Chamblee54

Find the sonnets of Shakespeare. Copy them into a word document. Read each one, and isolate the lines that resonate. Match up the lines by rhyme. Compile villanelles when appropriate. Retrofit rhymes onto others, pair them into couplets. Incorporate them into sonnets and octrains. Since the lines are already iambic pentameter, there should be minimal metric revision.
It became obvious that hearing them read would work better. A lovely source turned up. Earlier this year, Sir Patrick Stewart read a sonnet a day. The actor sat down, put his glasses on, opened his book, and read a sonnet for the camera. There were little comments, about the poems, scattered throughout the videos. With the aid of Sir Patrick, I began to get a sense for the iambic feng shui. In my own craft, I have long struggled with meter. Maybe this will help.
Everything is lower case in my graphic poems. There is no punctuation. It soon became apparent that commas were essential to the pacing of the sonnets. As for the capital letters, it is likely that Mr. Shakespeare capitalized. This was a few hundred years before e. e. cummings.
How do we know for sure? The original manuscripts are not available. “None of Shakespeare’s original manuscripts have survived, due perhaps to the fact that they were written, many of them hastily, strictly for stage performance. Not so much as a couplet written in Shakespeare’s own hand has ever been proven to exist.” There is speculation as to the true authorship of these pieces.
“Shakespeare’s sonnets were first published together in 1609 as a quarto, athough they were probably written much earlier. The sonnets, far more popular today than the epic poems, are still published both individually and as a group.” How did these sonnets get from the desk, to the printed page?
Sonnet LIV ends with “When that shall vade, my verse distills your truth.” @SirPatStew commented on the word vade, just as I was ready to take a google break. A site, Shakespeare’s Words, appeared. Vade seems to be the same word as fade. And no, this blog was not named for Sonnet 54.
1609 not only saw the publication of the sonnets, but the production of the King James Bible. There are legends that Mr. Shakespeare was involved in this project. “Because, if you count 46 words from the beginning of Psalm 46 and 46 words from the ending of the psalm (not counting the “Selahs”), you arrive at these two words: “shake” and “spear.” … Shakespeare would have been 46 years old in 1610, when scholars were finalizing the translations for publication the following year.”
Some Bible scholars are not fond of this story. “Nevertheless, just like the idiotic claim that King James was a sodomite, the story will undoubtedly be repeated ad nauseum no matter how thoroughly it has been discredited.” Less debunkable is this: “William Shakespeare is an anagram of ‘Here was I, like a psalm.'” Pictures today are from The Library of Congress. This is a repost.