Our Americanness
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Newest Midtown Mixed-Use Tower Seeking Special Administrative Permit Approval
… Filmemacherin Silke Gondolf ein drittes Mal in die USA, in das Post-Trump-Amerika,
‘Our Americanness is much more important than our blackness’: Professor Glenn Loury
Tesla Opens its First Store in the Xinjiang Region in China
Atlanta City Councilmember Westmoreland comes out as gay
Coca-Cola Was Invented At This Old, Charming House In Georgia From The 1800s
Legal challenges filed after Kemp signs new district maps into law
State lawmakers ready to wrap congressional redistricting with a GOP bow
Report paints different picture on Antonio Brown’s strange exit from Bucs-Jets game
Man shot in apparent road rage incident on Piedmont Road
A Mask-Free AOC and Her Boyfriend Attended to by a Team of Masked Servants
International Association of Obituarists (IAO) founder Carolyn Gilbert once offered …
January Sixers Have Their Own Unit at DC Jail. Here’s What Life Is Like Inside
Manufacturing Consent: Noam Chomsky and the Media – Feature Film
the ripped bodice Best Lesbian Erotica of the Year Volume 6 Book Launch
Gleichschritt mit dem Außenministerium Journalismus in den USA: Konzernmedien…
Beyond Slavery’s Shadow: Free People of Color in the South
Candace Owens Says She Would Rather Die of Covid Than Take Covid Vaccine
Cooper Union Address New York, New York February 27, 1860
Aaron Rodgers responds to questionable rumor he would boycott Super Bowl
Restoration has been completed on Key West’s Southernmost Point marker …
social media posts are latest chapter in BCC response to race and racism
[History Lesson] Georgia’s First McDonald’s Goes Dark in Doraville
conway twitty ~ black patriotism ~ prepotency ~ earwax ~ des barres
malone ~ good person ~ mass formation psychosis ~ cleveland stadium ~ rfk stadium
presidio ~ white oaks bistro ~ kory ivm ~ shane o’connor ~ sugar hill
talk ~ stadiums ~ mark lindsay ~ antonin artaud ~ SNCKPCK
herren’s ~ luckie street ~ lefsetz ~ jumbotron ~ twixmas
stones ~ Manufacturing Consent ~ joy reid ~ robert malone md ~ graceguts
thats all folks ~ 0106 ~ tom t hall ~ chomsky ~ a video
devin brosnan ~ tyler chase ~ Michael Rosen ~ dawgs ~ atl murder
uga vs bama ~ propinquity ~ SPOW ~ Immortalized, ~ @obituarywriters
ObitCon ~ carey ~ coolidge ~ wqxi ~ sheep vaccine
johnny’s hideaway ~ ayn rand ~ atlas shrugged ~ Charles Allen ~ theranos
sj helmet decals ~ end racism ~ godspeed ~ wqxi ~ Patrick Aloysius Hughes
patrick aloysius hughes ~ reel radio ~ just a gigolo ~ smothers bros. ~ gettr ~ hiv+ coping
@OctopusCaveman really sorry I posted i was “salting the rim of my toilet to make a diarrita.” My sincerest apologies to those of you I hurt. I have a lot of soul searching to do. I guess I need to learn and grow and really do the work. ~ @chamblee54 .@lexfridman “i wish him godspeed” After his bout with addiction, @jordanbpeterson does not need to be taking speed. ~ one of the things i do is create faux stained glass images. unlike the graphic poems, which happen quickly, these are meticulously worked over down to the last pixel today I made one slight change to the design, which led to another thing, and soon it is totally enveloping I was thinking about what you do, in creating a virtual environment (or what I percieve) my thought: the creator can get dangerously involved in the creation of something, and not a lick of it makes sense to another human being ~ “Membership is temporarily closed. We’ll be accepting new members after the pandemic ends.” ~ @nowthisnews Security footage shows a runaway buffalo plowing into a restaurant in China & knocking over a man inside. The man only received treatment for minor leg injuries. According to local reports, the animal escaped from a local slaughterhouse before bulldozing into the restaurant. ~ The original name of the facility was Atlanta Stadium. The name was changed to Atlanta-Fulton County Stadium in 1975. Gray, Jim (February 12, 1975). “Fulton County Gets Name on Stadium”. The Atlanta Constitution. p. 12A. ~ If you are bored and disgusted by politics and don’t bother to vote, you are in effect voting for the entrenched Establishments of the two major parties, who please rest assured are not dumb, and who are keenly aware that it is in their interests to keep you disgusted and bored and cynical and to give you every possible psychological reason to stay at home doing one-hitters and watching MTV on primary day. By all means stay home if you want, but don’t bullshit yourself that you’re not voting. In reality, there is no such thing as not voting: you either vote by voting, or you vote by staying home and tacitly doubling the value of some Diehard’s vote. David Foster Wallace (1962-2008) American author, academic McCain’s Promise (2006) ~ “I’m not given to false modesty” Noam Chomsky ~ “Manufacturing Consent,” what is that title meant to describe? – Well, the title was actually borrowed from a book by Walter Lippmann, written back around 1921, in which he described what he called the manufacture of consent as a revolution in the practice of democracy. What it amounts to is a technique of control. And he said this was useful and necessary because the common interests, the general concerns of all people, elude the public. The public just isn’t up to dealing with them. And they have to be the domain of what he called a specialized class. Notice that that’s the opposite of the standard view about democracy. There’s a version of this expressed by the highly respected moralist and theologian Reinhold Niebuhr, who was very influential on contemporary policymakers. His view was that rationality belongs to the cool observer. But because of the stupidity of the average man, he follows not reason, but faith. And this naive faith requires necessary illusion and emotionally potent over-simplifications, which are provided by the myth maker to keep the ordinary person on course. ~ Here is a blog post that I wrote about MC. Here are two clips I made from the video. The first is five seconds long. Mr. Chomsky, in a moment of understatement, says “I’m not given to false modesty” The second is a bit longer. Mr. Chomsky explains the meaning of the title. ~ The description of “mass formation psychosis” offered by Malone resembles discredited concepts, such as “mob mentality” and “group mind,” according to John Drury, a social psychologist at the University of Sussex in the U.K. who studies collective behavior. The ideas suggest that “when people form part of a psychological crowd they lose their identities and their self-control; they become suggestible, and primitive instinctive impulses predominate,” he said in an email. That notion has been discredited by decades of research on crowd behavior, Drury said. “No respectable psychologist agrees with these ideas now,” he said. ~ Together we can slow the spread of COVID-19: The interactive effects of priming collectivism and mortality salience on virus-related health behaviour intentions ~ @alicehicklin If you spend a lot of time copying text from PDFs into Word like me, I hope this tip might be useful! If the PDF ends up broken up over lots of lines, there’s no need to fix it manually. Just go to find and replace, type ^p into find, and one space into replace. Pics below :) ~ pictures for this second monday reader of the new year are from The Library of Congress. ~ selah
Lost Atlanta
Lost Atlanta is a coffee table book. The content is the buildings, and institutions, that no longer exist. Atlanta has a long love affair with the wrecking ball. General Sherman was a minor player. Pictures for your Wednesday morning entertainment are from “The Special Collections and Archives, Georgia State University Library”. This is a repost.
PG is a native, and knows a few things about the city. While looking through LA, he began to take notes of things he did not know. The names behind the Ferry Roads is one. Plantation owner James Power established Power’s Ferry in 1835. Hardy Pace established his ferry in the 1850s. The fare was 62 cents for a full wagon, 50 cents for an empty wagon, 12 cents for a man and a horse, and 4 cents per head of cattle. The last ferry to cease operations was the Campbellton Ferry, in south Fulton county. The Campbellton Ferry ceased operations in 1958.
Wheat Street Baptist Church is a prominent Atlanta institution. If you look for Wheat Street on google, all you see is Old Wheat Street. It turns out that Wheat Street was renamed Auburn Avenue. “Originally called Wheat Street, the road was renamed in 1893 at the request of white petitioners who believed Auburn Avenue had a more cosmopolitan sound.”
Bald Hill, aka Leggett’s Hill, was leveled in 1958 to make way for the East Expressway, later known as I-20. On July 22, 1864, the Battle of Atlanta was fought there. After the unpleasantness, Frederick Koch bought farm land on the site. His house was at 382 Moreland Avenue. The house was demolished in 1953. South of I-20, 1400 McPherson Avenue has a monument. Maj. Gen. James B. McPherson was killed at that location.
The outfield wall at Ponce De Leon park was covered with advertising. One sign was for Southern Bread. The picture had a “Southern Colonel”… apparently the only type of officer in the CSA … saying “I’d even go North for Southern Bread.” This ad was also painted on the side of a building on Tenth Street, just off Peachtree. The late Jim Henson produced a tv ad for Southern Bread.
Jacobs Drug Store was a prominent chain at one time. It was founded by Joseph Jacobs. Mr. Jacobs had a store in the Norcross building, on Peachtree Street at Marietta Street. In 1886, the soda fountain mixed John Pemberton’s patent medicine with carbonated soda water. The rest is history.
There are a few notes, which do not justify a paragraph. The Governor’s Mansion was at 250 The Prado, in Ansley Park, until a new GM was built on West Paces Ferry road. The Henry Grady hotel did not have a thirteenth floor, but went from 12 to 14. This did not stop the building from being demolished, to make way for the Peachtree Plaza hotel.
When Laurent DeGive built his grand opera house at Peachtree and Houston (Now JW Dobbs,) people were horrified. The central business district was south of five points. The area north, where the opera house went up, was residential. In 1932, the opera house was renovated, and opened as the Loew’s Grand. In 1939, it hosted the world premiere of “Gone With The Wind.” On the other side of Houston Street was the Paramount Theater, and across Peachtree was the Coca Cola sign. The GP building occupies the site today.
David Bowie
It was a strange week to be a David Bowie fan. On Friday, I was looking for a rerun to post, and was reminded that January 8 was his birthday. (Along with Elvis and Shirley Bassey) I put up a piece about Mr. Bowie, and fashioned a poem out of his song titles. Aquarian Drunkard reissued a collection of the “best and most interesting Bowie oddities”. A new album was released, with a lot of comments about how strange it was. Strange is something Bowie fans turn to face.
On Monday, I woke up. Go on the internet. MSN news says that David Bowie has died. This is surprising. I know what people are going to talk about for a few days.
I typically download the new wtf podcast on Monday. The show is “supported” by Columbia records, presenting David Bowie’s new album “Blackstar.” Marc Maron gushes on about how ” DAVID BOWIE I LOVE DAVID BOWIE. ARE YOU KIDDING ME?” The single is called “Lazarus.”
The timing of the whole thing is bizarre. Was this planned? To release a puzzling new work on your sixty ninth birthday, and then die two days later. With the master media manipulator involved, prior planning cannot be ruled out. Or was it just a parting shot of synchronicity? We will never know.
In what might be a new move for celebrity deaths, sex scandal rumors emerged. A lady named Lori Maddox claims that Mr. Bowie “devirginized” her. Miss Maddox was underage at the time. Some people think that this incident makes Mr. Bowie a terrible person, whose artistic output should be ignored. One made the inevitable comment “As someone who sees White stars get a pass for things that celebrities of color get crucified for.”
I learned a long time ago to separate the performer from the performance. I also apply this rule to David Robert Jones. (David Bowie was a stage name. The legal name was never changed.) In 1976, there was an interview, where the artist said “Don’t believe anything you hear me say.” While the creative/marketing genius can be enjoyed, there was always a bit of coldness behind the mask. Some press reports say that this softened as the years went by. In the end David Bowie was human. Ziggy Stardust was a character played by an actor. Does it matter that they were a Cracked Actor?
It is ironic that David Bowie played Andy Warhol in Basquiat. Both combined creation of art, and the marketing of art product, into a seamless unit. The two did not have a good first meeting. “Remember, David Bowie was not a big star. He was just some guy off the street as far as Andy Warhol was concerned. They found a common ground in David’s shoes. David was wearing yellow Mary Janes and Andy had been a shoe illustrator, which David knew so they began talking about shoes.” UPDATE I got to see Basquiat. Andy Warhol’s wig, worn by David Bowie, gave an outstanding performance.
This would have been in 1971. Mr. Bowie discusses his adventures in between songs of this show. There is another story from that first tour: “I think that must’ve been part of the Mercury Records publicity tour in early 1971, Gus. Ted Vigodsky, if I remember correctly, brought Bowie by The Great Speckled Bird’s offices on North Avenue where Moe Slotin and I met him. Bowie was dressed in an ill-fitting gingham dress and looked something like a gaunt, poverty-stricken woman in one of those Walker Evans photos from the Depression. He informed Moe and me that he was gonna be the next big star in rock-n-roll. It took all of our will power not to laugh in his face. This was before anyone in America had heard of him and he had no records out yet (“Space Oddity,” a hit in England in 1969, was not released in the USA until 1973). Six months later Moe and I realized we had completely underestimated him. I had forgotten Charlie had called you about interviewing him.” Pictures today are from “The Special Collections and Archives, Georgia State University Library”.
David Bowie is 75 today. Elvis is ageless. Betsy DeVos is unemployed. This Bowie tribute is a repost. Pictures are from The Library of Congress.
A webpage called CaptainsDead had a download of a David Bowie concert. (Here is another edition.) Most Bowie live recordings are pretty dull. While the Thin White Duke is renowned for his concerts, they tend to be live events, that depend on staging and costumes as much as music. This show, from 1974, is different. Focusing on material from “Diamond Dogs”, the sound he produces comes close to matching the studio sound.
The next move for Bowie in 1974 was the “white soul” sound of “Young Americans”. He is moving in that direction in this show, even while he lingers in the glitter apocalypse. This tour included a stop at the Fox Theater, the first Atlanta show for Mr.Bowie. On the way to Florida for the next show, the truck with the sets and costumes crashed into a swamp full of rattlesnakes. The show in Tampa was performed in street clothes.
Maybe it is time for a Chamblee54 tribute to David Bowie. It is six am, and PG has stumbled into a job. The time and energy required to write new material is not always available.
The first album by David Bowie that PG heard about was “Hunky Dory”. At the time, Mr. Bowie had generated some buzz by admitting that he fancies blokes, or some uber british expression for being queer. In time, this would be seen as more publicity stunt than brave confession. The RCA debut got some good reviews, but not much else.
The next year produced “Ziggy Stardust”, a concept album. At about this time he did a tour of the United States, with costumes and onstage antics that generated even more publicity. More and more people started listening, some in spite of his outrageous image, and quite a few more because of it. He broke up his band, the spiders from mars, and announced his retirement. The band, according to reports, learned about this while standing on stage behind him. Mr. Bowie, for all his genius, is not always a nice man.
In 1974 there was an album, “Diamond Dogs”, about the decadent urban life in the scifi future. A stage show based on this album…the source of the download mentioned above…marked a return to the concert stage. The next year gave us “Young Americans”, and the year after that “Station to Station”. Every year was a different sound and vision.
Meanwhile, the artist was not doing so good as a human being. According to all reports, he was doing mountains of cocaine. (There is a story of going to meet the parents of Ava Cherry, one of his girlfriends. He shows up at 3am, and does coke on the dining room table.) There was an interview in Playboy (or maybe it was Rolling Stone ) where the first thing he says is, don’t believe anything I say. He went on to say that he admired Adolf Hitler. Have we mentioned the physical appearance of David Bowie in 1975? He looked like he was dead, and nobody bothered to tell him. (By contrast, in recent photo collections of rock stars, Mr. Bowie looks pretty good for a man who is 69 yo.)
This was the era of Rocky Horror show. At one point, Riff Raff sings (Tim O’Brien wrote the show, and gave himself some darn good lines) Frank n furter, it’s all over, your mission is a failure, your lifestyle’s too extreme.I’m your new commander you now are my prisoner we return to transylvania prepare the transit beam While this may not have been directed at David Bowie, he took the hint.
We interrupt this David Bowie tribute with an emergency announcement. A person, reputed to be an entertainer, was seen using the n word on facebook. The screen shots have disappeared, and all we have is the word of the accuser. More details will be available as soon as anyone is interested.
David Bowie saw himself at a dead end, and possibly a dead life. He moved into a little apartment in West Berlin, on top of a garage. Brian Eno offered his assistance, and a series of electronic albums was the result. The next few years saw rock and roll, dance music, and finally, crap. PG bought a Bowie album in 1984, the first time he saw it on sale, and was immensely disappointed. The last David Bowie album that PG got was a free cd that was given to people buying a magazine.
Around 1981, MTV was born, and radio was suddenly obsolete. A visual artiste like David Bowie was a natural for video. Unfortunately, many of these videos are not available for embedding in blogs. Ashes to Ashes was a staple of early MTV. Boys Keep Swinging , off the “Lodger” album, is a return to the gender bender Bowie of younger days.
David Bowie continued to do tours, and PG got to see two of the shows. In 1987, something called the “Glass Spider Tour” came to the Omni. (In a later interview, it turns out Mr. Bowie was extremely unhappy during this tour, and close to suicide at some points.) The Glass Spider was this mass of lighting effects that hovered over the stage, and was used to best advantage during “Scary Monsters”. The show featured Peter Frampton on guitar, and had a pack of dancers. (One apparent female took her drag off during the finale.) A good time was had by all.
In 1990, another retirement tour came to the Omni. This one had movies projected on a screen behind the stage, and featured guitar hero Adrian Bellew. The night had the feel of a contractual obligation. David Bowie is too professional to give a bad show, but this one did not have the fire of “Glass Spider”. PG had a new set of contact lenses, and his eyes were painfully dry most of the night.
Manufacturing Consent
A discussion group chose to feature Manufacturing Consent: Noam Chomsky and the Media. The 1992 flick is about Noam Chomsky, and his thoughts. His 1988 book, with a similar title, got this one star review: “Book came with a booklice and a carpet beetle.”
MC opens at “Erin Mills Town Center, the home of the world’s largest permanent, point-of-purchase video wall installation.” You see several of these video walls in MC. They are a matrix of living room sized tv’s, with wide black bars separateing them. A video wall was quite modern in 1992. Today, it is obsolete and boring. This is a metaphor for MC. While it’s ideas may have been cutting edge thirty years ago, they have been replaced many times. Is the news any more honest today, than in 1992?
MC is about how the media, and government, control the American people. Historically, when governments want to tell you what to do, they threaten to kill you. The American system is a bit more subtle. We use advertising techniques, and selective use of information, to get you to do what the government’s bidding. There is a quote about this in the film.
Interviewer: “Manufacturing Consent,” what is that title meant to describe? Chomsky: Well, the title was actually borrowed from a book by Walter Lippmann, written back around 1921, in which he described what he called the manufacture of consent as a revolution in the practice of democracy. What it amounts to is a technique of control. And he said this was useful and necessary because the common interests, the general concerns of all people, elude the public. The public just isn’t up to dealing with them. And they have to be the domain of what he called a specialized class. … There’s a version of this expressed by … theologian Reinhold Niebuhr … His view was that rationality belongs to the cool observer. But because of the stupidity of the average man, he follows not reason, but faith. And this naive faith requires necessary illusion and emotionally potent over-simplifications, which are provided by the myth maker to keep the ordinary person on course.
MC was made when George HW Bush was President. Chomsky said something about stage managed elections. The 1992 elections were an example. Mr. Bush was a war-time President, with a quick victory. He should have been easily re-elected. Instead, Ross Perot ran as a third party candidate. The Republican vote was divided. The Democratic Governor of Arkansas was elected President.
Heavy-handed gimmicks illustrate some of the arguments. An article in the London times becomes a misleading article in the New York Times. A group of actors, in medical costumes, pretend to perform surgery. The patient on the operating table is the article. Sections of the article are removed with a scalpel. This is not how newspapers work. It should be no surprise that when AP sends an article to 100 newspapers, the text is going to appear in many different ways. Often, a paragraph is removed because there is not room for it. It is not always a sinister plot.
One of the central stories is the treatment given to the Cambodian genocide, and the war in East Timor. I heard a great deal about Cambodia, probably because it was a bunch of commies doing it. I may have heard about East Timor once or twice. Apparently it was a nasty little genocide. Unfortunately it was on behalf of some American allies, so we never heard about it. In the years since MC, East Timor gained independence from Indonesia, and is functioning today.
At the time MC was released, there was an exhibit in downtown Atlanta. Tbilisi, Georgia (თბილისი, საქართველო) was the “sister city” of Atlanta. I was talking to a lady. “In our country everything is run by the secret police. In this country everything is run by the banks and the computers.” In many ways, it doesn’t matter what the 99% thinks. The only opinion that really matters is who controls the capital, to finance everything. It is certainly convenient if the people do as they are told, and don’t make trouble, but ultimately it comes down to who has control of the money.
Much of this movie is the personality of Noam Chomsky. In one remarkable moment, he admits “I’m not given to false modesty.” Mr. Chomsky comes across as a rude, abrasive piece of work. One tough-to-watch sequence is devoted to a debate in the Netherlands, with Mr. Chomsky speaking past his opponent. It is typical of many discussions. People seldom address the concerns of those who disagree. In many ways, Mr. Chomsky plays the same selective information game as the media he roasts in MC. Pictures today are from The Library of Congress.
Ta-Nehisi Coates On WTF Podcast
Episode 878 of Marc David Maron’s WTF podcast features Ta-Nehisi Paul Coates. Chamblee54 once wrote about a video featuring Mr. Coates. This seems like a good day to listen to the show, and take notes. This is a repost from 2018.
The show starts with TPC and MDM (Is Ta-Nehisi two words?) discussing the business of writing books. The word black is not heard until 28:33 of the show. At 31 minutes in TPC is talking about when he moved to New York, and struggled. He mentions that when you lie to other people, you begin to accept yourself as a liar.
At 53 minutes, TPC is talking about sexual harassment, and how he… a man … could never know what a woman experiences. MDM says that he … a white man … could never know what a black man feels, and how books by TPC made MDM realize this. You get the sense that this is what MDM wanted to talk about all along, and that TPC is tired of talking about race. MDM had the prominent black intellectual on the show, and MDM was going to talk about race, whether PBI wanted to, or not.
At 1:02 pm est, the show is over. PG has more respect for TPC now. Most of the show was about fatherhood, writing, and the struggle to succeed. The expressions whiteness, and white supremacy, were not heard. Pictures today are from The Library of Congress. Many of them were edited while listening to this show. The depression was a different era.
Obituary Mambo
Andrew Sullivan had an uplifting feature, the other day, about obituaries. As is his custom, he found an article at another site, threw out a juicy quote, and moved on. It is up to Chamblee54 to provide more detail, and put up pictures for the text averse. These pictures today are from the Pleasant Hill Baptist Church cemetery. This is a repost. Many of the links are dead.
It is a common practice to look at the obituaries (aka “Irish sports page”) first thing in the morning. If the reader is not included, then the day can proceed as normal. This custom does not take into account the possibility that you have died, and your family it too cheap to purchase a notice.
The article in question is Ten things you don’t know about the obit biz It starts off by saying that the family members are usually happy to help the obit scribe. They have stories about the recently deceased, like ” Eddie “Bozo” Miller boasted of regularly drinking a dozen martinis before lunch, yet he lived to age eighty-nine.”
Newspapers take different approaches to obituaries. Some assign rookies, or use the death beat as punishment for troublemakers. Others give the job to their best writer. The paid notices are usually written by family members, with the help of the undertaker.
Of course, there is the occasional oddball. Alana Baranick, obituary writer for Cleveland’s The Plain Dealer and lead author of Life on the Death Beat: A Handbook for Obituary Writers , likes to visit every municipality in the United States named Cleveland.
One oft repeated saying is that obituaries are about life, not death. As the source puts it: “The British “quality” newspapers — The Times, The Daily Telegraph, The Guardian, and The Independent, substantiate the old chestnut about obituaries being about life, not death. These papers rarely mention the cause of death, focusing instead on presenting a vivid account of a lived life. American papers have an unhealthy fixation on death. It’s common for “complications of chronic pulmonary disease” or “bile duct cancer” to show up in the story’s lede, never to resurface.”
Only one obituary has won a Pulitzer prize. ” Leonard Warren, a Metropolitan Opera baritone, dropped dead mid-performance in 1960. Sanche de Gramont (who changed his name to Ted Morgan), a young rewrite man at the New York Herald Tribune, banged out the obit in under an hour and won a 1961 Pulitzer in the Local Reporting, Edition Time, category.”
There is an The International Association of Obituarists The headquarters is in Dallas TX, presumably near a grassy knoll. They have an annual convention, which is said to be a lively affair. The 2005 conference was in Bath, England. The 2007 conference was in Alfred NY. There is also the Society of Professional Obituary Writers.
IAO was founded by Carolyn Gilbert, the lady who puts the bitch in obituary. Ms. Gilbert collaborates on a page, Remembering The Passed. RTP has a series of podcasts. They require an apple app to listen, which is too much work for PG.
Death is a part of life. Every language has a word for it, and English has a number of slang expressions. An incomplete list would include : ““passed on”, “are no more”, “have ceased to be”, “expired and gone to meet their Maker”, “are bereft of life”, “have ceased to be”, “rest in peace”, “push up daisies”, “whose metabolic processes are now history”, “are off the twig”, “have kicked the bucket”, “shuffled off their mortal coil”, “run down the curtain” or “joined the Choir Invisible”
Columbia Journalism Review (Motto: Strong Press, Strong Democracy) has a feature about Obit. “Krishna Andavolu is the managing editor of Obit an online magazine intended for those interested in obituaries, epitaphs, elegies, postludes, retrospectives, grave rubbings, widow’s weeds, and other such memorabilia of expiration. Part eulogistic clearinghouse, part cultural review, Obit purports to examine life through the prism of death. Founded in 2007 by a wealthy New Jersey architect who sensed an exploitable niche after seeing a middle-aged woman distraught over the death of Captain Kangaroo, the site is a locus for enlightened morbidity.”
OM is worth a visit. The top story features a picture of Betty Ford, who survived Breast Cancer, Alcoholism, and The White House, to die at 93. The site has an ad from Newlymaid.com, with the creative suggestion to Trade In Your Old Bridesmaid Dress & Get a New Little Black Dress.
OM has a popular feature called Died on the same day. Grim reaper recruits on January 5 include Bolesław IV the Curly, High Duke of Poland (1173), Calvin Coolidge (1933), George Washington Carver (1943), Sonny Bono (1998).
No google search is complete without someone trying to make money. Obituaries Professionally Written says ” … we believe in honoring a life with respect, dignity and integrity. When needed, euphemism is used liberally. “
OPW content provider Larken Bradley says “”Obituary writing is an honor, a privilege, and great fun … I can’t think of anything I’d rather be doing.”… After she dies she expects her obit headline will read, “Obituary Writer, Six Feet Under.”
PG was going to repost an old favorite, Obituary Mambo. When you recycle something this often, it is a good idea to check the links. For OM, many do not work.
The story begins with a story at the digital home of Andrew Sullivan. This fine facility is now in paywall purgatory. When you click on the old link, you see a cartoon of a French borderguard, and the message “THIS CONNECTION IS UNTRUSTED You have asked Firefox to connect securely to andrewsullivan.thedailybeast.com, but we can’t confirm that your connection is secure. …” The browser has this reaction to several of the links in the original story.
Monetization of obituaries seems to have run aground. Links to Obit Magazine give you a page of fine print HTML. The International Association of Obituarists is not on the internet. The NPR interview with Carolyn Gilbert, founder of the IAO, is still up. Presumably, she is still putting the bitch back in obituary. Maybe the 2005 convention in Bath, England was too much.
Another link gave this result: “Welcome to http://www.obituarywriters.com ! Our new web site, powered by EarthLink Web Hosting, is currently under construction.” In its place is The Society of Professional Obituary Writers, “Proudly powered by Weebly.”
SPOW hosted a contest in 2011 and 2012. “Each year, The Society of Professional Obituary Writers holds a competition to honor excellence in obituary writing. Obituaries are submitted by reporters and editors from all over the world, and blind-judged by a panel of our members. Winners receive trophies, known as the Grimmies, and are feted at the annual conference.” Grimmies were given for Best Obit, and Best Body of Work.
2022 UPDATE SPOW is holding on. “Membership is temporarily closed. We’ll be accepting new members after the pandemic ends.” The most recent ObitCon was in 2019. SPOW has a podcast, Immortalized, and is active on twitter, @obituarywriters.
More Monroe And Boulevard
A recent facebook discussion covers that old crowd pleaser, why does Monroe Drive turn into Boulevard? The story is that the street name changed because White people live North of Ponce De Leon Avenue, and Black people live south. Chamblee54 has covered this topic before. The information today will be a bit dry. If you want to skip over the text, you can always enjoy the pictures, from “The Special Collections and Archives, Georgia State University Library.”
“The name changes were intentional and rooted directly in racism.” This judgment from Atlanta magazine is a popular opinion. Unfortunately, there are some street name changes that apparently are not racial. In discussions like this, once racism is blamed, the conversation shuts down. Asking any questions, or exploring the possibility of nuance, is considered racist.
The Atlanta magazine article does not really address Monroe/Boulevard. A 1913 measure, the Ashley Ordinance, is brought up, as well as some of the skirmishing in SW Atlanta over integration. None of those items were in play in the Monroe/Boulevard matter.
The opinion of chamblee54 has not changed. It is entirely possible that Monroe/Boulevard was racially motivated. That sounds like something a Georgia government, of a certain era, would do. However, it does not address the other streets. When were the names changed, and by what government? The answers to the last two questions have been elusive. If anyone reading this has any answers, please leave a comment.
In the space between I-85 and Dekalb County, there are four streets that change names when they cross Ponce De Leon Avenue. These are Juniper/Courtland, Charles Allen/Parkway, Monroe/Boulevard, and Briarcliff/Moreland. Several streets cross Ponce without changing names, including Spring, Peachtree, Piedmont, and North Highland. A wikipedia page, List of former Atlanta street names, has some information about the name changes. More information was found in a collection of maps at the GSU library.
It turns out that Juniper/Courtland change names at North Avenue, one block south of Ponce. As early as 1895, those streets have the same names. On old maps, Juniper ends at North, and Courtand starts a quarter-block west. Wikipedia adds this about Courtland: “North Collins Street (for pioneer James Collins — renamed because of South Collins Street’s reputation as a red light district)”
Briarcliff/Moreland has always been a problem for the racism hypothesis. The race change has traditionally been at the railroad tracks, a half mile south of Ponce. Moreland Avenue was originally County Line Road. It was renamed in honor of a Confederate officer, Major Asbury Fletcher Moreland. “He owned quite a bit of land between County Line Road and Pike Road, which is now Euclid Avenue, some of which is now part of the city’s Bass Recreation Center. Ever the businessman, Moreland built rental homes and a park, which featured a pond and animals — appropriately called Moreland Park — that became a summer getaway for city dwellers.”
Briarcliff was originally known as Williams Mill Road. It changed to Briarcliff after Asa Griggs “Buddy” Candler Jr. built a palace at 1260 Briarcliff Road. The house still stands, barely, and served as the GMHI facility for many years. In 1911 and 1917, Briarcliff is known as Williams Mill, before changing into Moreland. In 1925, and maps issued after 1925, the road is shown as Briarcliff.
Charles Allen/Parkway, one block west of Monroe/Boulevard, was originally known as Jackson Street. The road is still known as Jackson Street, south of Highland Avenue. The earliest map to show Jackson is 1895. By 1930 it has been changed to Parkway, ending at Piedmont Park. Charles Allen Drive does not appear until 1959. Charles Allen was the pastor at Grace United Methodist Church.
Wikipedia has this on Boulevard: “Jefferson Street (marked in 1878 map from North Ave. to Foster St. (now Edgewood Ave.) in today’s Old Fourth Ward) – Rolling Mill Street (north of the railroad) from the late 1860s to about 1880, for the Confederate Rolling Mill, which the retreating Confederate army inadvertently destroyed in 1864.”
Wikipedia has a surprise “Monroe Drive (to honor the Monroe Landscaping Company which did extensive plantings in the area)[17]” The footnote links to a Morningside neighborhood newsletter. There is no mention of Monroe Drive in the cited newsletter.
Before going further with Monroe, we should look at a controversy involving the landscaper William Lott Monroe. “1941 (Jan. 25) Monroe’s Landscape & Nursery Co. is removed from Fulton County’s payroll: “…[D]rawn more than $17,000 from the county in the last year and one-half… The company was drawing $500 a month for supervising landscaping of county parks, which was in addition to flowers, shrubs and blueprints sold by it to the county.” (“Nursery Company Is Cut Off Pay Roll.” Atlanta Constitution, Jan. 25, 1941)” In 1941, Mr. Monroe was working on North Fulton Park, later known as Chastain Park. This park was annexed into the City of Atlanta on January 1, 1952.
The first time Boulevard is mentioned on maps is 1895. The first mention of Monroe Drive is 1951, when Monroe starts at Montgomery Ferry. (Before the Northeast Expressway was built, the road ended at Plasters Avenue, north of the present I 85.) It is not until 1959 that Monroe appears immediately north of Ponce De Leon.
These maps were used in researching this feature. 1878 1895 1911 1917 1921 1925 1930 1930 1931 1934 1935 1939 1946 1951 1952 1952 1954 1959 1967
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Tyler Perry And The Heart Of Atlanta
There is an old saying, what goes around comes around. When you sow the wind, you reap the whirlwind. The thing is, it is not always obvious what is payback for what. Moreton Rolleston Jr. filed a lawsuit to have the Civil Rights Act declared unconstitutional. Forty years later, a Black man, built a mansion on the site of Mr. Rolleston’s home. The fact that this Black man earned his money by playing Black women, in movies, is icing on the cake.
When the Civil Rights Act was passed in 1964, Moreton Rolleston, Jr. owned the Heart of Atlanta Motel. He filed a lawsuit, trying to have the law overturned by the courts. The case went to the Supreme Court, which upheld the law.
The legal justification of the Civil Rights Act was a law giving the U.S. Government the right to regulate interstate commerce. Mr. Rolleston argued that this use of the commerce clause went too far. “‘The argument that this law was passed to relieve a burden on interstate commerce is so much hogwash. It was intended to regulate the acts of individuals.’ If the commerce clause can be stretched that far, declared Rolleston, ‘Congress can regulate every facet of life.'” (PG supports all citizens having the right to housing, education, etc. He also wonders if we are on a slippery slope. The government keeps taking more and more freedom away.) (The link for the quote no longer works.)
In 1969, Tyler Perry was born. From humble beginnings, he has been incredibly successful. His signature character is a woman named Madea.
In 1985, Mr. Rolleston was involved in a real estate deal that went sour. He was sued. In 2003, Mr. Rolleston was evicted from his Buckhead home. In 2005, the property was sold to Tyler Perry. Mr. Rolleston sued Mr. Perry, claiming that 2035 Garraux Road was still his property.
Mr. Rolleston , was disbarred in 2007. The Veteran’s History Project shows his race as “Unspecified.” Moreton Mountford Rolleston, Jr., born December 30, 1917, died August 29, 2013.
HT Millard Fillmore’s Bathtub.. This is a repost, with pictures from The Library of Congress.
The Number One Hit When I Was Born
There was a man known as XWinger. He sold Celtic music, and promoted DimSum groups. He also had a blog. It linked to a site that tells you what the Number One song was on that day. The arbiter of number oneness is Billboard, with assistance from wikipedia.
The List goes back to 1892. On January 1, 1892, the #1 hit was “Drill, Ye Terriers, Drill,” by George J. Gaskin. I imagine that before a certain date this would refer to sheet music, or maybe player piano thingies. Other big hits from the Gay Nineties include “The Fatal Wedding” (1894, George J. Gaskin), “Little Alabama Coon” (1895, Len Spencer) and ” A Hot Time in the Old Town”(1897, Dan Quinn).
When my daddy was born in 1916, the top hit was “M-O-T-H-E-R (A Word that Means So Much to Me,)” by Henry Burr. When my mother was born in 1922, the top of the billboard charts was “Stumbling,” by Paul Whiteman.
In October 1929, the stock market crashed to “Am I Blue,” by Ethel Waters. When Japan attacked Pearl Harbor, the big song was “Chattanooga Choo Choo,” by Glenn Miller. Mr. Miller joined the Army after the start of the War, and toured with a band to entertain troops. On December 15, 1944, his plane disappeared in France. The number one hit that day was “I’m Making Believe,” by the Ink Spots and Ella Fitzgerald. The Ink Spots played at the Domino Lounge downtown when I was a kid. I heard people say, “the Ink Spots have been around for a while”.
In 1954, this reporter was born. The number one hit that day was “Wanted,” by Perry Como. Two years later, my brother was born to the sounds of “Heartbreak Hotel,” by Elvis Presley.
One way to track the hits through the years is to pick a date and follow it. It should be noted that Billboard is the essence of “commercial”. On my tenth birthday, the big sound was “Hello Dolly,” by Louis Armstrong. On the verge of the summer of Love, the big hit was “Something Stupid,” by Frank & Nancy Sinatra. At no time did the Beatles have a number one hit on my birthday. This attitude improved in 1969 with “Aquarius/Let the Sunshine In,” by the Fifth Dimension.
The seventies continued the commercial tradition with “Joy to the World,” by Three Dog Night. This was in 1971, the year they played a big show at Atlanta Stadium. The disco monster raised its glittering hand with “Night Fever,” by the Bee Gees in 1978.
As the eighties rolled in, I got a job and apartment, and music became less familiar. The first big May hit of the eighties was “Call Me,” by Blondie. It was from a movie starring Richard Gere, without gerbils. The decade was not a total loss, as 1983 featured “Beat It,” by Michael Jackson.
Moving into the nineties and oughts, my old fogey decrepitude is near total. Or is that the wasteland of pop music? By this time top 40 is all but extinct, am radio given over to all talk stations, and fm music so spread out that no one style of music is dominant. The number one hit on my birthday, one recent year, is “Bleeding Love,” by Leona Lewis.
Of course, the leaders of our country don’t always listen. On May 28, 1915, the biggest song was “I Didn’t Raise My Boy To Be A Soldier,” by the Peerless Quartet. And, on May 28, 1964, the number one hit was “Love Me Do,” by the Beatles. Pictures are from The Library of Congress. XWinger, aka Michael Liebmann, passed away July 26, 2016.








































































































































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