Chamblee54

I was listening to a conversation between Brian Eno and Rick Rubin. Mr. Eno made a comment that sent me down a google rabbit hole, looking for a digital holy grail. When I did not find what I was looking for, I returned to the conversation. Before long, Mr. Eno said something very similar.
“I’d heard something on NPR. It was a poet, a black poet from somewhere in America, reading this poem called Cadillac. I spent years trying to find this thing. I never found it. I wrote to NPR, and I phoned them up, and everything. It was called Pink Cadillac … this amazing, very rhythmic poem, about how he wanted a Pink Cadillac.” This quote got me thinking about another detail.
There are bits of knowledge that want to remain hidden. One is from Christopher Isherwood. It was in a magazine, sometime before 1994. The author died in 1986. The comment was about when you choose a religion. It is not the doctrine that attracts you to a religion, it is the people who introduce you to this observance. If the right person had told Mr. Isherwood about Catholicism, he would have become a Catholic. Instead, in 1938, Aldous Huxley and Gerald Heard introduced Mr. Isherwood to Swami Prabhavananda, and the Vedanta Society of Southern California.
“He (Isherwood) published an account of his spiritual journey at the end of his life, called My Guru and His Disciple.… It’s interesting because it’s so frank and unromantic about the spiritual life. Where Alan Watts basically bullshitted his way to guru status while secretly being an alcoholic and treating his wives like crap, Isherwood is totally upfront about his boredom, his frustration, his vanity, his sexual escapades … he gave us a wonderfully unvarnished account of spiritual mediocrity. As Pema Chodron says, we spend most of our spiritual lives in the middle – not completely lost, yet not completely saved. Just muddling through.”
I did not find the quote I was looking for, but I did find another piece to the puzzle. I went back to Mr. Eno and Mr. Rubin. Then, out of nowhere, came this: “I think that’s the that’s the power of religion as well. The power of religion is not the connection with God, but the connection with the rest of the congregation. The connection with all of the people who also believe in that particular story. I’m not really religious myself but i really respond to that idea.”
“I don’t want to be a believer. I want to be somebody who, as far as possible, understands and knows things. Believing things leaves me a little bit unsatisfied. If I find myself believing something, I want to test the belief. I want to say how do I find out how valid this is.”
“I always used to say that artists are either cowboys or farmers really and they’re both both ways of being an artist are fine you know the farmer wants to find a piece of territory and fully explore it and exploit it … the other kind of artist is the one who just wants to find somewhere new he just wants to find the neck the next frontier the next piece of territory and that’s what he gets turned on by so i i think i’m more in the second category though people listening to my work would say but it all sounds exactly the same brian.”
If you want more, you can listen to the complete interview, or other episodes of Broken Record. Pictures are from The Library of Congress. This is a repost.