as RuPaul”) as a spectacular self promoter. Ru Paul would sit in an apartment balcony, and wave at cars passing by. Posters for her band, Wee Wee Pole, were on telephone poles up and down Ponce de Leon Avenue.
One night, Ru Paul was working as a gogo dancer in a club called Weekends. During a break, PG went over to talk to her. The use of ru as a greeting was mentioned. Soon, some people came over, and PG started to leave. Before PG could get away, Ru Paul turned to PG, lifted her index finger, and said “Keep on saying my name.”
Ru Paul went on to become famous. Weekends was torn down, and is the site of the Federal Reserve Bank. PG is PG, with occasional excursions into R and NC17. PG does not watch much TV, and has never seen an episode of “Ru Paul’s Drag Race.” This is a TV show about a TV.
There is a recent controversy about RPDR. It seems that the phrase shemale has been used. Some people are offended by this. The expression is no longer used on the show.
PG has only one trans person friend. Sashia is the first person that PG heard use the expression shemale. PG does not know if Sashia still uses this expression. It has been a while since PG learned this expression, and ideas about language do change. Spell check suggestion for Sashia: Hashish.
The use of offensive language is to be avoided. If you know something is going to hurt people, then you should avoid saying it. There is a good possibility that Ru Paul knew what she was doing, and just didn’t care. The problem comes when you haven’t received the latest update from the language authorities. Keeping up with with is cool to say can be a full time job. Is it still ok to say ru?
This is a double repost. Pictures from The Library of Congress. The images are of women, training to be bus drivers and taxi drivers. This was in Washington DC, November 1942. The photographer was Andreas Feininger, working for the Office of War Information. The picture of a dipstick demonstration is #8d36666.
RuPaul is no stranger to attention being thought strange. The latest bit of publicity… there is no bad publicity, and they spell the name right … is an article in the eyeball grabbing HuffPo, RuPaul Responds To Controversy Over The Word ‘Tranny’. (Spell check suggestion: Granny) PG gave into temptation, and clicked on the link. It seems as though there was an appearance on the WTF podcast. Why settle for a sensational sample, when you can hear the entire show?
If you have an hour and twenty four minutes to spare, listen to this show. If you like, you can skip the first thirteen minutes, which is host Mark Maron talking about himself. The show is highly entertaining. A theme is that the world is the matrix, a fake construction. Some people look behind the curtain and see the wizard. Some people believe the matrix is reality. You should already know which side RuPaul takes. He was not born blonde.
The quote about the T-word comes toward the end of the show. PG has mixed feelings about the whole affair, and does not completely agree with RuPaul. However, this human being is entitled to an opinion. Even if he wasn’t, he is going to share it anyway. RuPaul does not suffer from false modesty.
For a show that gets attention about language, it is a bit strange at times. While describing his career trajectory, RuPaul says he went through a phase of “gender f-word.” The show is called WTF. Twice a week, the host says fuck a dozen times in the first sixty seconds. And RuPaul said “gender f-word.”
Even more amazingly, RuPaul said that things were “n-word rigged”. RuPaul did break down and say the ultimate dirty word. When his mother saw his act on television, she said “N****** you crazy.”
RuPaul has had quite a career. He mentions that he has been sober for fifteen years, and had some therapy to get there. This was not the case when he lived in Atlanta. Many stories from those days are in the show. The bs detector went off a couple of times. PG saw the Now Explosion, and did not remember seeing a tall black guy.
This is a rich seventy five minutes. Like saying that Madonna is a curator, that most fashion designers don’t know how to sew. The part that is getting the attention is towards the end of the show, and is just a small part. It is all part of the matrix.
Florence Foster Jenkins
Useless Information had a show, The Patron Saint of the Vocally Challenged. It tells the story of Florence Foster Jenkins. She had a wealthy father, and hired vocal coaches to try and produce a good singer. She became somewhat of a concert attraction, and sold out Carnegie Hall. Accompianist Cosme McMoon did what he could to help. Mrs Jenkins was, by all accounts, very, very bad.
Here is more information about the talent. “Florence Foster Jenkins (1868–26 November 1944) was an American soprano who became famous for her complete lack of singing ability. From her recordings, it is apparent that Jenkins had little sense of pitch and rhythm and was barely capable of sustaining a note. Her accompanist can be heard making adjustments to compensate for her tempo variations and rhythmic mistakes. Nonetheless, she became tremendously popular in her unconventional way. Her audiences apparently loved her for the amusement she provided rather than her musical ability. Critics often described her work in a backhanded way that may have served to pique public curiosity. Despite her patent lack of ability, Jenkins was firmly convinced of her greatness. She compared herself favourably to the renowned sopranos Frieda Hempel and Luisa Tetrazzini, and dismissed the laughter which often came from the audience during her performances as coming from her rivals consumed by “professional jealousy.””
A cd of her product, The Glory (????) of the Human Voice, is available. Amazonians were not kind. “This is a recording that every serious musician should own, for a variety of (ahem) reasons. But by all means, buy the cheap one. If the sound is better on the remastered version, it could only be more painful.” “she gets points for effort” ” I appreciate camp as much as anyone, but my wife was ready to divorce me if I played another song from the album” “The whole matter stinks of making fun of a person afflicted by illness. What a cruel species we were – and still are.”
The legend is that she said “People may say I can’t sing, but no one can ever say I didn’t sing.” A quick google search does not reveal the source, or context, so this quote cannot be verified. Quote Factory has this available in eleven tasteful designs.
The Carnegie Hall show took place a month before her death. Here is the story.
“In order for a singer to succeed, they need to have a combination of talent, charisma, and interpretive quality. And, by definition, they need to be able to sing. Florence Foster Jenkins had none of these attributes. In fact, she was considered one of the worst singers of all time. She was independently wealthy and performed at the Waldorf and other places around town. It became a thing to do. You had to go and listen to Florence Foster screw up every song she attempted to sing.
She was having a great time and the audience was having a great time, so they kept telling her, “You need to make your Carnegie Hall debut.” So on October 25, 1944, she did, and it was sold out in just two hours. They came from everywhere. She walked onstage in these ridiculous costumes that she’d made herself. She’d throw roses out into the audience, her assistants would go out and collect them, and she’d throw them out into the audience again. The audience would not let her go home. They cheered her and clapped, and one month and one day later she died at the age of 76.”
The program for this performance had a note from the Fire Commissioner, Patrick Walsh.
“FIRE NOTICE – Look around now and choose the nearest exit to your seat. In case of fire walk (not run) to that Exit. Do not try to beat your neighbor to the street.”
The last.fm page with the information on F. F. Jenkins lists “similar artists”. The only two we will have videos from are Wing and Mrs. Miller. Slim Whitman and Tiny Tim, being males, were not considered.
This is a repost. Pictures are from The Library of Congress.
Chamblee54 
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