Just So Sad
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Maximes et pensées de Napoléon recueillies par J.-L. Gaudy jeune
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Quote Origin: Those Who Cannot Remember the Past Are Condemned To Repeat It
nonzero · the life of reason · the life of reason · tetragrammaton · be one collective
led zeppelin · blade runner · dan gasaway · 9:16 aspect ratio · facebook pictures
sue thompson · cop city · live with animals · save act · opie
tom robbins · sue thompson · legal notices · bsky · joaquin miller
joaquin miller · o henry · bierce_hearst · don swaim · tom robbins · sue thompson
Russell Lee took the featured photograph in May 1938. “Southeast Missouri Farms. Dinner in new home of resettled sharecropper. La Forge project, Missouri” · imagined conversation between WR Hearst and Ambrose Bierce. · “Your photographers take pictures of bodies in the morgue. Your artists paint eyes on them as if the dead could see.” “Mr. Bierce, the dead can’t see but people can see the dead. … We give the readers the images they crave. They’re titillated by them over and over. People don’t think. They react. Someday, that’s all the news will be, images. … The vast majority of Americans may be ignorant, little more than dullards, … The public wants entertainment and emotion, not information and enlightenment. I give them what they want. · this is what I did last week. The featured picture is “Southeast Missouri Farms. Dinner in new home of resettled sharecropper. La Forge project, Missouri. May 1938.” · I just muted my first person on bluesky. I don’t kn0w how that cartoon got in my feed. It shows two stick figures, one red and one blue. One of them is a NAZI, and one of them is not. We are supposed to hate the non-NAZI, because she is still friends with the NAZI, so she is a NAZI sympathizer. If you follow this logic very far, then you won’t be able to associate with anyone, because everybody is either a POOPYHEAD, or a POOPYHEAD sympathizer. The lady I blocked works with animals, and might not have human friends. · THINKING CULT HUMAN · WHAT-HAVE-YOU … HELPLESS VICTIM · INTERESTING HUH?? … Robert Dennis Crumb had a reputation for being really smart, when in truth he just needed a good editor · It’s Time To Retire Joan Didion’s Most Famous Line You see it on T-shirts, hoodies, … · It’s Time To Retire Joan Didion’s Most Famous Line “We tell ourselves stories in order to live.” · Didion & Babitz is the story of two California girls with no middle name, Joan Didion and Eve Babitz. Author Lilianne O’Lick continues her crusade against objectivity with this tawdry tale. The featured photograph is a Confederate soldier, who probably did not think that this is what America would look like in 160 years. · “… those with privilege — white, straight, male, economic, etc. — need to start listening, … so we can start dismantling everything that’s causing people to be marginalized.” · IALB was written by a woman. A white man is getting the credit for writing it. · opie · The facebook crowd-pleaser “I’m a liberal but” was written by Lori Gallagher Witt, a woman. When it is became a meme, credit was given to Ron Howard, a man. At least both of them are white, so we don’t have to worry about cultural appropriation · 9/16=.5625, 666x.5625= 374.265, 666-374.625=291.75, 720x.5625=405, 720×405=315, 315/2=157.5, 158 – 405 – 562, 666 – 447 =219, 110 447 556 · This building on Clairmont Road still stands. Today it is an Auto Zone. This picture was taken in 1955. The spell check for Clairmont is Clairvoyant. · John Vachon took the featured photograph in August 1941. “Farm boy in beer parlor on Sunday afternoon. Bruce Crossing, Michigan” · Farm boy in beer parlor on Sunday afternoon. Bruce Crossing, Michigan · This repost · This is part two of a book report about “Hollywood” by Charles Bukowski, with technical consultant Hank Chinaski. It also discusses the unadvertised benefits of government butter, the c-cedilla (ç), and how voice typing renders “ghetto life” as “get a life.” · Photographs today are from The Library of Congress. The featured photograph: “Two unidentified soldiers in Confederate uniforms” · CHAPTER XII—FLUX AND CONSTANCY IN HUMAN NATURE Progress, far from consisting in change, depends on retentiveness. When change is absolute there remains no being to improve and no direction is set for possible improvement: and when experience is not retained, as among savages, infancy is perpetual. Those who cannot remember the past are condemned to repeat it. In the first stage of life the mind is frivolous and easily distracted; it misses progress by failing in consecutiveness and persistence. This is the condition of children and barbarians, in whom instinct has learned nothing from experience. In a second stage men are docile to events, plastic to new habits and suggestions, yet able to graft them on original instincts, which they thus bring to fuller satisfaction. This is the plane of manhood and true progress. Last comes a stage when retentiveness is exhausted and all that happens is at once forgotten; a vain, because unpractical, repetition of the past takes the place of plasticity and fertile readaptation. In a moving world readaptation is the price of longevity. The hard shell, far from protecting the vital principle, condemns it to die down slowly and be gradually chilled; immortality in such a case must have been secured earlier, by giving birth to a generation plastic to the contemporary world and able to retain its lessons. Thus old age is as forgetful as youth, and more incorrigible; it displays the same inattentiveness to conditions; its memory becomes self-repeating and degenerates into an instinctive reaction, like a bird’s chirp. · bho · This is a repost from 2022. Pictures are from The Library of Congress. Russell Lee took the featured photograph in June 1940. Community sing. Pie Town, New Mexico · Pictures today are from The Library of Congress Marion Post Wolcott tool the featured photograph in September 1938. “Bohemian coal miners, now unemployed, since mechanization of mines, Jere, Scotts Run, West Virginia” · selah








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